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Tim Burton's Appearance In Edward Scissorhands

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First impressions are immediately based off of outer appearance, which causes some people to have false thoughts about who others truly are. Tim Burton is someone who embraces people who look different. In Films such as Edward Scissorhands and Alice in Wonderland, he has exaggerated characters who challenge the norm of society. Burton’s characters are judged by their outer appearances and have labels put on them. Tim Burton uses drastic makeup, contrast, and lighting to prove that things are not always as they seem. Tim Burton uses drastic makeup to make the characters stand out from the crowd, which makes them an outsider to everyone else. In Edward Scissorhands, Tim Burton makes Edward, the protagonist, look very dark and mysterious. Kim, Edward’s love interest, has a negative initial reaction to Edward because of his appearance. His appearance makes him look as if he is a monster, but Kim later figures out that he is very sweet, loving, and nowhere near what she thought he was like. Edward was a prime example on how appearance has no effect on who someone is on the inside. Although Edward had the looks of something disastrous, he showed that his appearance was just a false front that was judged too quickly. Burton utilizes contrasting colors to attract attention to …show more content…

For instance, In Edward Scissorhands Tim Burton uses low key lighting to give the mansion a creepy and dark feel. In the movie, most of the neighborhood residents are scared of the mansion, and even make rumors that it is haunted. They are given this illusion because the mansion looks dark, but instead it has a beautiful garden past the gates. Another example of this is Edward. Edward comes from the dark and creepy mansion so they assume that he is a dark person when truly he is not. The house and Edward were portrayed as something else but past their exterior, they were really something

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Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.

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Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.

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The gossiping housewives of Edward Scissorhands are prejudiced against Edward because of his looks and gossip behind his back. Tim Burton’s satirical portrayal of these ‘typical’ American housewives makes fun of the obsession with appearance that they have, even one of the main characters, Peg, whose whole job is about altering looks, follows this image-based acceptance of others. Thus, bringing the ridiculousness of preconceived views into light. Likewise, in Frankenstein, this prejudice solely based on appearance is demonstrated, when a man states ‘I am blind and cannot judge of your countenance, but there is something in your words which persuades me that you are sincere.’ symbolising the prejudice many people hold due to how someone looks.

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The unknown is often associated with danger because of society. Tim Burton would argue that the abnormal could often be the uttermost significant in life. Through color contrast and physically abnormal characters, Burton displays in his films that society wrongly teaches people to fear the unknown. Burton uses color contrast to show the isolation and the unknown of the outcast characters in his films. For instance, in Edward Scissorhands, Edward was introduced when Peg found him sitting in a corner all alone.

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Tim Burton is a famous director who puts a lot of originality into his work. Burton uses editing techniques, music and sound, as well as shots and framing and camera movements to determine the mood of the scene. Editing is one of the techniques Burton uses to create emotion and suspense in the audience. One way Burton does this is by using fade in Big Fish, Edward crosses paths with Karl who was waiting for him on the longer road.

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Tim burton, renowned for his incorporation of gothic styling into many of his films, throughs characters and themes to establish his noticeable signature in his films. In, Frankenweenie and Edward Scissorhands, the use of socially incompatible characters, unique identity traits, and contrasting a life of one that has conformed gives the both film a gothic identity with a sense of german expressionism tim burton autuer. Burton does this in order to communicate his thoughts on conformity and to

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Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.

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Stargirl and Wonder are two different books about being accepted in modern day society. Stargirl is about a highschool girl who is unique and “different” and shows it with clothes and accessory choice. Wonder however, is about a boy who has unfortunate facial deformities. But, in both novels, the author is trying to teach us that everything isn’t always on the outside, and sometimes, you have to look beneath their outward appearance.

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Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

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Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.

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What does director Tim Burton’s Edward Scissorhands and Mary Shelley’s Frankenstein (1994), directed by Kenneth Branagh, have in common— a mutual underlying story; but their differences are what makes their tales all the more special. Edward Scissorhands is a retelling of Frankenstein, but with a slight twist. In Edward’s case instead of lacking companionship like Frankenstein’s monster, he lacks hands; and is received rather well by the surrounding community. Ironically, in both tales the characters share the same desire to be love; this ignites the question – why do humans want to be love? Are we only important as we are loved?

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Tim Burton's Edward Scissorhands tells the story of an unusual outsider who is shunned by society due to his physical appearance and unique abilities. Through his character and story, Burton reveals the positives and negatives of being an outsider, highlighting the beauty of individuality while also shedding light on the isolation and discrimination that can come with it. On one hand, Edward's "outsiderness" is what makes him so special and endearing to those who get to know him. His ability to create beautiful, intricate sculptures with his scissorhands is a testament to his creative genius and artistic talent.

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Tim Burton is one of the best directors to date. His ability to intertwine creepiness themes and tones into plots and the characters and still maintain the necessities to watch an enjoyable is unimaginable. Edward Scissorhands and Charlie and the Chocolate Factory are both adequately produced movie that show Tim Burton’s prodigal filmmaking abilities. The thematic elements are vivid and applicable to the scene to put actors and even the audience under suspense and eager to know their

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Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.

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Tim Burton is a man praised for his cinematic style and contributions into the world of film. Tim Burton is influenced by his fascination with children’s stories and fairy tales. An article states, “Burton stories encourage escapism into worlds of fantasy and supernatural.” Some of his children’s movies are rather dark but delightful. Tim Burton was influenced by Roald Dahl along with other well-known authors such as Dr. Suess.

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