Recommended: Essay on fun home by alison bechdel
4. Literary Devices Imagery is found amongst the whole novel, it helps the readers to visualize what is happening from the characters point of view. When Lina had to draw a man from a photograph, she felt that her “skin prickled at the sight of [the commander]” when he was standing over her (Sepetys 174). This allows us to feel how Lina felt while having to draw for the NVKD.
While Maria’s story helps the audience understand events and circumstances she went through and how she felt, but the readers didn’t truly get any powerful imagery of what she was seeing. Greg’s anecdote does help readers be able to see through his eyes as if they were their own eyes, and also understand the events that are playing out in the story. Moreover, Greg’s story doesn’t just help the audience understand certain events but also be able to walk through events in his shoes. In addition, Greg is able to do this by writing with an almost life-like description that compares to certain objects and imagery that explains exactly he is
These artistic qualities make the reader more involved and makes them want to continue reading the
This book touches on the topic of home and isolating yourself because you don’t feel safe from the outside world repeatedly. Kya knows that the outside world can be cruel, but she knows the marsh will always be her home, the place she feels safest. Creative projects like the one-pager are always fun for me because you are not only writing an essay but creating a visual with your symbols. It is a way for me to be more creative and inspire me to actually write the written portion. It is also a fun way to show the reader what was going through your head making the symbols and they also get to see the art that goes along with it.
The memoir can be relatable to young adults, as young adults face many challenges growing up. Young adults face a plethora of issues and to know that they’re not alone , and somebody else faced the same problems or even worse problems ,may help the youth find this memoir relatable. The entire memoir is about Jeannette struggling of her irrational family. Jeanette family never stayed in one place and when they did the conditions were poor. Jeannette mentioned “Instead of beds, we kids each slept on a cardboard box, like the ones refrigerator get delivered in”.
The memories Small relives on the page are conveyed with art as the primary medium, using writing as a guide throughout the graphic novel. Using
This also makes the readers have a better feel of the story, and sort of feel as if they are in that moment, feeling everything and seeing it in their minds. Another example of when Wiesel uses imagery to achieve the feeling of
Alison Bechdel’s “Fun Home: A Family Tragicomic” is an enthralling memoir about a young girl’s peculiar childhood, which involved her family’s funeral business, infatuating trips, family turmoil, solitude, and her befuddling relationship with her masterful artificer of a father; in which similarities ranged from obsessive compulsive disorders and literature to sexuality. The most profound being homosexuality. Bechdel utilized duo-specific, speech bubbles, as well as, subject-to-subject paneling to illustrate the complex father-daughter relationship where Alison and Bruce Bechdel perpetually attempted to compensate for each other’s eccentric gender behaviors. Initially, both Bechdals yearned for different genders, imposing expected behaviors upon the other.
The Balance of “Show and Tell” Comic books are often regarded as unique. With the addition of pictures into text, they require the reader to be not just a reader, but a viewer as well. In his graphic essay, “Show and Tell,” comic book artist Scott McCloud questions what really makes a comic book come to life. Written as part of Understanding Comics: The Invisible Art (1993), this brief section points out that a balance of both words and pictures is the answer. McCloud literally and figuratively illustrates the commonly held beliefs of art and literature as being separate.
Chad Blenz Deniz Perin ENG 121 08 December 2014 Published in 2006, Fun Home: A Family Tragicomic is a graphic memoir that brought great success to Alison Bechdel and her work. Fun Home explores the relationship between Alison and her homosexual father, Bruce Bechdel, to shed light on ideas such as gender, coming out with your sexuality, and the complex dynamics within their family. With further analysis we can see that these key ideas are facilitated through discussions of death, life, and literature–provoked by Alison’s efforts to illustrate a truthful portrait of her complicated connection with her father, specifically after he commits suicide. Alison Bechdel is not only the main author and narrator but also the main protagonist through out the graphic memoir.
Reality is an external terrain for our minds and bodies, but the imagination is an internal escape for our thoughts and reasoning. It is a endless realm that can only be controlled by ourselves, and an area for us to freely think about the outside world and create an entirely new reality inside of us. This mental reality is a place that we can escape when we are unable to connect in the real world or the real world becomes too hard to bear just as it was for David in Stitches: A Memoir by David Small. Within a comic medium, David is able to find an escape during the darkest periods of his childhood through an alternative reality by drawing and imagining himself inside the magical world of Alice’s Adventures in Wonderland by Lewis Carroll. While
The market is saturated with memoirs written in prose. Alison Bechdel, however, puts a spin on the dysfunctional family memoir in her graphic novel Fun Home: A Family Tragicomic. By using the graphic novel narrative form, Bechdel tells the tale of her family tragedy through words and graphic images. Fun Home tells the story of young Alison’s life of dysfunction with a father who is a closeted gay man, a family that lives in isolation and her own struggle with anxiety and OCD. The chapter “The Canary-Colored Caravan of Death” focuses on her father’s death by suicide, and her own isolation and mental struggles.
Maus and Fun Home both use the medium of comics to tell very personal and delicate stories. Art Spiegelman uses Maus to tell the moving and emotional story of his father’s survival of the Holocaust; Alison Bechdel uses Fun Home to tell the story of her father’s death and the exploration of her identity. Although both texts are different in many ways, the both use the comic medium to portray an outsider experience. While Spiegelman uses the medium to construct an animal hierarchy and Bechdel uses the medium to combine multiple moments in her life into one story, both authors use pictorial detail to shed light on the outsider experience they are each trying to portray.
Two of the panels are rectangles and the third box is a square below them. One of the rectangle panels overlaps the school door as if is it intruding the black space. As art educator, comics usually have color, however the blackness of the background against the white snow, the arched doorway and gutters space between cubic shapes add dimension and mystery to the narrative. Throughout the book, narrative art is a major factor in the visual storytelling of the life of a teenage girl’s fantasies, desires, peer pressure, spirituality, sexuality, and death. The illustrations in Skim, is a good example for drawing outside the box in forms and composition.
How she describes her surroundings and her interactions with her family evolves as her condition worsens. By the end, the reader can truly see just how far gone the narrator has gone. The narrator’s fixation on the yellow wallpaper had gone from a slight obsession to full mental breakdown. As it is with most good stories, the presence of strong symbolism and detailed settings is a very important aspect of the story that helps to draw the reader into the story.
