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Toy Story Video Analysis

200 Words1 Pages
The nature of the time period we are living in where pre-teens having access to phones and such, hearing something in school could prompt them to look it up on their phones later. I think it shouldn't be hard for a parent to talk about sexuality since even PG-rated movies that are hilarious to little kids, being seen by an adult who has matured would have likely noticed something that was sexual as in example some scenes in Toy Story. These teens are showing both Individual and Relational developmental changes mainly Relational. By mainly asking questions towards their genders sexuality norms to their parents. Based from the video and what I would suggest to parents who are having issues trying to think how they should talk to their kids about
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Throughout the movie “End of Watch” follows along with Officer Brian Taylor (Gyllenhaal) and Officer Mike Zavala (Pena) on their daily patrols in the inner city of Los Angeles. During the course of the movie, there are many things that Officer Taylor and Officer Zavala do that is very common and even accepted among police officers. But, one reoccurring theme is that they use foul language while on duty, act unprofessional, and use excessive force. In addition, Officer Taylor is actively recording his daily activities while on duty with a handheld video camera and lapel body cameras for both himself and Officer Zavala. Even though Officer Taylor was repeatedly told to cease his filming by fellow officers and supervisors he continued his behavior.

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Ethical challenges are of universal span; many people including police officers are confronted with the opportunities for violating organizational rules and norms daily. Most of the stories about police officers in the media, including Cops and Criminal Minds, are about respectable police officers, but the intense 2001 movie Training Day is not. Alonzo Harris, a veteran police officer with the Los Angeles Police Department (LAPD), is training Jake Hoyt, a rookie officer on his first day with the narcotics unit. Harris’ character is an example of police officers’ potential for corruption. For instance, when Harris misuses the police authority and uses some fake arrest warrant seizing millions of dollars from a former LAPD veteran, now an informant

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Yes, Virginia, there was aSesame Streetbefore the Age of Elmo. This 1993 collection highlights the role of music in the long-running series from Children's Television Workshop, and reminds us that such Jim Henson creations as Big Bird, Oscar the Grouch, Cookie Monster, and Ernie and Bert were once part of a true ensemble of Muppet superstars. Nothing against Elmo, of course: kids adore him and he makes enough appearances in this anthology (including the show-stopping "Happy Tappin' with Elmo") to keep today's tykes happy. Also included is Ernie's classic "Rubber Duckie" (really, who doesn't know the words to that?) , Oscar's anthemic "I Love Trash," you-know-who's "C Is for Cookie," and Big Bird's Big Finale, a rendition of "Sing" that

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Throughout life we are told to express our individuality and swim against the stream of the general population to put emphasis on the characteristics that make us, in short, individuals. Cherishing what makes an individual special and different is what establishes roots in creativity and self expression, however there is a forced false sense of comradery in today’s society that takes the form of involvement with the masses; peer pressure forces many people to fall into the mold of an average character. The Academy award winning film, “The Incredibles” displays the themes of expressing one’s true self and special qualities, and in contrast repression by society to fit a basic mold. These themes are elaborated on through the development of the main characters and expressed further through the supporting roles and their dialogue and endeavors.

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It’s a challenge for me to think of any movie that doesn’t have at least one kiss between two characters. Even Lady and the Tramp, a children’s movie, has that iconic moment when the two dogs lock lips after sharing a plate of spaghetti. Sure, it wasn’t full-on making out - and it may border on beastiality - but it was a kiss nonetheless. At this point, a good kissing scene is a Hollywood institution; we see one (or an attempt at one) in practically every movie ever made, just as we do an exploding building or Nicolas Cage.

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Lion, directed by Garth Davis, is a compelling interpretation of a remarkable true story of Saroo Brierley, lost as a child and reunited with his family 25 years later. Throughout Davis explores the unique circumstances under which Saroo is separated and reconnected with his family and his journey along the way. At some points of the film, I was confronted by how Saroo, a five-year-old boy, expertely navigates, with great instinct and genuine innocence, through an extended, yet life threatening ride. To put it in other words, Lion is a journey that grabs you entirely; whether you want it or not, and you are involved in each and every scene. I instantly fell in love with the connection and relationship between Saroo and his older brother

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