What Is Gertrude Stein's Way Of Writing
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I think the way of writing is similar for certain reason.
First, they both put a lot of repetitions. For instance, Gertrude Stein, in the passage I have, repeats “I am writing for myself and strangers” more than four times, while Heminway, when Robert Jordan spend time with Maria, ask always the same question such as “Do you love me?”
Second, for the two authors, the meaning is something unclear and that can be reflected in two ways.
The first is that we usually have to search the meaning because some phrases are too long and make the reader confused. For example, Hemingway does phrases with more
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Secondly, “And if I write, it is to warn the reader that he will not understand either”. This quote makes me think that he can only explain so much to use and there is so much more that we will never know or
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The tone that he uses when he introducing a new idea to the reader is very formal and contemplative. For example “Many modern and postmodern texts are essentially ironic … to illustrate a disparity or disruption,” sounds signicantly more sophisticated than, “I lived for a good while not knowing where that phrase came from, although to the extent I thought about it, I was pretty sure. (Foster, pg. 37). (Foster, pg. 38). This shift in tone is very significant to the way the reader connects with the author.
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Writing a rhetorical analysis on a specific text is something that I have never had to do before in prior classes, so when I found out that I had to write an entire paper on a rhetorical analysis on a text of my choosing I was a little worried. I was worried that I wouldn’t be able to give lengthy and accurate descriptions at a college level. Once I read in the textbook what a rhetorical analysis exactly was, my worry was overcome with ease to say the least. I decided to do my analysis on a speech written by one the most inspiring people in my life Gloria Steinem. Gloria Steinem is an American feminist and social political activist who wrote an article in the New York TImes “ After Black Power, Women’s Liberation” which brought her fame as
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The two texts grant readers a deeper understanding
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His experience with being born in Harlem and his role in the Civil Rights Movement influenced his writing to bring awareness to the events occurring in the black community and the reasoning behind them. With this, he draws attention to the idea of the lack of individualism black people faced in that time period which unfortunately continues today. Lastly, although they both were written in the same time period, they effectively demonstrate two different
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Both authors use personal language to ensure that the reader feels secure about the argument that the writer is trying to
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Both characters in these texts have situations that are weighing on them heavily. Both texts also use the rhetorical appeal of pathos to envoke emotion and sympathy from the readers. Examples of this include, "Mama, a job? I open and close car doors all day long. I drive a man around in his limousine and I say, "Yes, sir; no, sir; very good, sir; shall I take the Drive, sir?
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Josie Rourke’s modern stage adaptation of Much Ado About Nothing is renowned for the hilarious reunion of the Doctor Who costars: David Tennant and Catherine Tate, whose chemistry is mesmerizingly brilliant and inevitable from the moment the two step on the stage. As said by the Guardian: “Tennant and Tate sparkle in Much Ado,” it is this sort of partnership that really enraptures an audience, the choice of pairing being one of the main highlights of the exceptional replication of the 16th century classic. The play centers Beatrice (Tate) and Benedick (Tennant), the disputatious lovers, who hold a reputation for being unapparent to the love that they clearly share for each other, going along with repartee, oblivious to the
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The fact that they had similar goals and somewhat similar experiences led them to use some similar poetic and rhetorical devices. For example, both Clifton and Sojourner use the rhetorical strategy of appealing to ethos. Sojourner’s speech is full of ethos. She repeatedly pointed out the immorality of slavery and the contradictions between how women were “supposed to be” treated and how she was treated. This is also somewhat the case in Clifton’s poem.
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Even surface level objects, words, or phrases hold a variety of meanings which develops their significance. Authors often form anything into a symbol, which increases the perplexity of their plots, by developing various meanings and outcomes. Foster, in Chapter 5, discusses the concept of multi-level symbolism in literature by writing, “ in general a symbol can’t be reduced to standing for one thing” (98). Scholars and readers alike often feel as if symbols need to possess only one meaning, yet symbols hold endless connotations. Again, readers often feel as if symbols appear in a clear cut matter and only contain one explicit connotation, even though authors often write with numerous intentions.
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Hemingway portrays his message through dialogue, lending the reader ques to unveil the hidden message. In contrast, Hurston allows the reader to feel the
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The Fall of the House of Usher composed by Edgar Allan Poe and A Rose for Emily made by William Faulkner are very similar considering they both come from the gothic spectrum of short stories. However, they are very different and of course they’d be different since if you’d look at their authors they come from two different backgrounds of life. Edgar Allan Poe was born in Boston, so he’d have a different perspective of life since William Faulkner was born in Mississippi they’d have been taught different yet similar values of life. Edgar was born way earlier than William, so he might’ve believed things that were fake and in William’s time everyone knew that thing was a lie. Many people find Faulkner’s writing style quite hard, he doesn’t really
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The metaphors found in the both the speeches are used to convey
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