Koji Suzuki Essays

Have you ever been to a beach in Mexico?I have and the one that I went to was big and beautiful.It was a bright sunny morning and I was just waking up in our hotel.I realized today was our first day in Mexico.The rest of us were waking up and getting ready to eat our breakfast and start the day. When we were done eating our breakfast and we went to go walk on the sandy beach.When my family and I were down on the beach we started to collect sea shells.My grandpa and grandma were helping

particular the Philippines. The Suzuki Raider and Yamaha Sniper has been in the Philippines motorcycle market for quite some time now with each having their own share of fans and haters. Although there are other models in the 150cc segment, The Suzuki Raider R150, and Yamaha Sniper 150 MXi are the most accessed motorcycle in our motorcycle category which led us to find which of the 2 bike is best. Both are in the 150cc class but to be specific, the Suzuki Raider R150 has an engine displacement

discs are B/2 with High Definition Blu-ray (1080p) and Standard Definition DVD presentations, accordingly. The sound is the original 5.1 audio (DTS-HD on the Blu-ray). The extras include brand new interviews with director Hideo Nakata, novelist Koji Suzuki and cinematographer Junichiro Hatashi, and an archive interview with actress Asami Mizukawa. Original ‘Making of’ documentary and trailer are also included. All of the extras are very informative, even shedding some new light in the film and J-horror

One of the lengthiest and most obscure debates among cinema fans regards the topic of what is cult, what art-house and what mainstream. Usually, discussions like that do not reach a definite conclusion, however, there are some themes, notions and events that define what is cult, which is the point of interest of this particular list. The filmmakers that shot the films in this list challenged the notions of everything considered normal and even acceptable by society, in terms of politics, culture

of the Sun and Panda! Go, Panda!; and Suzuki was an editor at Tokuma Shoten's Animage manga magazine. The studio was founded after the success of the 1984 film Nausicaä of the Valley of the Wind, written and directed by Miyazaki for Topcraft and distributed by Toei Company. The origins of the film lie in the first two volumes of a serialized manga written by Miyazaki for publication in Animage as a way of generating interest in an anime version.[5][6] Suzuki was part of the production team on the

6. Onibaba (Kaneto Shindo, 1964) In 14th century Japan, a man is forced to enlist the army, leaving his wife and his mother alone in their house in the swamp. In order to survive, the women ambushes passing soldiers, kills them and subsequently sells their belongings to a greedy merchant. Nevertheless, the wife initiates an affair with a deserter, enraging her mother-in-law who no longer trusts her. Things take aturn for the even worse, when a mask stolen from a murdered samurai proves to have a

The 15 Best scenes in Takashi Miike Films Takashi Miike is one of the most difficult filmmakers to classify, since his filmography, apart from vast (almost 100 films since 1991) is also quite diverse. Taking advantage of the “V-Cinema” (straight-to-video films) boom of the 90s, Miike managed to crack himself into the industry, eventually producing his first theatrically distributed film in 1995, titled “Shinjuku Triad Society”. In that fashion, his productions were cult, in their overwhelming majority

The 15 Most Shocking Scenes in Japanese Cinema In a cinema that never abstained from anything extreme, but, on the contrary, embraced everything grotesque, both in terms of violence and sexually, there was bound to be a plethora of shocking scenes. Add to that some peculiar humor, some extreme techniques used to present realistically, truly horrific scenes, broken taboos, and the absolute lack of regard for anything political correct, and you have the backbone of this list. Evidently, the effort

The horror genre has existed for a centuries, and its purpose is to ignite fear. Which also brings up the question, can fear be enjoyable? In actual fact, it can. It somehow brings out the adrenaline rush within the audience. Quite identical to the experiences that people have when they go on a roller coaster ride. There are more pleasures to be gained from frightening films if we think of aesthetic experience more narrowly defined, the pleasure of cognitive and emotional self-expansion, imaginary