In the second half of the book, it talks about Offred starts having contact with the Commander since she goes to his office often, and feels uncomfortable about what they do after the ceremony. Un day where the Commander’s wife wasn’t at home, the Commander takes Offred out to a club. In the club, she sees her best friend, Moira. Two different feelings come up to Offred’s mind, happiness and also pity. Since Offred has been to the Commander’s house for some time, the commander’s wife suspects that maybe the commander is unfertilized, but this is forbidden to speak up the word and she wants a baby, at the same time, she probably wants to help Offred, so she plans Offred go with Nick in order to have a baby.
Throughout the novel, The Handmaid’s Tale, the protagonist Offred expresses how exposed beliefs and practices by the Gilead government affect the lives of Handmaids, relaying
Outward conformity along with inward questioning, that is what the main character, presented in Margaret Artwood’s The Handmaid’s Tale, has to undertake in order to survive in a theocratic society. Stepping out of line in any way risks your life, so in a place where freedom of speech and basic human right’s no longer apply, Offered must comply with whatever rules they have in place and pretend to agree with the system, but in the inside, she cannot help but think about her past life, her husband, her daughter, before everything began. Flashbacks are integrated in the novel to not only compare the old society with the new one, but to also demonstrate this fake conformity Offred has to display to others and her internal struggle with giving up on escaping the Republic or just accepting her fate and playing by
In the novel The Handmaid’s Tale by Margaret Atwood, the protagonist, Offred, expresses her wish that her “story [is] different,” that it is “happier,” or at least “more active, less hesitant, less distracted” than it is ultimately portrayed (267). However, as her story is told, these characteristics are evident in the way she talks and acts, especially around those with authority. Hesitant to express her true thoughts and feelings, and distracted by memories from her previous life, Offred attempts to piece together her role in the society that has taken her freedom. The result is a compilation of moments, of memories, both from her present, her past, and even speculation about her future.
Leonardo Da Vinci is known as the famous artist who made the “Mona Lisa” and “The Last Supper”, but he was also an engineer that came up with many brilliant ideas. Leonardo was born on April 15, 1442, in Vinci, Italy. He was raised by his father and his stepmothers. When he was 14 he worked on being an artist and worked with the artist Verrocchio. He also had other hobbies like sculpting, metal work, leather arts, drawing, and carpentry.
Offred struggles between her attraction to Nick and remaining faithful to Luke. In the end of the novel, Offred ends up giving in to her attraction to Nick, however she does not feel that she has betrayed Luke in any way. Both gentlemen fulfill needs of Offed at different times of her life. Luke only exists in her past life, and most of Offred’s memories with him are fading away as she struggles to remember certain details of her past. Offred thinks, “The fact is that I no longer want to leave, escape, cross the border to freedom.
She is used by Commander for sex and companionship and had an affair with Nick (higher preganancy chance). Most of her actions are being forced “Which of us is it worse for, her or me?”(151) meant the sex between the narrator and commander is unbearable to the point of watching your husband having sex with another women right infront of you. Her only defiance done totally by herself is “I will use the butter later that night.” (113), everything else including escaping the Gilead, having an affair with Commander, having an affair with Nick and leaving the Commanders house are all stimulated by others. Offred represent those who does not stand against oppresion, being pushed around and used for sex.
The protagonist of The Handmaid’s Tale is referred to as Offred (of Fred). Through the manipulation of literary devices such as juxtaposition, allusion, and descriptive diction, Margaret Atwood voices her concerns about our future, and reveals just how quickly and completely our present could transform. As chapter 33 begins, the Handmaids are off to the Women’s Prayvaganza (a portmanteau of pray and extravaganza). The event, juxtaposed to the ‘fun festival’ it resembles, is really a mass wedding with girls as young as fourteen married off to Angels (troops).
(Atwood 93) this led to the Commander, his wife, and Offred getting the deed done to try for a baby. These very experiences molded Offred into the person she’d become at the end of the novel emphasizing the effect they had on her. Offred’s life before Gilead was similar to the typical women of 1980s. She had a husband, a child and more importantly a life.
“You wanted a women 's culture. Well, now there is one. It isn’t what you meant, but it exists. Be thankful for small mercies.” (Atwood 124) Offred is looking back on her past life to a story her mother once told her.
It is narrated by the protagonist, Offred who is a handmaid forced into sexual servitude. Facing a plunging birth rate, the fundamentalist regime treats women as property of the state. Handmaids are the few of the remaining fertile women and their sole purpose is to help the government into re-populating their society, where a lot of people are left sterile. The Handmaid’s Tale deals with the theme of women in subjugation to misogyny in a patriarchal society, primarily. It shows the struggle that women have to go through in that society, as a Handmaid or as not being able to be one.
Offred is suspicious of what the handmaid 's did. She looks at their hands, and a clue is given to her when she sees “black gloves”(Atwood 275). She ponders what they could have possibly done to have warranted such action from the authorities. Her speculation shows how the society of Gilead functions. The government of Gilead wants the handmaids to see that the prisoners are being hanged, as their suspicion is how Gilead gains control of them.
Offred initially feels a sense of loss due to her position as a fertile woman since the independence and individuality she once enjoyed has since been stripped from her by the Republic of Gilead. It is only through rebellion that Offred is able to slowly regain her sense of self and reject the role that Gilead forces her into. By rebellion, however, it is often more dangerous for the perpetrators than to the government’s grip on the people. Offred’s societal role as a handmaid in Gilead forces her to first obey, then causes her to question, which finally allows her to realize her
Further in the novel, we see Offred’s moral traits become even more compromised by her surroundings. When a black van with an eye painted on it drives by her, Offred’s fears that “there must have been microphones, they’ve heard us after all” (Bronte 169). Living in Gilead has taught her to fear her opinions of the society; those before her who rebelled all ended dead. When the police drag a man to the car and brutalize him, Offred’s first feeling is relief and says “What I feel is relief. It wasn’t me.”
Rebellion in The Handmaid’s Tale Imagine not being able to do what you used to do because some actions are forbidden in this new society. In the Handmaid's Tale, Gilead is a dystopian society where people are limited to certain actions. Throughout the story, Offred’s actions are rebellious because she has broken so many rules. Atwood demonstrates that restricted expression leads to rebellion by showing the Commanders and Offred’s affair developing throughout time and the actions of both characters.
