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Who Is Prospero In A Midsummer Night's Dream

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Oberon is a fairy king who lives in a forest nearby Athens. He helped Helena with her problems of love, but he also accidentally caused Lysander to love Helena briefly. It really wasn’t his fault, but his sprite’s fault, Puck. Oberon also used the love magic to make Titania, his wife and the fairy queen, love a beast with a donkey’s head but a human’s body, and made her give up a changeling child they were fighting over. Although Oberon is mischievous, after he gets what he wants he cleans up his mess. At the end of the story, Titania and him watch the mixed up couples of Helena, Hermia, Lysander, and Demetrius resolve their problems. Prospero is a man who was once a duke, but was cast out onto an island by his brother, who wanted the dukedom …show more content…

Oberon is a fairy, but Prospero is a simple human. Oberon influences many people by the work of a single flower, but Prospero uses different kinds of magic to do his work for him. If Oberon was not in A Midsummer Night’s Dream, Titania would not have fallen in love with a beast, Helena would not have found love with Demetrius, and Lysander would not have been accidentally influenced to love Helena briefly. The story would not be funny or interesting, and there would not be a lot of action. If Prospero was not in The Tempest, Miranda would be the main character, and she would have no father. The entire story would have to have a different plot because Prospero, the main character, would be missing. Instead, Miranda would learn magic, but she would not know that she was sent to the island by the king of Naples and her uncle Antonio. She would have never been brought of the island in love with Ferdinand, and she would never have know the people who ruined her life were near. Ariel might have not been released from the tree, and Miranda might have fallen in love with Caliban instead of Ferdinand. If Oberon and Prospero were not in their stories, the plot would be boring and very

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Prince Prospero tried to escape fate, but he failed to do

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Lysander is young, handsome man who is in love with Hermia. A few of the characters from Midsummer’s Night Dream and the Odyssey are selfish. Demetrius is trying to steal Hermia from Lysander, whom he knows is alive and is probably planning ways to kill him. The suitors are trying to get Penelope to marry them but have no idea where Odysseus is and if he’s even

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In Act 3.2, Oberon tells Puck, “I want you to interrupt their search by makinging it foggy. Do not allow them to find each other… Once they are asleep, place this potion in Lysander's eyes to remove the pollen you mistakenly placed. ”(16) With that power of control by being the Fairy King, he is controlling his servant to have him things right between the couples. Oberon controls Puck by telling him what to do to the couple so they won't be able to find each other and fight.

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He manages to convince Ariel that Prospero is a traitor who wants to prey on the weak and gullible to achieve his personal fantasies and

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Death is something that cannot be played with and something you cannot cheat. In E.A. Poe’s The Masque of the Red Death, he tells us about a prince who had a masquerade ball for the nobles. Any nobles with money and/or power and not sick were allowed to attend his fancy ball. The prince wanted to get the plague out of everyone’s mind and keep it away from him or her by barricading everyone inside his castle for the party. Eventually a masked man came and intruded the party to murder the prince.

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The events of the Armistice Day and WW1 negatively affected the U.S. military in several ways, including: WW1 marked the end of isolationism, and the number of countless lives that were lost during the war, or on the Armistice Day because of unnecessary battles and fights that the American Army was involved in. Many historians believe that American isolationism ended when they joined the first world war because they broke the rule that they would not get involved in any war that did not involve or affect the country itself. “Germany's unfettered submarine warfare against American ships during World War I provoked the U.S. into abandoning the neutrality it had upheld for so many years. The country's resultant participation in World War I

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The Masque of the Red Death, by Edgar Allan Poe, is a short-story about Prince Prospero, “the prince of prosperity”, and the antagonist of our story. Prince Prospero lives in a castle where the most extravagant parties were held for the beautiful, high society people of England. This castle held seven suites where the parties were hosted. These rooms were filled with stained glass windows all bursting with a specific color. One blue, one purple, one green, one orange, another white, one violet, and the last one black.

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In addition to Caliban, Prospero's yearning for vengeance also creates internal issues for himself. After Ferdinand and Miranda announce their marriage, Prospero claims his "rejoicing / At nothing can be more," because he must "perform / Much business appertaining," (Shakespeare, 95-99). Usually, a father focuses more on his daughter getting married, however Prospero can only focus on his plans for vengeance. Some believe that the characters internal struggles were caused by the wrongdoers, and not a lack of forgiveness; however, at the end of the play, after Prospero becomes a more virtuous character, his conflicts with his brother and Caliban are resolved, clearly showing that their focus on vengeance is what caused the internal struggles.

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Puck is Oberon’s servant, the king of the fairies, and when Oberon sees how Demetrius is mistreating Helena, he orders Puck to spread some of the love potion on his eyelids. However, Puck encounter’s Hermia and Lysander and he thinks that he is Demetrius and spreads the juice on his eyelids instead of Demetrius’s eyelids. Unfortunately, Lysander upon waking up sees Helena and falls deeply in love with her abandoning Hermia. Hermia believes Helena has acted to steal Lysander’s love from her. Hermia is appalled at Helena, threatening to scratch her eyes

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Power play is a big theme in the Tempest. This example shows that Prospero wants to be the master, and Ariel the servant. Overall, Prospero just wants power over people. However it can be argued that Prospero changes when he says:

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She is one of the three females mentioned in the play and the only female character to appear on stage throughout the play. She is beautiful and obedient other than being virgin and these virtues make her imminent wedding and marriage a great possibility. 2- To what degree is Prospero responsible for his own downfall?

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Unlike Shakespeare’s other main characters, he is much more enigmatic. In they play Prospero is portrayed as the rogue who seeks revenge on his brother Antonio for his treachery. In this Shakespearean comedy it becomes clear that Prospero is the heart of power on the island. Evidently Prospero has been wronged by his brother’s usurping which he could not control and now uses his magic as a tool for controlling the events that occur on island throughout the play. The theme of power in this play is hugely significant as it clear that the violence interrogated in this play is in relation to power and the abuse of that power by the protagonist.

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The Tempest is a play where a man named, Prospero, was a former duke of a land. He was exiled to an island because his brother, Antonio, usurped his dukedom. Prospero lives on the island with his daughter, Miranda attempting to reattain his title of duke. There are many causes of social issues, and it is important to view these issues on how they affect others.

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Shakespeare’s The Tempest is often considered fiction and finds content in expressing characteristics of both the main character, Prospero and differences in the power dynamics affecting his characters. Shakespeare often uses groups of characters to emphasize the complexity of their surroundings and effects on their behavior. The overall repetition of complications faced or caused in relation to Prospero and play an enormous role in the plot, helping to develop both the his feelings and the emotional ties of others regarding him. Shakespeare also varies the diction to place emphasis on the power dynamic and relationships observed between thespians.

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