Psycho Killer Essays

  • Serial Killers In Niccolo Machiavelli's American Psycho

    1421 Words  | 6 Pages

    I remember back in my criminal justice 101 class, we had a three day discussion about the dark triad. The reason for this occurrence was because we were discussing serial killers and the three main traits, or personality characteristics that most repeat killers acquire. The dark triad focuses on three main traits; machiavellianism, narcissism, and psychopathy. Machiavellianism is a term that comes from the Italian political philosopher, Niccolò Machiavelli. This attribute is when a person is so determined

  • Serial Killer Scenarios

    366 Words  | 2 Pages

    The video starts in a desert like setting. The sky is baby blue surrounded by high rising mountains. There’s an open road where Kylie Jenner rides a silver platinum, estimated three hundred-thousand-dollar Bentley to a motel. There she’s listening to music and looking at herself in the car visor mirror applying her lip gloss called Glosses. After she applies the lip gloss, she sits back in the car when the scene cuts into the motel with a woman walking around a room. There’s a briefcase with crisp

  • Alfred Hitchcock's Techniques To Create Suspense

    410 Words  | 2 Pages

    The movie Psycho by the Oscar nominated and "master of suspense" Alfred Hitchcock is by far the best suspense/thriller movie that I have ever seen. It is amazing how a movie filmed in 1960 in black and white can turn out to be better than a movie filmed with color in the twenty first century. How Alfred Hitchcock thought of ways to create suspense and infused them in the movie is truly amazing. The techniques that I saw Alfred Hitchcock use to create suspense in Psycho were different camera shots

  • Violence In Alfred Hitchcock's Psycho

    1861 Words  | 8 Pages

    “Psycho” (1960) is a horror suspense film that is known and remembered by many generations. Marion Crane, the protagonist, is a sectary that steals money from her employer’s client and takes that money and runs to California. While on her way to California she makes a stop at Bates Motel and gets a room. When she arrives she meets the owner Norman Bates. Norman in the beginning of the film starts out as friendly and welcoming, but later the audience sees his psychotic tendencies. These psychotic

  • Shadow Of A Doubt Comparative Essay

    740 Words  | 3 Pages

    Director Alfred Hitchcock utilizes the theme of duplicity in numerous films. His use of doublegangers and doubles are prominently featured in the films Psycho, Shadow of a Doubt, and Vertigo. Hitchcock incorporates lookalikes, mirrored images, alternating identities, and false realties to identify an internal conflict as well as moral discrepancies. In the film Shadow of a Doubt, the characters of Young Charlie and Uncle Charlie exemplify Hitchcock’s theme of doubles. The characters are introduced

  • The Use Of Film Editing In Alfred Hitchcock's Psycho

    1144 Words  | 5 Pages

    one of the famous and classical thriller film “Psycho”. Alfred Hitchcock’s “Psycho” could be one of the iconic films of modern cinematograph. Psycho is a film with interesting and exciting plot, outstanding visual effects and, especially, with great soundtrack. The film effectively shows how through combination of such elements as visual techniques with sound effects and the use of characters could be achieved the idea of murder and schizophrenia. Psycho is based on the book written by Robert Block

  • How Did Alfred Hitchcock Build Suspense

    707 Words  | 3 Pages

    their seats. Through his use of various filmmaking techniques, Hitchcock was able to create a sense of unease and anticipation that permeated his films. This essay will explore these techniques in depth, with specific reference to Rear Window and Psycho. By examining the ways in which Hitchcock employs lighting, camera movement, sound, and character development, we can gain insight into his unique ability to create suspenseful and engaging narratives that continue to captivate audiences to this day

  • Suspense And Fear In Alfred Hitchcock's Psycho

    567 Words  | 3 Pages

    Alfred Hitchcock is a master of suspense. Suspense and fear is shown throughout his films, especially in Psycho. In Hitchcock's suspense interview, he relays that suspense is not what creates fear. Suspense gives us the whole picture of what’s going to happen in a scene, which gives the audience anticipation and anxiety. Through the death scene of Marion, the audience will see how psychological components create suspense and fear through the non-diegetic sounds, shadow lighting, and back-and-forth

  • Comparison Of Psycho To Halloween, By Alfred Hitchcock

    531 Words  | 3 Pages

    a movie, piercing and severe waves of music. Most modern films make the killer be unconditionally inhuman, unimaginable massive to scare the onlookers out of its wits. I see the similarities in the movie Psycho to Halloween movie in 1978, Friday 13th, Scream or Nightmare on Elm Street. Horror films today rely on supernatural or just plain disgusting blood, gore to achieve the effect. Although any follower’s comments say Psycho is really not scary, I second that motion, the with a shower scene and

  • How Does Hitchcock Present Schizophrenia In The Movie Psycho

    1171 Words  | 5 Pages

    The Film Psycho, directed by Alfred Hitchcock, effectively presented the ideas of murder and schizophrenia through the use of characters, with the double-sided Norman Bates in particular, and visual techniques as well as sound techniques. The ideas of murder and schizophrenia were presented well in the movie "psycho" through the use of characters. The character of Norman Bates was the central character in the film and had a complex and differing personality. One moment he was shy, kind, lonely Norman

