ipl-logo

Vincent Van Gogh's Saint-Rémy

567 Words3 Pages

Vincent Van Gogh’s self-portrait titled ‘Saint-Rémy ' (1853-1890) along with Edvard Munch’s ‘THE SCREAM’ 1893–1893 have created a historic influence on artwork in the present day. Based upon Alice Neel’s quote, “A good portrait… has something more than just accurate features. It has some other thing!” these artworks will be examined in regards to their description, analysis, interpretation and result in a concluding judgment. Both being famous pieces and vary in significance, these portraits will undergo further examination throughout this critical analysis using this quote and determining whether they really have “some other thing.”
Within Vincent Van Gogh’s infamous Oil painting (65 cm x 54 cm) the main focus is of Vincent himself. The portrait contains Vincent surrounded by the dominant colours of pale turquoise and a shade of absinth green. The attention is drawn to his face and eyes glaring while he seems to be wearing a suit. A series of delicate painting techniques have been used in order to create realism throughout the face. The use of light brush strokes in a spiral motion were used for an extricate background. Although with less visuals, this allows the topic to be more expressed and the central point of this piece to be viewed.
In a direct visual Van Gogh has used …show more content…

Van Gogh’s artwork was made to be a reflection of his emotional state and was created just after he left the St. Remy asylum in 1889.The pale turquoise and green are essentially viewed as a cool, calm colour yet contrasted to his emotional state of feeling ‘blue’ and sad. The eyes are tightly drawn in the centre and builds energy. The eyes were painted to look distressed with a transfixed effect. This was used to allow the viewers see through into his mind and his struggles and the fight he had with the demons of his

Show More
Related
793 Words | 4 Pages

The portrait was painted on wood panel and in gothic like form. Nonetheless, this masterpiece is representation of time, the complexity of the painting and the

Read More
1303 Words | 6 Pages

There is almost no contrast in this painting besides the subjects themselves in the painting. Particularly, the face on the right subject, he has the most detail with color and contrast out of the whole piece. Now the space of this picture is a bit of an illusion, because the way it’s painted it can change with how the viewer’s imagination perceives

Read More
1430 Words | 6 Pages

The medium executed in the canvas is oil paint. From the original location, the artist intends viewer to visual the painting in only one orientation. The painting is located directly in front of the viewer. This critique points the description, thorough analysis and viewers judgement of the artwork.

Read More
805 Words | 4 Pages

Philosopher Alain De Botton uses Vincent Van Gough to persuade his audiences into seeing and embracing our environments so that we can full understand the extent of their impact on society/us, “It was for Van Gogh the mark of every great painter to allow us to see certain aspects of the world more clearly” this evaluative statement highlights De Botton's and Van Gough's attempt to convince the respondents of their neglectfulness to their elements in their travels and everyday lives. As Van Gough’s distinct style of representing forms expresses his emotions of society, “Artists could paint a portion of the world and in consequence open the eyes of others to it”, said by Alain De Botton suggests that artists eyes are open to the world and it is those that we see it through. Like wise in Ljalkaindirma, Albert Namatjira uses his cultured beliefs of traditional Aboriginal customs demonstrated by his use of vector lines and light to give the painting depth and meaning connecting it to the traditional Aboriginal relationship between their land and culture. Namatjira builds upon this through his use of vector lines, which immediately draw the respondents towards the centre of the mountains allowing the respondents to allow themselves to identify the other aspects of the painting that extend the landscape

Read More
86 Words | 1 Pages

During the start of the war, the German Army was very prepared. As they were defeated during World War I, they have had become more competitive and never wanted to get defeated again. New weapons for the war such as tanks, armored divisions, air power were well used. During the war, there was a concentration camp for people who were opposing Hitler. Whoever opposed him was either put in a concentration camp or was shot.

Read More
660 Words | 3 Pages

The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with

Read More
844 Words | 4 Pages

And furthermore, recognize the symbolism documented in the painting for iconographic analysis. In doing so, this will highlight and comment on important characteristics of Omnibus Life in London as it yields new information regarding the emerging shift in social inequality. Through formal analysis, the visual characteristics of the work present an interesting insight into the painting. The first emotion that I experienced with this work was claustrophobia and crowdedness. Part of the feeling spawned from the three-dimensionality of the painting.

