The Crazies to Say the Least “David leans on the sideline fence, sipping his coffee, watching the game. No one has yet noticed the dark figure walking out of the shadowy woods beyond the outfield. Weaving like a drunkard, he walks right onto the playing field, oblivious to the game. He is carrying a shotgun. Heads turn, mouths falling open in the bleachers and dugouts, everybody staring in collective disbelief.
Trickster Tales “Fool, I am taking you to pay for the sky-god’s stories.” Anansi the spider said this quote in the trickster tale “How Stories Came to Earth”. Trickster Tales are stories about a trickster who tries to outwit people, gods, or animals into getting something they want. In “How Stories Came to Earth” a spider named Anansi wants the stories to learn and share, but sky-god has a challenge for Anansi. He must capture a python, leopard a hornet and a fairy.
In “Our Zombies, Ourselves” author James Parker speaks to moviegoers and monster fans about that slow-moving creature of horror known as the zombie. In the essay, he attempts to uncover the reason for the zombie’s sudden and extreme popularity. To do such a thing he unearths the history of the zombies in film, literature, video games, and other media, and he sheds some light on their real origins – which all lead him to the conclusion that zombies are popular because of their “ex-personhood” (345). Throughout the essay Parker uses analytic language peppered with metaphors, description, and colorful references to some of the latest and greatest depictions of zombies, which help to bring the essay and the monsters to life and keep the audience’s interest.
In the wildly popular Mexican film, Los olvidados (1950), Spanish director Luis Buñuel exposes the harsh realities of life in Mexico during the 1950’s. Luis Buñuel’s work on Los olvidados portrays a societal loss for all hope due to crime and violence as an infinitely vicious cycle, coupled with addressing the lack of reform for dilapidated living conditions throughout Mexico. In Los olvidados, Buñuel follows Pedro (Alfonso Mejía) a neglected bastard, and El Jaibo (Roberto Cobo) the leader of a gang of homeless children loitering in vacant lots. For Pedro, and the rest of the cast, a series of unfortunate outcomes have been strung together though common ignorance and a lack of self-control. Luis Buñuel’s use of focal length, editing, and dialogue
Young @ Heart There are countless known stereotypes that allude to senior citizens; many people believe: senior citizens are lazy, isolated and in poor health, the list could go on and on. The documentary Young @ Heart totally eliminates these stereotypes and discards many of the misconceptions people have towards senior citizens. Young @ Heart documents a chorus of senior citizens, directed by Bob Cilman, as they rehearse for their monumental “Alive and Well” performance in their hometown.
In one of its season, the show was centered around Vodou magic. Things like Vodou sacrifices, rituals, and curses were all presented. Moreover, Vodou has also inspired the creation of movies greatest “monster”-the zombies. The belief of zombies is related to the Vodou religion. They are corpses who have been re-animated and controlled by magical means for some specific purpose, usually labor.
Portuguese Lore Research Paper Outline Introduce your topic Portuguese Lore Answer these questions: Introduce Legends, Myths, and Fairy Tales. What does each of them entail? (If you found Tall Tales or Fables then introduce these as well) Legends are based on history, embellished, and told and retold. Myths are based on religion, supernatural beings, gods and demigods, and explain natural phenomenons.
The history of zombies is sort of interesting. It has seemed to have started in Haiti. They believed in witchcraft and voodoo, which is why the legend started there. At one point there was even a scientist that believed that he found a powder that could turn humans into a zombie like form. It is also believed that we like zombie shows and movies so much because it allows us to explore the end of the world while still being able to sleep at night.
The documentary, Merchants of cool, describes an evolving relationship between the vast teenage population and corporate America. The film provides an in-depth look at the marketing strategies and communication between these groups. Adolescents are shown as learners and adapters of the fast-paced world; they’re constantly exposed to fashions and trends. These young adults have a lot of disposable income and are willing to spend it, in order to gain social popularity. In other words, they are chasing ‘cool’.
Metropolis is a 1927 German expressionistic science fiction film, directed by Fritz Lang. Much of the plot is established following influences of the first world war, and the culture of the Weimar Republic in Germany. Although criticised for its allusions to communism in the resolution of the film, Lang explores mostly themes of industrialisation and mass production, which, coincidentally, were two developments that provided a large influence in the First World War. Lang also explores themes of the Weimer view of American modernity, communism and fascist rule. Politically, this film was shot after WWI, meaning many of its influences were extracted from the horrors of the First World War.
Leonardo Da Vinci medicine Da Vinci's training in the anatomy of the human body began with his apprenticeship to Andrea del Verrocchio who was an Italian artist and goldsmith and was the manager of an important workshop. He was known by his nickname "Verrocchio" which is Italian for true eye, because of his skill as an artist. He trained many famous artists including Da Vinci and insisted that all his students learn anatomy. As a talented artist, Da Vinci quickly mastered anatomy. Drawing many diagrams of muscles, tendons and other visible features of the human body.
When one compares two monsters such as a zombie and a vampire it is easy to see the differences between them. Zombies and vampires have more differences than they do similarities. With one being a walking corpse only seeking the consumption of flesh, and the other being a blood sucking un-dead creature with some human qualities. These monsters also represent specific fears that people have, and in return make the people of today so much more drawn to these movies. People like things they can relate to, and people can easily relate to a zombie.
“Some like it hot” was made in 1959 and directed by Billy Wilder. The story goes about two musicians, Joe and Jerry, who witness a gangster shooting. To save their lives from the gangsters they flee. To make sure they will not be recognised they disguise themselves as women musicians and become Josephine and Daphne. While they are going to Miami in an all-women band, their original plan was to go to Miami and them leave the woman band they decide to stay with them.
Get Out (2017) is a horror film directed and written by Jordan Peele. The film is about a black male named Chris, performed by Daniel Kaluuya, who is going out of town with his girlfriend Rose, performed by Allison Williams. The purpose of this trip is to meet her parents for the first time at their estate located deep into the woods. Little does Chris know Rose’s parents do not really care to meet him but are more interested in auctioning off his body. Chris figures this out towards the end of the film and he barley figures out a way to escape.
When you think of a zombie, what comes to mind? To most people a zombie is a cannibalistic creature that rises from the dead and is often linked with diseases. In the film Night of the Living Dead this is exactly what we get. The zombies are the main element of horror in this film and this is what holds our attention. Whereas in the film I Walked With a Zombie, the true terror is not being killed by zombies, but of becoming a zombie oneself.
