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Tim Burton Cinematic Analysis

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The cinematic techniques of close-up, non-diegetic sound, and flashback are used by Tim Burton in order to create a mood or tone, show facial expressions or details, and to show an event before the stories events and can be seen in the films Beetlejuice, Edward Scissorhands, and Charlie and the Chocolate Factory. One cinematic technique Tim Burton used in his movies was close-up. Close-up is added in movies to show a character’s emotions. For example, in Edward Scissorhands, Edward was scared of Peg, when she entered the mansion and saw him in the dark attic. Tim Burton added this scene to show that Edward was scared of Peg and Edward’s face emotions matched how he felt. In Charlie and the Chocolate Factory, Charlie found the last golden ticket in his candy wrapper. T. Burton included this scene to show Charlie’s reaction when he first saw the corner of the last golden ticket. For the last example of close-up, in the movie Beetlejuice, Barbara and Adam went home after the car accident on the bridge and found out they were deceased. T. …show more content…

Non-diegetic sound in movies is used to create a mood or tone. For example, in Beetlejuice, Adam and Barbara were having a serious conversation about their death. Tim Burton included this scene to show that Adam and Barbara finally understood they died in the car accident on the bridge. In the movie Edward Scissorhands, Peg was nearing Edward’s dark, old, scary mansion for the first time. Burton had this scene to show that Peg was scared of entering the mansion for the first time ever. For the last example of non-diegetic sound is in the movie Charlie and the Chocolate Factory. Charlie was in the candy shop, with the money he found on the ground and he brought a Willy Wonka bar, and finally found the last golden ticket. T. Burton has this scene in the movie to show the excitement and happiness on Charlie’s face when he found the last golden

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We have all had a time in our lives when we were fascinated by a sight or sound, whether it be a song, scene in a movie, excited fans and their cheers at a football game, or just the wonderful sights and sounds of nature. Tim Burton has mastered fascinating viewers through sights and sounds in his movies. In “Edward Scissorhands”, “Charlie and the Chocolate Factory”, and “Big Fish” Tim Burton uses the cinematic elements light and sound, to emphasize the characters and/or scenes. Lighting is used in many different ways throughout Burton’s films to emphasize the characters, mood, and scenes. “Edward Scissorhands” is Burton’s most prominent use of lighting to emphasize the mood.

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Tim Burton is a famous director who puts a lot of originality into his work. Burton uses editing techniques, music and sound, as well as shots and framing and camera movements to determine the mood of the scene. Editing is one of the techniques Burton uses to create emotion and suspense in the audience. One way Burton does this is by using fade in Big Fish, Edward crosses paths with Karl who was waiting for him on the longer road.

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The short-length feature Gerald McBoing-Boing, which tells the story of a boy who only speaks in sound effects, has been regarded as an exceptional example of what could be described as the cartoon style of heavily design-oriented and abstract-based 1950’s animation. It was one of the first cartoon shorts to gain widespread attention for its usage of limited animation. In comparison to the features of Walt Disney, which were recognized for their concrete simulations of reality and exquisite, frame-by-frame details, shorts like Gerald McBoing-Boing utilized symbolism, abstract art, and simplicity to create their own interpretations of real-life situations. This particular style of animation depended heavily on the animators’ abilities to emulate

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The bird’s eye view shots in North by Northwest created true “cliffhanging” suspense, like the Mt. Rushmore chase scene. The use of wide-angle shots gave the audience a feeling of helplessness that feeds into the suspense. Also, the camera would cut quickly between actors to give a sense of urgency and fear. By comparison, Rear Window’s cinematography seems less rushed and urgent, but that does not mean it is any less suspenseful. The film was shot mainly from Jeff’s perspective, in his apartment looking across the courtyard into his neighbors’ windows.

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In the 1989 Batman film, Tim burton uses a mix of medium shots to show the hand-to-hand combat scenes and close-up shots to show the emotion on Batman’s face. An example would be when the Joker was first introduced to the audience, the Joker turns around where his face was very close to the camera to show the bad condition his face was in. Another example would be in the movie Edward Scissorhands Tim Burton uses a long shot when Peg is standing on the edge of the castle where the roof was torn off. This shows the vulnerability of Peg, it makes her look weak and small.

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In conclusion, Tim Burton proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. He uses each technique to reel in his audience. Tim Burton’s style is based on differences between things or people. However, Burton uses many more techniques than just these three, he uses all kinds to appeal to his

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1064 Words | 5 Pages

By using a long shot, the audience can see both how many people there are, and their angry, almost crazed body language. When these two things are shown together in one shot, one can understand the gravity of the situation, and begins to fear for Edward’s life. Throughout all his films, director Tim Burton uses many film techniques and cinematic elements. However, when Burton wants to control the audiences’ emotions, and twist the mood of the scene, he uses lighting, non-diegetic music, and framing

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Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

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The film shows close-up shots when characters are talking then some shots are mid-shots. Depending on the conversation and what character it was showed what focus of shot was being taken. In other films the use of cinematographic differs in this movie. In Edward Scissorhands close-ups were used so that the audience would be distracted what was occurring in the background. Close-ups were used to take the audiences’ mind off of the background and redirect the focus.

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In the book 'Holes' by Louis Sachar, Stanley the protagonist tries to overcome the struggles in Camp Green Lake. There was once a beautiful large lake, but now it is just a flat, dry wasteland which turn bad children into a good. Stanley was an isolated person with no friend and he was unlucky of the curse that his great great grandfather that made him went to Camp Green Lake . Stanley was challenged by digging holes in the blistering weather and whenever he dug a hole he become stronger by each hole he dug. Stanley faces many problems during his time at Camp Green Lake but he manages to overcome all of them.

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Close ups and extreme close ups are used to emphasize the characters emotions and even highlight a major part of the plot that the characters may mention during the film. ”(media fort, 2013) They also cause for the viewer to become emotionally engaged in that specific scene and pay close attention to detail. Many of these camera angles were used during the scenes between Jake Sully and Neyriti to portray a level of intimacy. Tracking shots also play a major part in sci-fi films as the camera follows a particular character.

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Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.

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Tim Burton uses camera movements, camera angles, and sound in Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory to create the right mood for the audience to feel. Creating the right mood allows the audience to connect to the movie and to be intrigued by the movie. In Edward Scissorhands, Burton uses camera movements to create a sad mood. In a flashback, the camera moves with the inventor, who made Edward, as he takes Edward's hands out of a box and walks over to Edward before he dies, without getting to put Edward's real hands on.

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793 Words | 4 Pages

Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.

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Fincher also utilizes close-ups of non-speaking faces \to show characters processing information. These shots are often followed by a previously shown establishing shot which shows solved tension. This technique was also used in Fight Club when the narrator’s boss discovers the list of fight club rules which was left on the office photocopier machine. The narrator threatens his boss and close-up shows the tension in the scene. The scene then jumps to a previously shown long shot to show the release of tension.

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