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Editing in movie making
Hitchcock groundbreaking psycho
The film Psycho and its significance in the Hollywood cinema
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Hitchcock utilizes sound, camera work, MacGuffins, and plot twists to tell the storylines of the movies. Hitchcock understood the importance of camera work and sound because he began his career making silent films.12 It is why he uses many close up shots so the audience can pay attention to specific details and the emotions on the character’s face. He does not rely on dialogue to tell the story. He uses sound to help convey the message of a scene.
Alfred Hitchcock’s film, Rear Window, is an excellent film that brings together some very interesting aspects. The film takes place in the main character, Jeff’s apartment; he is a professional photographer who broke is leg and is confined to his apartment. Jeff begins watching the daily lives of his neighbors for entertainment, he suspects that his neighbor murdered his wife and the movie is all about gathering evidence and probing that this really happened. Throughout this movie Hitchcock makes use of Mise-en-scene, characterization and secondary plot, all of which are very interesting topics that work together to make an exceptional film. Mise-en-scene is present throughout this film, but a couple aspects that are particularly significant include, the lighting, costumes/makeup, and the setting.
He often enjoyed reading about true crime, history, and famous assassinations. When author Gordon McDonell, who wrote adventure and crime novels, heard that Hitchcock wanted to make one of these movies, he met up with Hitchcock to hear one of his stories over lunch. This story was originally called “Uncle Charlie.” Hitchcock ran into some contract problems with Selznick International because he could not make “Uncle Charlie” fast enough for Universal, but he eventually got his availability extended and was able to move forward with the movie. Mr. and Mrs. Hitchcock brainstormed the screenplay development and decided to have the town be small and American yet invaded by modern evils.
Encyclopedia Britannica. 23 Feb. 2023, https://www.britannica.com/biography/Alfred-Hitchcock. Accessed 16 Mar. 2023. Cherlin, Deborah. " Mario Gabrel Andretti (1940- ).
Alfred Hitchcock is remembered as the "master of suspense", most notably in one of his cinemas, "Psycho". Hitchcock used a variety of sensory details, to shock moreover frighten his audience. Three sensory details that he used, is when we notice a cop following Marion, we see that Norman is stalking Marion, and when a shadowy figure shows up while Marion is taking a shower. The first sensory detail that creates suspense is when we see the cop following Marion. We believe that the cop recognizes something is up furthermore, is going to assert Marion for stealing the money.
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
Both of Alfred Hitchcock’s films, North by Northwest and Rear Window, were great movies with lots of suspense. The suspense, however, would not have been created without the entire mise-en-scene of the movies. Hitchcock was a master at using the elements of lighting, sound, and cinematography to heighten the suspense in his movies. The first key element of mise-en-scene that played a significant role in both movies was lighting.
In the film American Psycho, the director uses satire to illustrate the life of Patrick Bateman, a typical Yuppie in the 1980’s who is a monster because of his psychotic tendencies, which are influenced by his destructive male ego. Set during the 1980’s in New York City, Patrick Bateman is an attractive, and successful man. He is ivy-league educated, works at a high-profile Wall Street financial firm, takes excellent care of his physique and engaged to an intelligent blonde named Evelyn who is “almost perfect looking.” Patrick also surrounds himself with similar people who share identical backgrounds in wealth and education. The only thing that sets Patrick aside from the rest of his friends is his tendency to mutilate and murder several helpless female
To the unknown eye, Hitchcock has carefully and skillfully used Mise-en-scene to his advantage, causing the audience to feel fear and a sense of caution towards the character of Norman Bates. It isn’t until we reflect back on the scene and notice how intelligently Hitchcock uses the positioning of props and the characters, lighting, camera angle and staging, that we notice how he has added meaning to his characters but has also to the film, creating suspense and fear from one scene to the end of the film. Ultimately proving the point that Hitchcock “the master of suspense” uses Mise-en-scene to not only help make a brilliant film but also uses it as his disposal to add meaning in his
The film Vertigo by Alfred Hitchcock employs various clever camera movements and sequences which seem to portray the main character’s state of mind. Right from the opening sequence the cinematography in this film had me intrigued. The viewer is show the red filtered eyes of a mysterious woman which zooms into a black void where animated colored rings spin and zoom to a menacing and mysterious sounding score, all of this provides the foundation for a film about illusions. The film also does a good job at using an unreliable main character who is oblivious to the trickery going on around him. The character of Scottie is flawed through his naivety and his investment in romance.
The Film Psycho, directed by Alfred Hitchcock, effectively presented the ideas of murder and schizophrenia through the use of characters, with the double-sided Norman Bates in particular, and visual techniques as well as sound techniques. The ideas of murder and schizophrenia were presented well in the movie "psycho" through the use of characters. The character of Norman Bates was the central character in the film and had a complex and differing personality. One moment he was shy, kind, lonely Norman Bates, a mother's boy, and the next he was a deadly jealous Mrs. Bates, his deceased mother.
The movie depiction is able to elicit fear through cinematic techniques, and the novel uses fear in a different way than the movie which is more effective in frightening the reader. Haunting of Hill House is considered a cinematic classic. Using mise-en-scene the director can elicit fear. Hill House is full of statues and mirrors,
The Suspense and Mystery created successfully by Alfred Hitchcock in Spellbound and Rope When mention about suspense, “Hitchcock” must be the first word appears out in the mind. Alfred Hitchcock produced plenty of films which are suspense and thrilling. In his filmography, Spellbound and Rope were produced in a bit earlier stage. Spellbound is the first batch of film using the topic of Psychoanalysis.
He has always been the shadowy figure or the familiar face in the background of one of his films. He has masked himself behind routines and monotone expressions. He also refused to disclose information about his personal life with the public. The intimate parts of his life, however, are on display for the public in the form of motion pictures. In his films, Hitchcock expresses his unspoken desires, frustrations, and relationship problems.
Psycho (1960) Alfred Hitchcocks powerful and complex psychological thriller, horror film “Psycho” (1960) was classes as the first sub genre of horror, the slasher. The film ushered in the era of slashes with graphic content of blood-letting and shocking killings of the time. Although this was Hitchcock’s first horror film, he was labelled as a horror film director ever since. The film contains disturbing themes of corruptibility, confused identities, voyeurism, human vulnerabilities and victimisation. These themes symbolise the effects of money, oedipal murder and the dark histories.