Read More
158 Words | 1 Pages

Jan van Eyck he is credited with the invention of the oil-glazing technique which replaced the earlier egg-tempera method, his painting relies on illusion. He used technique to draw people in such fine details that viewers feel as if they are looking into real room with real people inside. For example in the Arnolfini Wedding, he draws the young couple holding hands in fine details as the focal point of this illustration that makes the viewers feel as if they are looking into a real room with real people. In the background behind the principal subjects he draws out a mirror on the wall with the reflection of the front of the room that it wasn’t drawn on the picture this enhance the illusion of reality that Jan van Eyck tried to portray. Everything

Read More
2048 Words | 9 Pages

In a tragedy, the protagonist is the author’s representation of the destructive flaws of the human race. The tragic hero, usually the protagonist, brings about his own suffering because of his character flaws. At the same time, the loss of faith in humanity by the audience is often restored by the redeeming qualities shown after the his defeat. Three main theories of the tragic hero are the Aristotelian model, the Shakespearean model, and the modern tragic hero. Each model has five defining characteristics, which are nobility, hamartia, downfall, anagnorisis, and suffering.

Read More
868 Words | 4 Pages

In the 18th century, another one of the greatest artist of all time, Vincent Van Gogh illustrated a very personal painting. The Starry Night is now one of the most widely known paintings in the world, but the story and meaning is not. Both artist used dark and grim themes when it came to their creations, and that is what draws the public to them. In today 's society we are able to relate to the deeper and more mentally touching symbols of these pieces of art. Andrew Wyeth’s painting, Christina’s World shows a young woman in a empty field looking up at a grim farmhouse on a rustic summer day.

Read More
1128 Words | 5 Pages

Searching for a painting that really spoke to me was hard, I was searching for quite a while, until I found Bedroom in Arles. There are many things in this painting that would catch a viewer 's eye; the reason the painting caught my eye was because it was much more vibrant and colorful that all the other artworks I saw, that is why it attracted me. “Bedroom in Arles created” in 1888 by the word renowned artist Vincent Van Gogh was painted to represent himself, who he was as a person, and the life he lived. That is what Van Gogh is trying to convey to the viewer in this painting, he did this with the use of vibrant colors, the thick brushstrokes used, the many different and odd parts of this painting, and the texture of the items in the painting. Van Gogh’s use of color, and his bold color choices is what really attracted me to this painting, it stood out like a sore thumb from all the other paintings.

Read More
944 Words | 4 Pages

Along the line of the aforementioned article, the chosen blues and white of the night sky represent the vulnerability of Van Gogh’s feelings and mental state depicting the almost constant depression that plagued

Read More
1223 Words | 5 Pages

The Ontology of the Photographic Image André Bazin André Bazin through “The Ontology of the Photographic Image” examines how the mechanically produced photographic image is superior to the manual plastic arts for preserving humans and reality through representation. Bazin explores the existence of the photographic image through his essay. Plastic arts were used in the Egyptian civilization to preserve human beings.

Read More
802 Words | 4 Pages

Art is expressed in many ways, such as writing, music, sculptures, paintings, and more. Vincent van Gogh 's "Starry Night" is known around the world. Van Gogh 's oil painting was completed when he was institutionalized in a mental asylum. He painted the dark sky right before the rise of the early morning sun. Gogh used shades of

Read More
554 Words | 3 Pages

In art, color is very personal and subjective, and gives different meaning to different people. However, in this Van Gogh piece, it is clear what the colors are used for. The blue found in the man’s overalls suggests uneasiness, melancholy and distress. Blue is unanimously associated with sorrow, and it is clear that in this piece, the subject is suffering immensely. The color is used to compliment the feelings the audience perceives from this artwork.

Read More

More about Vincent Van Gogh's Saint-Rémy

Related Topics

Open Document