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Alfred Hitchcock's Film Psycho

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Alfred Hitchcock went through so many hard challenges to make this film, watching Psycho you understand why. The movie is disturbing, scary, it's unlike any movie we've ever seen. Given the many incredible films Mr. Hitchcock has directed, Psycho is by far his best work it's breath taking. Janet Leigh was a tour de force, Anthony Perkins was spellbinding in this terrifying role of Norman Bates. Innkeeper at the Bates Motel. John Gavin gave a captivating preformance, and let's not forget Vera Miles as the Lila Crane. The casting was dazzling, the dialouge was strong, and the story itself was terrific.
The Plot On a December day like any other day for Marion Crane (Janet Leigh) a secretary in Phoenix, Arizona sleeping around with the love of
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Before Hitchcock’s film Psycho in 1960, many individuals watched the movies from beginning to end as if it were non important. Alfred Hitchcock grabbed the the audiences minds and created suspense, anxiety, horror, and leaving the viewers at the edge of their seats wanting more. Because of this newfound view of films, Alfred Hitchcock’s ideas inspired some of the scariest movies known today which you may know as The Exorcist, Halloween, The Shining, and more.

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In Alfred Hitchcock’s film Psycho, Norman Bates is portrayed as a serial killer. It can be implied that due to Norman’s multiple killings, he’s both a bad person and a murderer; however, Norman Bates is innocent. Suffering from Dissociative Identity Disorder (DID)- or multiple personality disorder- Norman’s uncontrollable and horrendous acts of murder are his cries for help. Norman’s lack of social interaction plays a grand role in his inability to properly interact with people.

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In the film. The Blind Side. Michael has to overcome many challenges to achieve his goal of playing NFL football. Discuss the obstacles he faced throughout his life to fulfil his dream. How does he overcome these?

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Alfred Hitchcock is remembered as the "master of suspense", most notably in one of his cinemas, "Psycho". Hitchcock used a variety of sensory details, to shock moreover frighten his audience. Three sensory details that he used, is when we notice a cop following Marion, we see that Norman is stalking Marion, and when a shadowy figure shows up while Marion is taking a shower. The first sensory detail that creates suspense is when we see the cop following Marion. We believe that the cop recognizes something is up furthermore, is going to assert Marion for stealing the money.

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577,000 citizens out of the 151,325,798 total population in 1950 were enlisted in Psych wards and diagnosed with mental illnesses. Along with the enlistment of thousands of citizens, the practices at the time were far from reasonable or backed up by a moral rationale. They were dark, disturbing places where some or most men and women lost themselves mentally to malpractice operations, including lobotomies and shock therapy. The 1950s was a frightening and uncertain time and we only know that through documentation, fiction or not, it still holds an insight into the world that it once was. Ken Kesey, a famous author of the 1960’s, did just that, documenting his life in the 1950s and 60s.

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What is distinctively ‘Hitchcockian’ about Rear Window? Alfred Hitchcock, an important figure in film history, uses his creativity to make a perfect combination between entertaining and aesthetic. Therefore, his unique method of telling a story and theme choice is studied as the name of ‘Hitchcockian’, such as psychological complex and giving suspense. While Hitchcock built up his personal style, he still went through several periods to grow his recognition towards the film industry. And Rear Window, a highly successful film at the box office and being listed among best one hundred American films of all time in 1998 (Cowie, 2005), is an example of Hitchcock’s ‘mature’ period, shows the audience some distinctive parts of ‘Hitchcockian’ way

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1278 Words | 6 Pages

Around the 1950’s Hitchcock released one of his greatest thriller films, Strangers on a Train (1951). This film was essentially based on Patricia Highsmith’s novel. Even though the film incorporates many aspects of the novel, Hitchcock decided to change many parts of the novels plot. Some of his major changes were seen within the characters. First of all, in the novel Guy was not a tennis player, instead he was an architect.

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Many argue when the Golden age of Film Noir ended. One on the most common arguments is that Orsons Wells A Touch of Evil was the last of the great Noirs. However, the real last true noir may actually be Alfred Hitchcock 's Vertigo which came out later the same year is the true last noir. The first evidence Vertigo gives us is the main character John "Scottie" Ferguson. Scottie is a ex-detective with a past that haunts him.

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Vertigo proves to have made much of a bigger impact on film itself as an art than Psycho has, though the latter has made much more of an impact on society and movie genres as a whole. I do believe that Vertigo deserves to be ranked higher than Psycho, simply because film as a medium never would have developed quite in the way it has without that particular film. I also believe that Vertigo is a much scarier film than Psycho, and indeed Hitchcock’s scariest film in all. Most other films had never before addressed such topics as stripping away one’s identity for love and giving oneself wholly to another, and what happens to one when that happens, and if a relationship under such a premise could ever be healthy. “Vertigo… is the most confessional

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Silence of the Lambs Paper Psychological profiling is a method of developing a profile for criminals in unsolved cases. Criminal profiles are used by investigators to infer characteristics that may be advantageous in solving a crime. Dr. Michael Stone, a forensic psychiatrist and professor of clinical psychiatry at Columbia University in Chicago, has created a 22-point scale for the classifications of criminals. This scale ranges from homicide to murder, rape, and torture and has been used to classify some of the most evil criminals.

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People do not understand how big of an impact they can have on someone’s life. Just by complimenting someone that can revision the way they think, act, or feel. Occasionally people help other people out by giving them a ride or giving them food. Also, people can help others change in the way their lives are. For example, if someone is having a hard time finding a place to stay and you offer them to stay at your house you just made their day.

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In the painting titled, “The Scream,” the artist Edvard Munch, uses colors, the structure of the bridge, and the horror reflected in the face to create an image of filled with drama. The bridge suggests that the individual might be fleeing from something on the other side of the bridge, or perhaps she is afraid of something she sees ahead of her. Also, the structure of the bridge is something that connects not only land, but also the past, present, and future. Where the subject is standing, it is dark as is the clothing. Although the painting does not have a lot objects in the picture, there are still several visual elements and principles of design.

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Martin Scorsese is an American film maker best known for his works such as The Wolf of Wall Street, Goodfellas, and The Raging Bull, as well as many more (IMDb.com). One of Scorsese’s notable works is his film titled Taxi Driver. The film features Robert De Niro, Jodie Foster, and Cybill Shepard. Scorsese illustrates the life of an ex-marine with what would appear to be insomnia; however, it is not explicitly stated in the film. The ex-marine, Travis Bickle, becomes a taxi driver.

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Director Francis Ford Coppola uses the opening of the film Apocalypse Now to indicate to the audience a brief idea of what to expect in a war film and highlights some of the effects of war. The use of the non-diegetic sound of ‘The End’ originally by The Doors playing in the background whilst capturing the effects of war such as explosions is used to emphasize the destruction and misery faced during war. However, the use of a transition at (1:44) from the explosions and helicopters to Willards face and the ceiling fan suggests to the audience that he is constantly being reminded of war. In here the ceiling fan could possibly represent from Willards view point as a helicopter.

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Psycho (1960) Alfred Hitchcocks powerful and complex psychological thriller, horror film “Psycho” (1960) was classes as the first sub genre of horror, the slasher. The film ushered in the era of slashes with graphic content of blood-letting and shocking killings of the time. Although this was Hitchcock’s first horror film, he was labelled as a horror film director ever since. The film contains disturbing themes of corruptibility, confused identities, voyeurism, human vulnerabilities and victimisation. These themes symbolise the effects of money, oedipal murder and the dark histories.

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