Choreographers Essays

Conclusion This study about Multiculturalism in Classical Ballet Companies Nowadays has revealed that multiculturalism is a complicated term. If multiculturalism can be denoted as the coexistence of diverse groups that share different cultural and ideological backgrounds, classical ballet companies can be defined as multicultural. Historically, already in the middle of the nineteenth century, when Marius Petipa emigrated to Saint-Petersburg and introduced in his masterpieces such as Swan Lake, the

Although I felt that Doris Humphrey book emphasized her thoughts about choreography and choreographers Sally Barnes seemed to compare various choreographers including Humphrey. A central theme that I found was “motivation for the movement”. Doris compared the differences between choreographers who created piece from their own ideas or dreams and independent choreographers who created work for money and fame. Her work in particular was sometimes influenced by architecture because she thought it was

about? Doris Humphrey is discussing her perspective of the subject of choreographers and choreography. She is expressing her thoughts about choreographers and their dreams/influences as well as independent choreographers. Scope of the Topic (10-20 words; 10 point) What time period, cultural, geographical, or national context is the author discussing? Doris Humphrey is discussing an idea that she developed as a dancer, choreographer, and scholar but I think it can be relevant to ideas now. Historical

synchronized with us. Us dancers try to make it look easy on stage, but what really goes on during the construction of these dances? Choreography began around 6000 BC and it continues to change everyday. By looking at the history of choreography, choreographers that have shaped the dance world, and choreography as a job, we can better understand the art of dance. Choreography is what makes a dance have structure and uniform. The word choreography comes from the Greek root for ‘dance’ and ‘write’. During

P.A.B Assignment 1 Employment Opportunities In The Performing Arts Jasmine Amber Spendlove Dave Moore Actor An actor’s job has various roles; although they don’t necessarily have to have any qualifications they need the experience and knowledge in the career. They also need to be talented and stand out from every single other actor out there because it is a very difficult job to get into. To be an actor it is almost necessary to have studied at either a drama school or a qualifying university

This highlights the fact that the environment of an artist and especially a choreographer has a huge influence on the dances he creates. This environment is not particularly the immediate, where he finds himself but an accumulation of different paths of learning either in choreography or in other courses of survival. The choreographer has a drop-box of ideas where he consciously and unconsciously stores mental images of his experiences: imagined, seen or felt. Therefore, it suffices to say that creation

dance choreographer during the 1960s. The 1960s in America was a period where many began to question the ideological beliefs that dominate the political, social and artistic aspects in society. (Walsh) As a result, society in the 1960s started to challenge and rebel against societal norms. This societal change was reflected in dance as well when choreographers started to move away from the norms of modern dance choreographers, thus creating an era of unconventional postmodern choreographers, which

The role of a Stage Manager is to coordinate with nearly everyone involved in the production. This means communicating with the actors, dancers, all technicians, set designers and even the front of house and the director. For example, the stage manager will have to speak to the set designers to understand the idea for the setting, then they will have to talk about the time in which it will take to make it all and if it will suit the choreography. One very important role that a Stage Manager has

Judith Jamison is a famous ballet dancer and a choreographer. She had also been in the movie “A tribute to Alvin Ailey” and wrote the book “Dancing spirit”. She had achieved many things in life and had many major awards. I had chosen Jamison because she has gone so far from where she has started when she was six. Also because she continues to inspire me and many other people. Early life Judith Anna Jamison had been born on May 10, 1943 in Philadelphia. Jamison's parents enrolled her in the Judimar

Cornish Dance Theater were very distinct from each other, though choreographers from both pieces put much effort on communicating devices to best deliver their intended-visions to the audiences. In MIXeD mEdia, the stage was decorated into a narrowed, light-colored setting in addition to the ballet performance, making the overall impression of the performance to be somewhat joyful and relaxing. Similarly, in Cannot Be Undone, the choreographer not only had music altering between strong-beats-fast-pace

This will include the deadline, the number of performers, and the pieces of costume that will be needed. Once these elements are decided, a budget must be decided as well as a schedule of fittings and meetings with the designer, choreographer, and performers (Lam). A costume designer must manipulate the tools of visual design and practical materials needed to create the costumes. In order to do this, the silhouette of a costume must first be produced. This identifies what parts of the

“Power is at the center of dance's position in culture.” (14). Often times, dance is overlooked as a powerful form of expression. Choreographer, Alvin Ailey, has been greatly influential in both the dance world and society. He surpassed what he had hoped to accomplish by creating a unique style of movement, having a resounding impact on the world of modern dance, founding his dance company and accomplishing praiseworthy works that has inspired many to carry on his legacy. When Alvin Ailey Jr. was

natural sets the precedent for both dancers and choreographers everywhere. King states that he begins his artistic process by thinking of dance as a “mental construction in a physical world.” He then tries to bring this construction to life with the aid of his dancers. According to King, dancers need to not only bring physical capability to the table, but also strong “body, spirit, and mind.” Dancers must have ideas, and it is up to the choreographer to take those ideas deeper. A dancer that has wonderful

incorporated a smooth transition of weight transferring from the body to the toe and focused more on isolations, syncopations, and abrupt changes in direction. Because of his movements he was a huge inspiration to many of the most famous jazz choreographers such as Jerome Robbins, Bob Fosse, And Gwen Verdon. Jack Cole to this day still gives dancers all around the world precise movement and exacting control over their movements that could contribute improving any technique in any

The choreographer wants the audience to feel as if they were up there doing that same dance. Deep down on a spiritual level this dance provides a sense of understanding and how one can correlate with others. It provides African beats the seemingly represent the

dance started in the early 19th century and started mainly in Germany. Two people who influenced modern dance were Loie Fuller and Ruth St. Denis. These two women influenced many choreographers till this day with their style and techniques. Jazz dance started in the early 1700’s

The second famous jazz choreographer was Bob Fosse at the age of fifteen he choreographed and perform for his very first time at a nightclub. Later he started working at the broadway shows such as the ; Chicago and Cabaret. As the Jazz dance choreographer for the Chicago show was an awesome offer and experience for him because this show is so popular that many people still conduct this show

his choreographies when he explored historical, cultural, and American themes as a male dancer. Shawn was determined to leave a mark for the new dance that he wrote nine books to develop a foundation for the new dance forms. Other dancer and choreographers of the 20th century new dance relied on visuals, such as, Loie Fuller, an American self-taught dancer. In effect, she depended on interesting visuals, such as, lighting and costumes. In contrast to Isadora Duncan, her rival, Fuller was a realist…

A dancer, role model, inspiration, and mentor. These are a few of the many traits of Maria Tallchief. She stood up for what she believed in and made her mark on the world. She did many different courageous things that let her unique and powerful choices shine through. Maria Tallchief changed the world of arts, overcame fears of many, and stood up to those who disagreed with her. When she danced, she impacted everyone who watched her. Because of impacting many, is she wanted to dance professionally

The “Pas De Deux of the Sugarplum Fairy” is a classic piece from The Nutcracker created by contemporary ballet choreographer, George Balanchine. The Nutcracker, comprised of two acts, is about a young girl waking up to a fairytale journey involving many characters like the Mouse King, the Sugarplum Fairy and her Cavailer, and the Nutcracker who turns into the Prince. The “Pas De Deux of the Sugarplum Fairy”, a piece from the second act, specifically revolves around the Sugarplum Fairy and Cavailer