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Analysis of cinematic techniques in tim burtons films
Analysis of cinematic techniques in tim burtons films
Analysis of cinematic techniques in tim burtons films
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She doesn't like fishing. He hides the fishing gear from her. Sheila heard a noise which was the bass, but he said it wasn't. Here is some reason why he would choose the fish. It was a big fish the biggest fish he had ever seen.
The Veldt: Craft Moves Ray Bradbury, the author of the dystopian story “The Veldt” applies many craft moves throughout his story. Some craft moves he includes is dialogue, foreshadowing, metaphors, and similes to build up the imagery in his story. The imagery he uses in the story helps the reader understand what the setting is like and what the story is trying to tell you. “The veldt” is in a totally different setting than the reader’s world. It seems to be set in the future, with all the technology the main character’s family have.
He merges past and present through seamless transitions. In the “West and West” interview, he describes these “magical cuts”, as her likes to call them, as a space where “the past, present and future are all the same” (31). These seamless transitions are achieved through framing effects that allow, for example, to feature the same character as a child, then as an adult without any visible cut. In one scene, Victor and Thomas, adults, converse in the trading post of the reservation. When Victor leaves, Thomas is shown looking after Victor.
What seemed to be the biggest bass in the river, snagged on the line. There is no way the boy could let Sheila know of this. The rest of the night, the narrator maneuvers the boat perfectly and somehow manages to keep the fish on the line, without Sheila having any knowledge. They finally reach their destination and the boy is faced with a crippling decision. The boy has to either cut the line, letting the fish go, or risk having Sheila lose all interest in him by reeling in the fish.
Tim Burton is a famous director who puts a lot of originality into his work. Burton uses editing techniques, music and sound, as well as shots and framing and camera movements to determine the mood of the scene. Editing is one of the techniques Burton uses to create emotion and suspense in the audience. One way Burton does this is by using fade in Big Fish, Edward crosses paths with Karl who was waiting for him on the longer road.
During this time, Edward just speaks in his head. He wonders why this was happening to him. Tim Burton leaks his personal thoughts and opinions on puberty into this section of big fish. It could be believed that Tim thinks it is a troublesome part of life and it seems to happen so quickly. On the other hand, we can also see that the process, that was so painful, stopped right when Edward realized something about himself.
After I watched The 39 Steps a second time, I started to pay more attention to those transitions and themes that Hitchcock loved to use. The swift transitions
In the final transition there is a short sound of music that is very humorous. Throughout the film, Welle’s includes these pieces of sound that relate with the dialogue, it is a continuous pattern throughout the film. Welles uses these unusual techniques to create different emotions among the audience. The transition between this shot and the next is characterized by a small dim of the light that darkens and transitions into the next
Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.
In the movie Big Fish Tim Burton has very odd ways of showing transitions, but they are very interesting. One example of the transitions Tim Burton did in this movie was music transitions. In these music transitions it can go from a sad vibe to a happy, cheery music. These transitions can show a mood shift, they give the viewers a hit to what will happen next, will this next scene be happy, exciting, scary, or sad. These sound transition makes the ready subconsciously think,”Oh this is going to be scary!”, or “This cheery music makes me happy.”
The description of the fish flopping on the ground as it is breathless on the ground, shows the symbol of the story, and the purpose of the story. Get in trouble to save the fish, or not get in trouble and not save the fish. Overall, the use of rhetorical devices helps the audience understand Reynolds way of speaking, and clarifies the topic of empowerment and
The Importance of Sacrifice Cherie Dimaline's novel The Marrow Thieves exemplifies sacrifice and how the characters put others ahead of themselves. The Marrow Thieves is a survival story about a group of Indigenous people who are being hunted by the Canadian government for their bone marrow. Their bone marrow is useful because it grants people the ability to dream. Throughout the story, sacrifices were made amongst the group. Frenchie makes a sacrifice by testing a potentially electrified fence.
During the introduction scene of Charlie and the Chocolate Factory, the composition is busy and in a rush, as is the imagery of the different machines working a outputting chocolate. Another memorable scene in terms of music was in Edwards Scissorhands, when Edward is cutting the ice sculpture as Kim dances in the ‘snow’ that comes from the pieces that he cuts off. The music gives off a dream-y feeling. Tim uses music and composition to add extra feeling to an exciting scene.
Tim Burton uses camera movements, camera angles, and sound in Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory to create the right mood for the audience to feel. Creating the right mood allows the audience to connect to the movie and to be intrigued by the movie. In Edward Scissorhands, Burton uses camera movements to create a sad mood. In a flashback, the camera moves with the inventor, who made Edward, as he takes Edward's hands out of a box and walks over to Edward before he dies, without getting to put Edward's real hands on.
On top of that, another unique type of transition is also used well to show events occurring at the same time but in two different locations. A good example of a scene is when Dorothy and her followers are at the poppy field. After the Cowardly Lion joins the group, the scene zooms out to the Wicked Witch’s crystal ball, and fades away. The Wicked Witch then looks at the poppy field, and the scene switches, zooming into the crystal and opening up to show the group travelling again. After Dorothy falls asleep in the field, an image of the Good Witch appears over the scene, as she casts her spell.
