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William Lane Craig's Views On Death And Punishment

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William Lane Craig also agrees with this concept as it is impossible for anyone to commit an infinite number of sins in this earthly life. However, “in the afterlife one could commit at least potentially infinitely many sins, if one just keeps on sinning forever.” Craig continues to explain that the wicked will never repent in hell, for as they are being punished by God, “they grow more implacable in their hatred and rejection of God.” He also explains that: Sin cannot go unpunished, since God is perfectly just, and so these sins in the afterlife must also be punished. Hence, because sinning goes on forever, so does the punishment. So even if we concede that every sin deserves only a finite punishment, hell is unceasingly self-perpetuating. …show more content…

In the Epistle of Methetes to Diognetus (130 AD), the author speaks of “real death” which was to be reserved for those “condemned to eternal fire.” The writer of the Epistle of Barnabas (80-120 AD) mentions “eternal death” and then links it with “punishment.” Another early document, The Pastor of Hermas (100-160 AD), speaks of sinners being “consumed” and “burnt as wood.” Ignatius (d. 110) keeps a similar language and speaks of false teachers going “into hell” and experiencing “unquenchable fire.” Polycarp (d. 155), in one of his letters, speaks of “eternal fire which is never quenched.” Justin Martyr (d. 165) repeatedly spoke of “everlasting punishment” and thought that this punishment consisted of being scorched with “fire.” Irenaeus (d. 200) also mentioned “eternal fire” and spoke of the damned getting casted “into the lake of fire.” Tertullian (d. 230), defending the immortality of the soul against heresies, contended that the Bible’s language of “destruction” had to be understood as a literal punishment in “hell.” Evidently, during the first three centuries of Christianity the language undoubtedly supports the doctrine of conscious, everlasting punishment. This is also true in the following

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On August 22, 1924, the two rich boys, Nathan Leopold and Richard Loeb are tried for the murder of 14 year old Robert Franks. Clarence Darrow presents a tiresome 10 hour speech after the young men confess their guilt. Under these arduous circumstances, the test to persuade the Judge to release these kids from their death penalty all relies on Darrow’s powerful rhetorical appeal. Darrow uses captivating rhetorical appeal in attempt to denounce these young men from the death sentence, but, more importantly, to oppose civil punishment for the future. While Darrow is fighting to save the lives of these young men, he is simultaneously in the midst of another battle.

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With Dante’s journey through hell he examines the sins of others, these supposed wrongdoings, such as murder are overall worse for the population, causing, over time, a

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It was the opposite of fire which was ice. The point to this was to better fit the contrapasso. Hell changed so that the sinners would be farth away to god since that is what they betrayed. Dante’s depiction of hell revealed the theme that the punishments fit for every

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That is what prompted everyone to conclude that Jesus is Lord. 2. This is a question that comes up, which I don’t get why is hell (fear tactic) used to make others believe. The reason for my beliefs in Christ has never been impediment on the idea of hell, it

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The “intellect” itself can be deduced as being God. This version of Hell, however, was born from Dante’s mind after being banished from Florence. Much of the Inferno is written as satire, but the morals it holds still present themselves within the larger Catholic ideology. In Thomas Thayer’s The Origin and History of the Doctrine of Endless Punishment, he conducts a detailed analysis of the Bible’s hell and it’s origins.

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His response to sin at this point is contrary to the Christian view; however, his responses evolve throughout the journey. In conclusion, Dante’s Inferno implicitly communicates to mankind through an allegorical presentation about an individual’s detour off a righteous path leading him into the depths of Hell. He gradually learns that God’s justice prevails, no one can escape eternal damnation unless they

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No one that forever belongs in Hell has hope of being saved, but other souls do possess hope through salvation. The loss of hope is the one common punishment of every sinner in Hell. Dante the pilgrim, in his spiritual traveling throughout the Inferno, encounters a plethora of different punishments distributed out to the damned souls that occupy the nine rings that form Hell. Each punishment is a kind of poetic justice suited for each kind of sin being punished and always includes the

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But, as the poem continues to progress, it becomes quite clear the there is a perfect balance within God’s justice as the degree of each sinner’s punishment perfectly reflects upon the gravity of the sin. Furthermore, the inscription on the gates of Hell explicitly states that Hell exists as a result of divine justice; “ll. “ Justice moved my great maker; God eternal / Wrought me: the power and the unsearchably / High wisdom, and the primal love supernal (III.4-6).” Prior to delving into the structure of Hell and how it displays God’s divine justice, one must first familiarize themselves with both the historical context of Dante’s life, along with the beliefs of the medieval church.

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In the Inferno, Dante describes the different levels of hell and the punishment which corresponds to the sin. Dante categorize hell into three major sins consisting of incontinence, violence, and fraudulent. Fraudulent is portrayed as the worse sin in the Inferno while incontinence is seen as a less serious sin. Each category has sinners which have all been punished for their wrong doings in life. The three major sins consist of circles where Dante separates the different sinners.

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Dante ensures this happens by using the concept of contrapasso, which describes the relationship between sin and the resulting justification in Hell. The literal definition of contrapasso is the 'counter-strike' or the 'counter-suffering which translates literally as "counter-penalty." And in Dante’s Hell, sinners are punished according to the nature of their sin, so that their punishment fits their crime. And as we see throughout the story, some sinners literally become the personification of their sins while others become victims in Hell of the crimes they committed while on

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