  • An Auteur In Hitchcock's Psycho

    729 Words  | 3 Pages

    for a body in the coach.(Hitchcock).” An Auteur has full control over the movie and puts some of themselves into each movie they make. Francois Truffaut and Alfred Hitchcock were masters of this. Truffaut with his 400 Blows and Hitchcock with his Psycho. There is one very famous scene in 400 Blows that Truffaut made that was very different for his time. It is the last sequence of the movie. Jean escapes juvenile hall and we are led on a chase scene. The content of the sequence is him running away

  • Analysis Of Alfred Hitchcock's Film Psycho

    842 Words  | 4 Pages

    Alfred Hitchcock’s 1960 film Psycho redirected the entire horror genre, and in doing so dismantled the prudent 1950’s societal barriers of cinema. Although unseen for its potential by the large studios of the time, Psycho became one of the crowning achievements of film history. While based partially on a true story of murder and psychosis from Wisconsin, the widespread viewing of this tale made way for a new era of film and ushered in a new audience of movie goers. The use of violence, sexual explicitness

  • American Psycho Ap Psychology Essay

    2313 Words  | 10 Pages

    Maya Grove Brian Hamlett AP Psychology. P5 May 19, 2023 American Psycho Hollywood has attempted to depict psychopaths through documentaries, horror movies, and even comedies, yet they often blur the lines between different psychological disorders and misrepresent their characters. However, this did not hinder the success of the famous “cult classic” American Psycho. Patrick Bateman, the main character, is adored by men and women around the country for being a complex character, representing the

  • Psycho Hero's Journey Analysis

    1993 Words  | 8 Pages

    Although the movie Psycho, by Alfred Hitchcock, does not follow the “Heroic Journey” format perfectly; the events that take place in Psycho imitate it closely. This is achieved through the meticulous creation of Norman Bates, as we observe a culmination of his actions, emotions, and the events that take place in his life. Psycho follows the traditional format by having a similarity to the 12 stages, beginning with the “ordinary world”, and ending with “atonement/resurrection”. In the initial stage

  • Alfred Hitchcock's Influence On David Fincher

    1575 Words  | 7 Pages

    5). Hitchcock cleverly used the $40,000 in the bag in Psycho (Hitchcock, 1960) to drive the plot because the audience becomes more depressed that the money was buried along with Janet Leigh?s character. The wrong-man theme was often used as well in Hitchcock?s films like Strangers on a Train (1951) and Frenzy (1972). Hitchcock liked to confuse the audience by making an antagonist charming and likeable like Marian Crane (Janet Leigh) in Psycho (1960). Hitchcock films are studied and admired by many

  • The Psycho Movie Analysis

    1096 Words  | 5 Pages

    The Psycho By Afred Hitchcock The movie begins in Phoenix, Arizona in the apartment of Marion Crane with her lover Sam Loomis on her lunch break finding out that they are having an affair, after returning to her job at the real estates office where her boss comes back with a wealthy client buying one of their estates where they are given $40,000 and agree to hold onto the money. Her boss trust her to bring the money to the safety deposit box. But she then steals the money for a better life and

  • American Psycho Sociological Analysis

    1356 Words  | 6 Pages

    American Psycho is a film that explores the sanity, or rather lack thereof that pertains to a business man named Patrick Bateman residing in New York. Patrick is cinematically introduced by putting his vanity on display. He is initially viewed as a man with a high emphasis and appreciation for his appearance which is often deemed to be unusual and feminine for men. While it could be thought that he has a strong sense of masculinity, it is not the case and is proven so after the film documents his

  • Symbols In A Clockwork Orange

    1337 Words  | 6 Pages

    Code and Cinematic Signs of A Clockwork Orange Stanley Kubrick is famous for his dark humor movies. He used a lot of codes and signs to express his stylish aesthetic violence and sexual implications in his movies. A Clockwork Orange can be considered as one of the best among them. In the opening milk-bar scene with the mannequins, the bar is full of sexual imagery. The film continues this motif throughout, combining sex with violence as the social norm. Alex’s parents are completely docile

  • Baudelaire: Summary

    1224 Words  | 5 Pages

    The setting takes place in a Hotel where Baudelaire orphans are disguised as concierge to keep their identities. The Hotel is at a tilt and everything is backwards on the outside and is reflected off a pond to reverse the effect. On the inside it is organized by the Dewey Decimal System. The pond is also a key factor in the story because many secrets about the hotel lie at the bottom. Violet Baudelaire is the oldest of the three and is very observe and inventive person. Klaus Baudelaire is the

  • Splintered Identity In Film

    2919 Words  | 12 Pages

    Introduction Considering the collaborative process of filmmaking, especially nowadays in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are