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Figurative language analysis essay
TASK One Outline: Analyzing Figurative Language
Figurative language essays
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In this story, Death shows how life and death are brutal, yet somehow beautiful. Throughout the novel, Rosa Hubermann demonstrates how words
Thoughts in regards to suicide often include empathy for the dead, and wonder as to what drove the person to end their life. All too often, people ignore a rather important consideration: the thoughts and feelings of those left behind. The loved ones are left with the remorse, despondence, and grieving, while the dead are absolved of their worldly anguish. In “The Grieving Never Ends”, Roxanne Roberts employs a variety of rhetorical tactics including metaphors, imagery, tone, and syntax to illustrate the indelible effects of suicide on the surviving loved ones. Roberts effectively uses metaphors to express the complex, abstract concepts around suicide and human emotion in general.
Life has been celebrated and death has been mourned since the begining of time. The certainty of life and death can be seen as tragic or necessary. There is no way to get used to either of these things occurring because the loss of every person important to us causes pain and allows us to reevaluate what our life looks like without them. In the novel, The Poisonwood Bible by Barbara Kingsolver, the author portrays the emotional aftermath of death on those still living by introducing differing viewpionts to show the massive impact culture and age has on the acceptance of the inevitable. It is always tragic when a child outlives their parents, or even when an adult loses someone close to them.
Bryant also explains how death is feared by many but he offers comfort to the people that do fear it. Bryant tells the readers about death in a way no poet has said before. Bryant gradually tells the reader more and more about death in each stanza. In “Thanatopsis,” Bryant uses diction to describe death, details to describe how death takes place, and organization to help show the different levels of how people feel about death.
Loss is an experience unique to each individual and James McAuley and Gwen Harwood explore this in their poems “Pietà” and “In the Park”. The free verse “Pietà” bears witness to the physical loss a father endures on the anniversary of his son’s death, while in contrast, the sonnet “In the Park” explores the loss of self-identity that a mother feels in her role as a parent. The physical loss that accompanies the death of a loved one is depicted in “Pietà” when the narrator recounts how his son came metaphorically “Early into the light” of life, “Then died” one year prior. By accepting the part that death plays in one’s life, he acknowledges that “no one (is) to blame” for the loss, however, this resignation does not console his anguish. Just as he is consumed by his grief, so too is the mother in Harwood’s narrative but her pain stems from a loss of self-identity due to motherhood.
Through the words reflecting melancholy and sorrow, we can sense the narrator's self destruction due to the death of the woman he loved. As one examines the figurative language of the poem, one finds that its form and
By using a multitude of others’ works in her book, it displays the myriad of individuals who have struggled with the grieving process and losing a loved one. Further, this representation creates a feeling of comfortability and acceptance for the audience, providing them with a depiction, perhaps, of their own thoughts, feelings, and emotions as they too deal with loss. In addition, Didion tells the readers that there is a “certain look” that she has noticed on the bereaved once she lost Dunne (74). This look, she explains, is one of “extreme vulnerability, nakedness, and openness,” which Didion had perceived on several occasions with multiple individuals (74). By adding this detail, the author creates a unifying feature for mourners; she creates a solidarity between them.
When a loved one dies, it can be difficult to cope with the loss. The loss can be overwhelmingly devastating which results in the desperate desire to connect with the person who has died. To compensate, people often insist on keeping the loved one’s spirit with them through memory. However, oftentimes the death is so unimaginable and the impact so great, it results in the denial of death and the subsequent altering of these memories. Denial of death undermines memory by fabricating understanding of events, and in Tim O’Brian’s “The Lives of The Dead,” Tim’s memories of a childhood crush Linda, demonstrate his denial through his altered visual, auditory, and emotional memories.
Whether it is the journey of the soul, judgment and rebirth, or the promise of eternal life, the afterlife offers a sense of continuity and purpose beyond physical existence. Through the stories and traditions of these mythologies, we gain insight into the human experience of grappling with mortality and unknown mysteries. Finally, the afterlife reminds us that death is not the end, but a transition to a new phase of existence. As author Raymond Moody once said, "Death—the last sleep? No, it's the last awakening.
There is much controversy that surround both the Angolan Civil War and the Battle of Cuito Cuanavale. The battle was exited with both sides, Cuba and South Africa, calling the battle a victory. However when looking at the intentions of the Cubans and the South Africans and the outcomes, as well as the Angolan Civil War history, it is clear the Cuba was the victorious force. Angola was one of the last African countries to gain its independence. This was because as other European countries were loosening their control over their colonies and moving away from colonisation, Portugal took a different approach and attempted to strengthen its control over its colonies, including Angola.
The concept of gentrification was first introduced by Ruth Glass in 1964 to describe an urban phenomenon of upgrading of old property but also displacing the existing population, mostly lower class urban citizens. During this process of urban evolution, an upward transformation of the socio-economic structure of the neighborhood occurs (Ruth, 1964; Smith, 1979). Since the first introduction of the phenomenon in 1964, the concept of gentrification in research has become more dynamic and complex. In addition, many scholars and social scientists have provided their view on gentrification and written about the complexity of the phenomenon, as well as the frequent occurrence of gentrification in many cities all over the world. Since the first introduction of the term “gentrification,” the phenomenon has become a source of debate among scholars and policy makers, particularly in the Global North – US and Europe (Atkinson, 2003, 2004; Cox, 1993; Davidson, 2007).
The attitudes to grief over the loss of a loved one are presented in two thoroughly different ways in the two poems of ‘Funeral Blues’ and ‘Remember’. Some differences include the tone towards death as ‘Funeral Blues’ was written with a more mocking, sarcastic tone towards death and grieving the loss of a loved one, (even though it was later interpreted as a genuine expression of grief after the movie “Four Weddings and a Funeral” in 1994), whereas ‘Remember’ has a more sincere and heartfelt tone towards death. In addition, ‘Funeral Blues’ is entirely negative towards death not only forbidding themselves from moving on but also forbidding the world from moving on after the tragic passing of the loved one, whilst ‘Remember’ gives the griever
In the poem “Because I could not stop for death” by Emily Dickinson, death is described as a person, and the narrator is communicating her journey with death in the afterlife. During the journey the speaker describes death as a person to accompany her during this journey. Using symbolism to show three locations that are important part of our lives. The speaker also uses imagery to show why death isn 't’ so scary.
From her internal thoughts and observations, the reader is given knowledge of the exact extent to which Ellie’s own mortality affects her thoughts, actions, and enjoyment of her whole life. The impact of the knowledge is best demonstrated when the reader is told, “Yet
In “Because I Could Not Stop For Death”, Emily Dickinson uses imagery and symbols to establish the cycle of life and uses examples to establish the inevitability of death. This poem describes the speaker’s journey to the afterlife with death. Dickinson uses distinct images, such as a sunset, the horses’ heads, and the carriage ride to establish the cycle of life after death. Dickinson artfully uses symbols such as a child, a field of grain, and a sunset to establish the cycle of life and its different stages. Dickinson utilizes the example of the busyness of the speaker and the death of the sun to establish the inevitability of death.