Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character analysis on two kinds
Character analysis two kinds by amy tan
Character analysis two kinds by amy tan
Don’t take our word for it - see why 10 million students trust us with their essay needs.
With the mother pushing her this much it makes her very strict. She doesn’t really give Jing a choice. This also made Jing feel like her mother didn’t like her the way she was. “’Why don’t you like me the way I am?’ I cried.
Both her and her mom want her to be a prodigy of Beyonce. Both of their parents want them to become a prodigy of somebody. Jing-Mei’s mom wants her to be a prodigy of Shirley Temple. One other allusion in “Two Kinds” and modern day society is Peter Pan. Peter Pan never wants to grow up and neither does Jing-Mei.
The Rebellious Daughter: Analyzing the Theme of Amy Tan’s “Two Kinds” The story “Two Kinds” by Amy Tan explores the deep familial emotions between a mother and her daughter. Jing-Mei’s mother had left China to come to America after losing her family, and had been raising Jing-Mei in America with her second husband. Despite her mother’s grand hopes for Jing-Mei to become successful in America by becoming a child prodigy, Jing-Mei did not share the same opinions.
“After losing everything in China…She never looked back with regret. ”(Chunk 1 ¶3). Jing-Mei’s mother is a Chinese immigrant with the typical ‘everything is better in America’ mindset. Jing-Mei, being raised in America, had more of an American mindset. “You want me to be someone i’m not…I’ll never be the daughter you want me to be!”
In Amy Tans story “Two Kinds” The author argues that not everybody is the same, and some want to obey and some want to pursue something they more interested in instead of something somebody else want them to do. The story says “Those who are obedient and those who follow their own minds” (tan pg. 412). This paper will analyze Tan story from the viewpoints of the daughter who wanted to follow her own dream, become something better, and grow out her mother grip. The narrator of "Two Kinds" is a Chinese American Girl who is in a constant struggle with her mother over her identity.
One dynamic that false expectation strains is the relationship between Suyuan and her daughter Jing-Mei. In a vignette told from the perspective of the latter, Suyuan has the notion that Jing-Mei should be able to perform something at the level of a prodigy. She begins
The language barrier causes Jing-Mei to not understand her mother's true meanings and intentions, while her mother understands everything she says but cannot communicate with her in a way that she would understand. Translations are never accurate, and so the mother and the daughter know how to word their intentions properly so it can be interpreted. Another example of the emotional distress going on between the daughters and the mothers is when Suyuan’s daughter Jing-Mei goes to see her half sisters in China. This represents the biggest battle of culturally different countries. June (Jing-Mei) sees this constant battle that her mother has gone through, and is upset that Suyuan died before ever seeing her twins.
Because of this, most readers will not have a comfortable feeling upon her coming back home. In “Two Kinds”, Amy Tan is telling a story about the girl facing high expectations from her mother. Most readers may feel pitiful for her because her mother forces her to do things that she doesn’t like. Tan shows the readers that the girl has the same normal thinking ways as
At first Jing-Mei grew in her dreams and desirers to be perfect for her family; “In all of my imaginings
On the other hand, being born into this country, Jing-mei is against wanting to live up to the expectations her mother sets on her. Two kinds reveal two different sides of the cultural spectrum, and their opposing view towards their values. Jing-mei 's mother felt like an outcast existing in a dominate population. Grasping the same idea, she held onto her hard time back in her home. Jing-mei is her last hope to prove that her homeland can be just as talented as Americans.
She then uses these “new thoughts” and ideas to state that she “won’t let her [mother] change” her into the person she seeks her daughter to be. When Jing-Mei experiences a realization that she is her own person and not simply another part of her mother, she can embrace the comfort of knowing that she will not change for anyone, and is simply extraordinary for having her own thoughts and feelings. This reflects how Amy Tan can understand her thoughts and feelings about the hardships in her relationship with her mother as a way to connect more closely to her characters and make them more realistic in her writing (“How Amy Tan’s family stories made her a
Her mother eventually forgives her for what she said in their argument and offers to send her the piano as a birthday gift. After her mother's death, Jing-mei accepts the piano. While looking through her mother's things, Jing-mei finds sheet music of the song she practiced for a talent show when she was a child. She sits down at the piano and plays the song, realizing that it wasn't as difficult as she perceived it to be when she was young. She then realizes that the two sheets of music, titled "Pleading Child" and "Perfectly Contented," are two halves of the same song.
Jing Mei, while portrayed as an obedient child, is only willing to listen to her mother to a certain extent. Throughout the story, it is consistently hinted that Jing Mei would eventually explode against her mother as an attempt to free herself from her mother’s chains. In addition, after the fiasco at the piano recital, she eventually derives further from her mother’s wishes as she “didn 't get straight A...didn 't become class president...didn 't get into Stanford...dropped out of college.” (54). On the flip side, Jing Mei’s mother is a stereotypical Chinese parent who is fully determined to ensure her daughter’s success in a new environment.
At her first glance at them, she knew exactly who they were because of their resemblance to their mother. However, as she approached them, she realized that there were no evident similarities in features between them and her mother, but that the similarities she noticed at first ran deep in their blood: they were family. And at this brief moment of realization, the most perceptible change in Jing-Mei took place. She said, “Now I also see what part of me is Chinese. It is so obvious.
(Tan 24). through this it can be said that Jing-Mei’s mother has a very different culture compared to