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Women's Blues Singers Of The 1920s Analysis

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This main claim of this article is that the sexual legislative issues of women’s blues singers of the 1920s and relates it to African American women’s ' fiction around that same time frame. Carby also claims that great soul vocalists such as Bessie Smith, Ma Rainey, and Ethel Waters had more insight to contest society led by men and uncover the disagreements of African American women’s ' experience than African American essayists. As Hazel V. Carby has illustrated, women blues artists were for the most part disregarded by the black middle classes, particularly women who saw blues as a declaration of the most corrupted or regressive parts of African-American life. With the National Association of Colored Women and the Black Women movement,
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By 1920, she had established a reputation in the South and along the Eastern Seaboard. In 1920, Smith sold over 100,000 copies of her recording “Crazy Blues” on Okeh Records label recorded by singer Mamie Smith, this recording pointed her to a new market. The recording industry had not directed its product towards blacks at this time, but the success of the record had inspired

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Women’s Blues music in the 1920s and early 1930s served as liberation for the sexual and cultural politics of female sexuality in black women’s dissertation. Hazel V. Carby explores the ideology of the white feminist theory in her deposition, "It Jus Be 's Dat Way Sometime: The Sexual Politics of Women 's Blues", and critiques its views by focusing on the representation of feminism, sexuality, and power in black women’s blues music. She analyzes the sexual and cultural politics of black women who constructed themselves as sexual subjects through songs in blues music and explains how the representation of black female sexuality in black women’s fiction and in women’s blues differ from one another. Carby claims that these black women

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I find that this example highlights the fact that while women had far less political power in society during the nineteenth century, the least the law could do was to protect the sexual integrity of women; However, African American women suffered from racial, gender and class discrimination that makes it difficult for them to prosecute those that sexually assault them. Furthermore, anger of white men were usually taken out on the wives of freed African American men and usually in the form of sexual assaults and this made the situation for African American women

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Music is not only used to capture peoples hearing but it is used to power peoples minds through the power of an individuals voice. Music served a critical role in the African American’s lives, as it was used to uplift their spirits as well as providing them with hope and strength to fight for civil rights and overcome segregation between white superiority and the unfair treatment of the inferior black. Music was defined as the voice of the people that lived through the oppression of the civil rights movement. During the civil rights movement, there were many different types of music genres sung, dependent on the culture, this included spiritual music; gospel and even folk music, which was performed by musicians, singers and even people of any musical talents. Through this, it brought about the uniting of people to join together and sing songs that helped them go through the oppression of the civil rights movement.

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