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The Raven Essay

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“The Raven” by Edgar Poe is written with the analogy of the mind, especially the conscious and subconscious attitude of the mind. The poem is interesting in the sense that the readers could argue over the events in the poem are not happening to the narrator himself, but by preference, within him, and especially within is mind. The poem begins with a dark emphasis “…midnight dreary...” (Poe), which postures the famous stage of Edgar Poe in The Raven. In the fourth stanza, Edgar Poe states that his “soul grew stronger” (Poe). Now Poe is bursting in a deeper state of sleep, and he is for sure dreaming, so since he is safely dreaming, he describes his subconscious is trying to bring him to his conscious. Poe opens the door and states that the
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Edgar Allan Poe's “The Raven” is a narrative poem which addresses the themes of death and melancholy through the repeated line of the ominous visitor “the raven” saying, “Nevermore” and the bleak mood that prevails the poem. It consists of eighteen stanzas composed of six lines each. The repetition of the phrase “nevermore” at the end of each stanza emphasizes the narrator's despair. Also, this repetition is one of the reasons that drive him mad. Hearing this phrase, “nevermore” constantly, the narrator is finally on the brink of frenzy.

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Whereas William Wordsworth and Samuel Taylor Coleridge’s criticism functions as one of the references in prompting praiseworthy works, Edgar Allan Poe’s The Raven is a modified product of rebuttal in a manner that it does not necessarily conform on the notions of the traditional Romantic attitude, given that its basis for experience does not imitate the life of a common man, and the usage of suspension of disbelief is maximized to the extent of dangerous imagination. Despite these conflicting ideas, Poe’s The Raven still manages to take resemblance from its precursors, like as prioritizing the poet over the work itself, preoccupation towards imagination, quality of achieving unity of effect, and as such.

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