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History of gun control essay
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History on gun control in america
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"Stagecoach" is a classic western movie released in 1939 and directed by John Ford. The film is widely considered one of the greatest westerns ever made and is often credited with revitalizing the western genre Character type The movie features several archetypal Western characters, such as the outlaw, the prostitute, the soldier, and the cowboy. The movie features a diverse cast of characters, many of whom are archetypes of the western genre. There's the hero, Ringo Kid, a gunslinger seeking revenge; the virtuous and determined heroine, Dallas; the corrupt banker, Gatewood; and the stoic lawman, Marshal Curly Wilcox, among others.
Cowboy movies Most western American films are built on Christian values; so many western movies mimic the bible. Albrecht Durer made cowboy films that were Christian themed and riddled with simple symbolic numbers. It was said that Durer four horsemen mirrored the book of revelation which is the last book of the new testament. The fact that in the new testament it tells the end of the world and the coming kingdom is very similar to the sinister apocalyptic cowboy of world ending destruction. Showing conquest, war, pestilence and death itself.
No one recalls how the feud started, but know two people have been killed that year, one from each family. The two feuding families attend church together, holding rifles in their laps, while the minister preaches about brotherly love. Later, Huck’s slave takes Huck deep into the swamp to show him some “water-moccasins”, but really they find Jim there who tells about how he followed Huck to shore the night they wrecked, but did not try to call out to him being scared of being caught. The next day Huck learns that Sophia ran off with Harney Shepherdson and later in the woods he witnesses Buck and another Grangerford get killed a gunfight with the Shepherdsons. Extremely disturbed, Huck goes down to Jim and the raft and they take off downstream.
Part one allows John Grady Cole to act as the often romanticized western hero incomplete in a constrained life off the open fields without horses. Part two continues perpetuating the mythic West through John Grady Cole’s ability to demonstrate his heroic skills of horse training, as the work’s true western hero. Part three’s introduction to blatant violence with Blevins’ death finally breaks the myth of the perfect west for John Grady Cole, introducing him to the inevitability of violence accompanying the western hero. Finally, part four demonstrates John Grady Cole’s rugged individualism as the western hero, estranged from his friends and family despite trying to reconcile the old aspects of his life in Texas. John Grady Cole’s evolution ultimately demonstrates the collapse of the frontier hypothesis at large, questioning if the notion of the frontier as central to American identity can take root in a modernized America.
An Emory Eagle Chris McCandless grew up in Virginia, just west of Washington D.C. There, his parents raised him and supported his studies until he graduated from high school and was accepted at Emory University. McCandless studied hard at Emory, was never seen anywhere other than the library, had top grades, and wrote editorials for the school paper. He was a child full of accomplishments that any parent would have been proud to own.
Thesis Statement and Main Ideas: Wyatt Earp I was the only man to walk away from that gunfight not injured or dead. Some call that gun fight the most famous gunfight in American history. I was born March 19th, 1848 in Monmouth, Illinois. I was a middle child, being the third of Nicholas and Virginia Ann Earp’s five sons.
A mutated mariner fights starvation and outlaw "smokers," and helps a woman and a young girl try to find dry land. Although this movie isn’t classified as a western movie, it can be argued that the aspects of the film help it fall into the western genre. Even though the setting is completely different than Stagecoach this movie still featured a “strong, silent type” cowboy hero. It also featured the villains as the smokers, a solid plot where the mariner is on a journey to find others like him and has trouble along the way, old school iconography such as guns, and an optimistic
In the movie True Grit (1969), Rooster Cogburn (John Wayne) depicts the negative effects of violence when he fails to notice blood on his corn cakes or when he kills a young boy whose name he can’t remember without any emotion. This shows Roosters lack of concern for violence since he has seen and caused so much bloodshed. Violence is shown as a normal part of life in this film and Rooster seems to be used to this fact. When Mattie Ross (Kim Darby) notices the blood on the corn cakes and Rooster continues to eat them, Ignoring the blood, it is made clear that he has become indifferent to violence and bloodshed. As the two prepare a fire on their first night seeking to avenge the death of Mattie's father, Rooster hands her a corn cakes and she takes one bite and notices that they are covered in blood.
In the beginning of Chapter 1 of The Watchers, Travis was terrified of the unknown creature that was chasing the dog and him. Paragraph 97 supports my reasoning of Travis being afraid of the unknown when the narrator says “...the reason he did not look back was because he was afraid of what he’d might see.” Travis started panicking when he realized his “...intellect was overruled by instinct.” (87) This made him bathe in the terror and fright he was facing.
In My Ántonia, Jim Burden’s misfortune of losing his parents lead him to Nebraska, where he met the people that would change his perspective on life. If that tragedy would never have happened, Jim would not have gained a deeper understanding of everyday people, such as Ántonia and her family. One of the first people Jim meets, his grandmother, shows him how generosity and kindness can make a significant impact in someone’s life. The reader initially recognizes how thoughtful Emmaline Burden is when she goes to greet the neighbors with bread, butter, and pies (Walton 21). This was the first, but definitely not the last time she showed such hospitality to the Shimerdas.
A person’s true character is exposed in his actions and words in private settings around those he maintains an intimate relationship with. For that reason, the relationships individuals maintain with his or her confidante powerfully reveal who they truly are. In the book The Heartbreak of Aaron Burr, Brands portrays the touching father-daughter relationship Aaron Burr and Theodora Burr maintain. Although Thomas Jefferson argues that Aaron Burr is a horrible villain, Theodosia, Burr’s confidante, disagrees.
Shane and Butch Cassidy and the Sundance Kid reflect one side of the same coin. They both exist as Westerns, but both offer something different to the genre. The first thing was immediately apparent about Shane was the gorgeous backdrop of the valley outstretching creating a wide beautiful vita all the way up into the mountains. The framework of the story is a very simple ranchers vs. homesteader’s tale. While the idea is not exactly new, the way the story handles the character of Alan Ladd, who plays Shane a mysterious past and effect on this small group of people is interesting.
Holden Caulfield lives his life as an outsider to his society, because of this any we (as a reader) find normal is a phony to him. Basically, every breathing thing in The Catcher in the Rye is a phony expect a select few, like Jane Gallagher. What is a phony to Holden and why is he obsessed with them? A phony is anyone who Holden feels is that living their authentic life, like D.B. (his older brother). Or simply anyone who fits into society norms, for example, Sally Hayes.
Doe Zantamata, an American author, once said, “Good friends help you find the most important things when you have lost them... your smile, your hope, and your courage.” In Frank Darabont’s film The Shawshank Redemption, hope and friendship are a large part of the characters’ lives, as they are inmates in the Shawshank prison. Andy is a newcomer and intrigues Red, an inmate who has been in the prison for a long time. Although Red is not sure what to think of him at first, they soon become good friends.
In The Catcher in the Rye by J.D. Salinger, Mr. Antolini gives Holden Caulfield advice when he is at one of his lowest points. Already aware of Holden’s mental state and position on school, he quotes Wilhelm Stekel, a psychoanalyst, “The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.” (Salinger 188). Although Holden fails to grasp Mr. Antolini’s message, the quote applies directly to his life because of his relationship with death as a result of his younger brother, Allie’s, death. Mr. Antolini uses this quote specifically because he wants Holden take a step back and try to live for a noble cause instead of resorting to death.
