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Unit 3 Iago's Treachery Analysis

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Unit 3 (Othello)

What seems to be the motivation for Iago's treachery?

Lago is the really mean villain in the play Othello. He is manipulative and dishonest. He seems to encourage bad behavior to get what he wants. Lago is a very jealous man, and this is what motivates his treachery. You might even consider that largo is a racist. He convinces Roderigo to go to Brabantio’s house to warn him of the love affair between his daughter Desdemona and the older black man Othello. He also tells Roderigo to fill thy purse. Meaning, Othello can be bought. He thinks Othello’s love for Desdemona is not true, that money will change his mind. Lago says that he hates the moor (the black man). Othello is a gentle natured, middle-aged, black man that Desdemona
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William Shakespeare’s “Othello” was a great example to showcase sacrifices made by characters to accomplish revenge or obtain power. Shakespeare told the story of Othello, a tragic hero, who was manipulated by Iago, which motivated him to kill his own wife. From this story, Shakespeare’s main goal was to portray characters making sacrifices for their ambitions. From this play, Shakespeare puts forth the idea of sacrifice through pointing out the importance of reputation and how sacrifices must be made to silence the truth.

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Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.

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In the play Othello, Iago represents Marxist criticism through his pursuit of power that fuels his need for deceit in the story. He manipulates and deceives the other characters throughout the entire play. For instance when he set Cassio up with drinking the alcohol he got exactly what he wanted out of that, Cassio lost his rank as Lieutenant. Desdemona, Othello, and Roderigo were all deceived by Iago. Desdemona was deceived into thinking that she was helping a strong and noble man even though Iago was using that time to set her up.

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Although the audience is well aware of his hatred for Othello at this point, this soliloquy begins to delve into the mind of Iago. For example, Iago states “Thus do I ever make my fool my purse;/ For I mine own gained knowledge should profane/ If I would time expend with such a snipe/ But for my sport and profit” (1.3.375-8). Because Roderigo is in love with Othello’s wife Desdemona, Iago is just using him in order to achieve his goal.

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When people of one race believe themselves to be superior to those of another, only catastrophe can result. In the sixteenth and seventeenth centuries, racism was extremely prevalent, and white supremacy was much more pronounced. In William Shakespeare’s play Othello, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello. Most characters in Othello display both covert racism and overt racism towards Othello.

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Roderigo, is a young and rich man. He becomes furious when he finds out that Othello marries Desdemona. Once again we see how emotions take over the characters and commit foolish decisions. Roderigo is so in love with Desdemona that he gives all of his money to Iago because Iago promised him that he would help him win Desdemona’s love. Iago once again betrays another one of his victim.

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Iago tells Roderigo to pack up all his things and go to Cyprus because Desdemona will son lose feelings for Othello and she will go to Roderigo, he says “i could never better stead thee than now. Put money in thy purse. Follow thou the wars, defeat thy favor with an usurped beard. I say, put money in thy purse.

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Throughout the play, he would often talk about Iago in the same manner as in Act 2, scene 2, “a man he is of honesty and trust”( II,ii. 323-324). Given that Othello trusted who he thought was his best friend, it was easier for Iago to bring Othello down. The root of Iago’s evil intentions is jealousy, which he describes to be like a “green-eyed monster which doth mock the meat it feeds on” (III,iii. 196-197). He speaks of it in a way that captures how it affects man because that is what he was going through after Cassio got the lieutenancy.

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He is manipulative and tells Othello to “observe her [Desdemona] well with Cassio” (Shakespeare, 3.3:197). Iago feeds Othello with countless lies and makes him miserable with something that is not factual. He is determined to get revenge and he does not realize Iago stands insincere. Furthermore, Iago is selfish when he tells Othello, “I am yours for ever” (3.3:479). He betrays Othello yet still let’s him depend on him for his own

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Throughout the play, Iago, Roderigo, and Brabantio display covert or overt racism towards Othello. At the beginning of the play, Iago, Othello’s ensign, and Roderigo, a wealthy man in love with Desdemona, discuss Othello’s marriage and their hatred for Othello. During their dialogue, the first references made of Othello are “his Moorship” and “the Moor,” which is how most of the characters refer to Othello (Shakespeare 687). Rather than referring to Othello nominally, they refer to him by his ethnicity, showing their inherent racism.

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Using the character of Roderigo, Iago manipulates him into doing everything he wants. At the beginning of the tragedy, Iago and Roderigo are talking poorly about Othello. Roderigo, who is in love with Desdemona, is upset due to hearing that Othello and Desdemona have recently married. Iago, who just found out Othello did not give him

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The exploitation of Othello’s race leads to the manipulation Roderigo, Cassio, Brabantio, the Venetians, and the audience to see Othello as inferior although, the only difference between him and the Venetians is his lineage. In the first act of the play, Iago and Roderigo go to Brabantio’s house to rile him out of his sleep. This is seen as the first step of defaming Othello’s character. The two

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