In your journey, you may come across artworks that appear similar; however, it is highly unlikely that you will encounter artists who work in the same manner. When presented with two artists, how do we effectively compare and contrast them? Instead of stating our opinions on the artists and expressing who we believe is better or worse, we focus on analyzing their differences identifying similarities, and recognizing the influence their art has had on society. In this paper, we will discuss the similarities and differences between Georgia O'Keeffe's and Frida Kahlo’s art, along with the impact that their pieces have had on the art we know today. Georgia O'Keeffe and Frida Kahlo, two prominent female artists of the 20th century, share several
In the 19th century many debates raged on the correct way to showcase a women’s body in a painting. “What was the relationship between women’s moral and sexual nature?” (pg. 272), artist worked to find a balance between these two concepts. A successful combination of these two topics can be seen in the can be seen in Eclogue by artist Kenyon Cox. Cox’s painting depicts four women naked and partially clothed lounging about together in a field.
The majority of colonial ladies portraits were painted by Henrietta Johnson. Nearly all women liked her way she was able to be precise and blend the colors well. They especially liked her way to paint hair on a canvas. In the portrait of Marianne Fleur Du Gue, Johnson blends the colors well that it even looks like the woman has a shadow behind her. Similar to Marianne Fleur Du Gue, the portrait Young Irish Girl shows great detail to her hair with looks like her has curled
For all artists, the “way life was seen” played a significant role in how the artists constructed and portrayed their artwork. In postwar Australian society, women played a significant role for the country’s growth. While men were at war, the women had to fill in the jobs, and Australia was basically being run by more women than men. This became more aware throughout the 1980s where feminism became more internationally aware. Margaret Preston’s husband, allowed Margaret to be free to do as she wanted during this time, differing from the stereotyped world where the men would work and the women would stay at home.
Her sculptures are now recognized and prized by the world top collectors. When Lou first began to put beads in her abstract painting, her teachers, and
Catlett does a good job at getting her point across about advocating for social justice in her paintings. She has a similar sculpture called “Mother and Child” which portrays an African American woman cradling her baby. The sculpture represents that black women are courageous maternal figures. She does this to “reflect us, to relate to us, to stimulate us, to make us aware of our potential,” (Catlett). By doing so she was able to win numerous Nobel piece
Analysis and Critical Inquiry: Blessed Art Thou Among Women (1899) Late nineteenth to early twentieth century was a formidable era for photography. A particularly talented portrait photographer by the name of Gertrude Käsebier made a name for herself in an industry often biased against female artisans. “She was known for her evocative images of motherhood, her powerful portraits on Native Americans and her promotion of photography as a career woman” (Masters of Photography).
It is important to know why a piece is primarily created as well as the messages behind them. Reclaiming Female Agency is all about why something is initially created and the reason behind the artist’s style. For them it is just as important to the piece being named for the artist. Broude and Garrard along with all the artist they used to feel that if the artist was raised by an artist or had great tragedies happen to them as important to what they created and why. One artist’s story that stuck with me was Artemisia Gentileschi and what was also said about women killing men and others by Garrard.
The two pieces of art I will discuss is Edouard Manet’s ‘Olympia’ and Mary Cassatt 's ‘Woman in Black at the Opera’. Manet’s Olympia was not critically accepted, the reaction to his painting was negative, only four critics out of sixty were favorably disposed to Olympia. Olympia was a derivative of Titian 's Venus. In 1863 the critics and the viewers didn’t know how to take Olympia, “they were unable to cope with so many novel factors and so they were unable to categorize the picture and so were unable to analyze it or understand it in any context” (Laurence, 2012). Nowadays we are more open minded and are able to see the painting in a different light.
Have you ever wondered what your mother had to go through when you were still a little kid? Well, It came across my mind a couple of times. I believe that women deserve more credits than they are given. In order to interpret my point of view on this specific topic, the image that I designated as being linked to this question is one about a woman that is on the verge of giving her sleepy little baby a bath. It’s a painting made in the United States, in 1880, by artist Mary Cassatt.
My work relates to Sherman’s in many ways, but the most important is that she inspired me to show one of the most common stereotypes of women. To begin with, my process of creating my photo and then drawing it was very difficult and easy at the same time. I started by trying to find where I wanted to take my photo. All I knew was that I wanted it to be somewhere with one light source, as shown in Sherman’s photos. I wanted to use a window, but I didn’t want just a regular window only because I felt that it would cause distractions.
The moment of conception is the moment a life starts... a heart being formed 20 days after conception. So if you decide to terminate your pregnancy, is that really killing of an innocent life even if the baby hasn't been born and taken it's real first breathe? Technically speaking, yes, getting an abortion is the act of killing a life, but in some cases it’s safer for the female to get one, than go through with the whole pregnancy. Going through with a pregnancy could sometimes be fatal to the person carrying the child, if they have high blood pressure risks, cancer, std/aids, etc.
Women Artists in the Victorian Period: The Struggle for Recognition During the Victorian period there were many women artists still struggling for artistic recognition in a patriarchal society. This essay considers multiple female artists including Henrietta Ward, Joanna Mary Boyce, and Emma Brownlow and their struggles in the art world of the period. These women struggled to gain patrons, to receive training from art schools, and to sell their paintings in the male-dominated art world. Many women artists became genre painters because there were fewer barriers and so it was most convenient type for women to practice.
It is only very recently that women’s voices have started to be heard. For a very long time women have been denied access to the art and design world. In her article, Linda Nochlin tries to find the reasons for which there haven’t been any “great female artists” and reveals the importance played by
The art world is perpetually sexist and racists, and curators are key to changing the masses view on art history and contemporary art voices through representation and inclusion. In order to offer up a more just and fair representation of global artistic production, mainstream (non-activist) curators need to re-envision/re-write their definitions of "greatness" to include non-whites, non-westerners, the under-privileged, and women. In Maura Reilly's essay, Taking the Measure of Sexism: Facts, Figures, and Fixes, Reilly fixates on the differences between men and women in the art world and how little has changed in the art world for women, despite decades of feminist activists. Better does not mean equal.
