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Absolutism In Sun King By Louis XIV

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Sun King: Absolutism is greatly reflected in the title Sun King. Louis XIV used the many aspects of the sun He associated the rising and retiring of the sun. He used most of the suns principles like the rising and retiring of it, the orbit of the sun and the shine the sun has. He was able to fully take the principles of the sun and incorporate it in his title Sun King. He truly believed in the absolute principles of the sun.
Daily Rituals: Louis viewed himself as an absolute ruler who was specially chosen by God. His absolutism in his daily life and rituals where to be a ruler. His daily rituals consisted of practicing his leadership in Versailles. One of his important daily rituals was to go to mass everyday he certainly believed in all
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Absolutism is a form of government in which a ruler at a certain time period controls every aspect of politics and military in that country. An absolute monarch is defined as not one limited by a constitution, but referred to as one that wields unrestricted political power over the ruling state and its people. This absolutist, the successor of Matthias, Ferdinand II, also know as the Holy Roman Emperor, was the king of Bohemia from 1617-1619/1620-1637, and the king of Hungary from 1618-1625. Ferdinand II was born on July 9, 1578, in Graz, Austria.

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From this relatively minor action the control and power of Louis XIV is immediately brought to a forefront by Félibien, as it is written that is was on the word of the king alone that the entire event commenced. The narration of the period between the grand opening and the first spectacle describes elements of the sheer opulence of Louis XIV, which serve as the first exemplification of the power he wishes to portray – the section contains the first mention of water fountains, a feature which serves as a symbol of perhaps the ultimate triumph of Louis, as the feat of simply supplying enough water to sustain such numerable displays is not only an exhibition of the power of the king’s will, but also serves as an exhibition of Louis’ power over nature. In both Félibien’s account and the engravings of Le Pautre the exuberance of the scene of the collation is brought to life, a scene which is set in an arena which physically embodies the triumph of Louis over nature as the physical structure of the space is formed from the twisting and moulding of branches and flowers into a star-shaped enclosure. The choice of Louis to create this star-shaped space is the first acknowledgement of his

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