Amida Buddha Outline
141 Words1 Pages
This sculpture convert an effect of stability by its shape and carving style. It is presented in a triangle shape with everthing is symmetrical from thefront and back side of this sculpture except for the crossing leg. The thickness of the sculpture and its lifesized appearance give viewers a sence of volumetric. The outline is smooth and round without sharp angle. Not much details are presented except for the folds on the rope and some decorations on his arms. The surface is smooth without any texture or lines that suggests movement. The volumetric
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J’Lyrick Woods Writing Assignment #1 AR-170 2-D/3-D 2-D-P.50-Figure 1.4-Mel Bochner, Vertigo This conceptual artist has taken basic elements of art such as lines and color and has created this amazing two dimensional artwork, Vertigo. In this artwork the artist uses regular lines, a rhythm of diagonal lines, and a slight tint of an orange in the background of the actual lines. The different directions, overlapping, and crossing of the lines, help imply the chaos and disorder the artist is trying to reveal through this painting.
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Since having two faces isn’t common, it, in combination with the hair, becomes the focal point of the sculpture. The scale of this sculpture is miniature reaching only 9.5 cm. The small size of the sculpture makes the intricacy of the sculpture all the more
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Moreover, the Kanishka’s depiction of the Buddha on a gold coin shows how culture is influenced by the teachings of Buddhism (Doc 7). He was heavily influenced by the religion and was encouraged by the principles to make it spread throughout the country. The architectural form of Buddhism offers a view of its teachings these structures and
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He also uses various biomorphic shapes, meaning he based the shapes on natural forms. Lastly, this painting demonstrates atmospheric perspective. Perspective through color change, value, and detail(48). All of these visual elements combined together, allow an artist to create an outstanding work of art.
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In general, the thick curved lines are used to carve the figures of putti, the head of the man and Medusa. However, thin straight lines are used for details on the carvings. Most of the shapes on the Garland Sarcophagus are round and curved, besides the tomb itself is a rectangular shape. As for colour of the marble sculpture, the artist did not use any form of colour, only the natural marble colour. The Garland Sarcophagus is a coffin, the maker uses depth to create a space where the body would be placed.
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They lead your eyes to the large boat, onward to the bottom, where there are animals boarding it. The lines are also very sharp. They outline the shapes in the painting, giving the shapes a clear border. The next element is shape. The shapes are at very sharp angles.
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Lono and Kū are two Hawaiian gods that are most often represented through feathered basketry and wooden sculptures. Lono is the god of agriculture, plants, rain, pigs, peace, and most often connected to the idea of genealogy; while Kū is often depicted as the god of war, forests, canoes, houses, and crafts. These two opposing gods are dependent on each other because of their juxtaposition to one another in Hawaiian culture. This essay will explore how Lono and Kū are represented in Hawaiian art, through stylization, usage, and historical context, as well as how the representations of them have changed over time.
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This sculpture strived to make it as realistic as possible; soft yet strong features are represented. For example, Marcus face is stern yet shows emotions
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In “Evil and Omnipotence”, J.L Mackie argues that solutions provided for the problem of evil are implausible. Mackie claims that the problem of evil is God’s inability to be both omnipotent and omni-benevolent yet have evil exist. This contradiction cannot be physically disproven; and therefore, must be logically disproven. Mackie uses a novel method of providing solutions to this problem and elaborating on their lack of logic. In this paper, I will further explain the problem of evil, expand on the solution “Good cannot exist without evil,” and argue for Mackie’s view against this solution.
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The medium executed in the canvas is oil paint. From the original location, the artist intends viewer to visual the painting in only one orientation. The painting is located directly in front of the viewer. This critique points the description, thorough analysis and viewers judgement of the artwork.
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The statue is highlighted as everyone in the piece leans back with their line of sight directly viewing the statue. Douglas delightfully illustrates movement through both angular lines and circles. I will be able to use this source to display representation and meaning through this piece. This source is reliable as it is published through the website Blog Spot and provides a creative, knowledgeable insight to the
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The lining in the skin makes the painting look more realistic and the lighting brings out the dimensions very well. The lining is overlapping which shows the movement in the painting. The triangle shape begins at the top of Mary’s head and down the back of Jesus contacting to the bottom of her hands and coming around her shoulder. Spacing is very important
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Kahlo used very thin lines to define both the Fridas and aortic valve. This paing had a strong use of implied lines, Frida used implied lines to define the movement and blood flow between the two hearts. She also used them to put influence on the clothing to give them a realistic feel. I didn't see as many shapes as I did line composition. The few shapes I came across throughout the image was an oval and rectangle.
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At age 17, Michelangelo had begun to dissect corpses from the local church graveyard to gain a much deeper understanding of the human body. Michelangelo had to be extremely cautious when examining corpses seeing as the act was strictly banned by the church, making the act illegal. Nonetheless, Michelangelo still had an amazing understanding of the human body and its proportions were extremely critical to his success rate as a sculptor and artist. Michelangelo’s incredibly realistic sculptures showed finely chiseled veins, wrinkles, muscles, bones, and nerves. Such skill was and still is unsurpassed till this day in the 21st century.
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