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A Rhetorical Analysis Of Haiti

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This photograph describes what Haiti looks like for miles. Destruction and devastation. The lost, worried family and the remains of the hurricane are the most prominent elements of this photograph. When looking at this picture the eye is drawn the the dirty, young girl. She expresses sadness and concern. Then the eyes meets the mother figure, thinking intensely, possibly about the person taking the picture or thinking about how to start over and repair what is lost. Lastly, the eye moves to the background, where a middle aged man is busy, as if he is trying to find a way to clean up or restore the unfixable damage. The clothes and belongs strung across the wooden frame symbolize life; once put together and neat, but now messy and imparable.
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Revolution, a tradition as old as time. Countries such as Haiti and America used the tactic of revolution to gain independence from their European overlords. The American Revolution occurred between 1775-1781 against England. As this revolution was ending, another one was started a little farther south; Haiti revolted against France from 1791 to 1803. These two revolutions draw many similarities such as the fact that they were both revolting against European powers but also draw differences because the Haitian revolutions’ driving force was their lower class and the American Revolution spurred by the upper class.

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In this scene we can see many people from Haiti that fled to the US coming together in a church-like community (Pew), and they talk about the sad misfortunes the other civilians and friends back in Haiti have had to face or have sadly passed away, this shows the connections they still have with the people they yearned for in Haiti and the unforgettable shame they have for leaving a loved one, and their people has never been

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For instance, there is an understanding of the woman’s feelings as she describes “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” and the pattern looking at her “as if it knew what a vicious influence it had” (Gilman 437). The personification is symbolic in displaying how the woman felt as she was stuck in the lonely room with allowance of her husband and Jennie, their child’s nanny, keeping their eyes on her with the dependence of her healing. Additionally, the woman specifies that behind the yellow wallpaper she can see “a strange, provoking, formless sort of figure, that seems to sulk about behind that silly and conspicuous front design” (Gilman 438). As the appearance of the wallpaper is personified, the author taps into the hidden meaning that the woman’s sickness is taunting her as she is attempting to heal. In the end, readers are given the most significant piece of personification in the statement, “and then when the sun came and that awful pattern began to laugh at me, I declared that I would finish it today!”

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