Shitfaced Shakespeare a Midsummer night 's dream has been one of the funniest plays! I had a great time, I was laughing all time long. Everything was super funny. I was also able to understand the Shakespearean language and maybe that 's also why I had a great time. I thought it was hard to understand at first
There are many people who have a strong ego. Egotism is when someone thinks excessively about themself. The characters that Shakespeare gave strong egos to helped shape the story, by giving it depth. In the book “Twelfth Night”, Shakespeare presents a few characters with a strong ego. Egotism can have many forms and are shown through people in a very full of themselves kind of way.
In his play, Twelfth Night, William Shakespeare has his characters participate in the practice of deception and dishonesty of others - after all, the foundation of Shakespeare’s play resides within a lie. One of the major deceptions in the play is executed by the Illyrian countess, Olivia, as she repeatedly claims to need solitude to mourn her brother’s death in order to avoid Duke Orsino and his obsession towards her. This deception contributes to the meaning of the work as a whole by adding the thematic message, deception and dishonesty is sometimes the better option when it comes to love. From the beginning of the play, Olivia is introduced as the grieving countess that has recently lost a brother.
He then uses tender to tell her to regard herself higher and to not make him look like a fool. Polonius is looking out for the prosperity of himself in this scene. While it seems that he is
Throughout the play, Feste the Fool is looked at as a character who receives very little respect, yet is rather smart and witty. On the other hand, Toby is respected for being a noble even though he is much less competent than Feste, and is essentially a drunk. Through this relationship, Shakespeare is relaying the idea that not all people are determined by their class, and rather a person's character is what earns them respect. When referencing Toby, Olivia acknowledges that, “he’s in the third degree of drink: he’s drowned,” (1.5.133). While Toby is clearly just a drunken idiot, he is looked upon highly by his peers for his social status, and must be respected by those beneath him, such as Malvolio.
To begin, Gertrude is a victim because she is naive that eventually leads to her death. At the end of the play when Hamlet and Laertes are fencing, Gertrude unknowingly drinks the cup of wine filled with poison. Even after Claudius warns her not to drink it, she persists and tells him, “I will, my lord; I pray you pardon me” (5.2.318). Gertrude here thinks
William Shakespeare’s works, written primarily from the late eighteen hundreds to the very early sixteen hundreds, have long been the subject of academic debates and analysis. Potent with double entendres, metaphors, and social commentary, it is easy to apply queer theory to Shakespeare’s plays, notably Twelfth Night, written in 1601. Though Twelfth Night’s ending pushes its characters into traditional heterosexual romances and binary gender roles to satisfy the genre and placate conservative Elizabethan audiences, the characters in the comedy defy tradition by exploring homosexual love and expression of gender. The most apparent homosexual themes are present in the relationship between Antonio and Sebastian.
While unique characters are very valuable in various forms of literature, authors can successfully utilize stereotyped characters to achieve author’s purpose. The character of Mariane in Tartuffe by Molière is a stereotypical “damsel in distress”, as the other characters must help her while they combat the hypocrisy of Tartuffe. When Orgon, blinded by his reverence for Tartuffe, announces that Mariane is to marry Tartuffe, it causes conflict between characters. Mariane has to express her opinion and defy her father, so that she will not marry a hypocrite and liar, despite being a generally submissive person. In Molière’s Tartuffe, the author successfully employs a conventional character through Mariane, to demonstrate the strife that fanaticism and
Narcissism in Twelfth Night A Freudian study of Twelfth Night An essential element of William Shakespeare 's comedy Twelfth Night is the theme of self-love i.e. vanity and narcissism. Shakespeare likely set Twelfth Night 's action to occur January 5 and 6, the Eve of Epiphany and the day of Epiphany. During the course of these two days, all of the most important characters experience epiphanies, revelatory moments in which they recognize truths concerning themselves, their vanities and narcissism.
Shakespeare’s puns are often an important factor in his plays and sonnets. One of the most distinctive characteristics Shakespeare gave Hamlet is his humor. His humor begins with being a playful tone, however, he also uses puns as a way to convey his madness. Shakespeare uses puns and paradoxes most of the time in Hamlets dialogue. His first words in the play are towards King Claudius and are in the form of a pun, “A little more than kin, and less than kind.”
After receiving their help the serving man invites them to the Capulet’s party, “and, if you be not / of the house of Montague’s, I pray come and crush a / cup of wine”. Shakespeare uses dramatic irony in this line as the audience, unlike the other characters are aware of the fact that Romeo is a Montague. The use of this technique to is to put the audience above the other characters and forces them to anticipate the moment when the other characters will find out the truth. It was by fate that the serving man chose Romeo and Benvolio out of all people to assist him in reading an invite to the Capulet’s party. From the beginning play, Romeo is shown to have a special relationship with fate, which is illustrated by the several visions he as of his unfortunate death.
Orgon is blinded by his admiration of Tartuffe. Without Orgon seeing for himself, he would never believe that Tartuffe could have deceived him. Moliere makes Tartuffe betrays others by his remarkable gestures of humiliation and aid. Moliere uses satire to emphasize the truth about Tartuffe’s lust for Elmire.
One of Molière’s main objectives as playwright was to analyse and often criticise the society in which he lived in. Theatre, for Molière, was a vehicle which allowed him to provide a social commentary on issues of the time and to highlight the faults of society. For this reason, Molière’s use of comedy was highly satirical. The combination of dramatic and satirical comedy, not only emphasises the flaws of the world at the time, but also accentuates the shortcomings of human nature. In Molière’s case, comedy was not a mere device used for the entertainment of the audience, as it played an integral role in delivering the message that he wanted to convey in his plays.
Shakespeare’s renowned play Twelfth Night centers around love, both in platonic and romantic instances. Characters display elements of self, brotherly, amorous, and friendly love towards one another; however, of the relationships portrayed, the strongest ones are those between men. In contrast, relationships between men and women lack depth and sincerity due to the lapse of communication between the opposing genders. Men are able to express their feelings to one another more freely, which gives their bonds strength that heterosexual relationships fail to display.
Shakespeare uses Viola (Cesario) as an example of a mechanism that can throw internal conflicts into temporary chaos. Viola willingly faces whatever comes in her way. Her love for Duke Orsino seems too constant and true, unlike the other characters in the play. The temporary chaos of the play is when Viola falls in love with Orsino, who falls in love with Olivia, who on the other hand falls in love with Viola’s disguise, Cesario. This love triangle is very complicated as none of them realize that Cesario is a woman, making this an internal conflict for Viola, as she cannot ‘truly’ love whom she wants.
