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An Analysis Of Homosexuality In Martin Sherman's Bent

223 Words1 Pages
This essay considers the making of sexual identity and its effects on homosexuals during the period of Nazi regime in Martin Sherman’s Bent. It utilizes Michel Foucault’s theory of power along with concepts of “social tattooing” and “the bios of zoe” in order to explore the ways in which Max is psychologically freed from the geography of exclusion. Mainly using Max’s journey from negation to acknowledgement of his homosexuality, this essay suggests that the negative image of homosexuality is not natural, but is symbolically constituted to solidify Hitler’s Nazi regime. Even though he is homosexual, Max is eager to wear a yellow star for a Jew by falsely proving Nazi SS officer and guards that he is “not bent.” Thus, his heterosexuality is socially
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