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Analysis Of Charlotte Perkins Gilman's The Yellow Wallpaper

677 Words3 Pages

In the journal “On Not Reading between the Lines: Models of Reading in the Yellow Wallpaper”, Jeannette King and Pam Morris state that Charlotte Perkins Gilman’s “The Yellow Wallpaper”, can be classified as both feminist literature and gothic literature because it is equally a story of haunting and repression. King and Morris state that “The Yellow Wallpaper” involves elements of traditional gothic writing. This is seen through the story’s exploration of an abnormal psychological state (24). This quality is seen when the narrator explains that she “can see a strange, provoking, figure, that seems to skulk about behind the silly and conspicuous front design. (571)”. The narrator is seeing a person behind the design when there was not actually anything behind the paper. This leads the reader to conclude that she is having a hallucination (24). Her …show more content…

The supernatural element found in the story is the wallpaper that the narrator is fixated on. This is seen when “This paper looks to me as if it knew what a vicious influence it had. (470)” Despite the paper not actually having powers, the narrator perceiving it as being alive adds this element (28). By stating that the wallpaper has the ability to think and know things, it is given a supernatural element. The non-supernatural element that is disturbing is the treatment that the narrator receives from her husband. This is seen when she is writing in her journal and says “there comes John, and I must put this away -- he hates to have me write a word. (469)” Here the narrator’s husband is seen controlling the activities that she can participate in. By him not allowing her to write, a very unpleasant tone is created for the reader. This then proves that non-supernatural elements are also intended to be

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In the short story “The Yellow Wallpaper”, author Charlotte Perkins Gilman uses many literary techniques to allow the reader to understand the universal truth that a woman’s class is seen as lower than that of a man’s, due to their sex. We see this truth throughout the literary work, when the main character who is a woman, is put in confinement and later becomesdistraught and mentally unstablebecause her husband and brother who are both Physicians diagnoses her as “nervously depressed”. Two techniques author Gilman uses is tone and diction to illustrate how the narrator, among most women in that time period is treated as below men in class, with little say in their own mental or physical issues. Gilman utilizes tone to illustrate the universal truth of gender being in hand with class status, effectively. In the literary work,the narrator’s tone shifts from hopeless in the beginning, to determine in the end.

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The narrator is a woman who is imaginative trying to make her mind think and realize the meaning of the yellow wallpaper. She describes the wallpaper as, “repellant, almost revolting; smouldering unclean yellow, strangely faded by the slow turning sunlight” (Gilman 641). This specific wallpaper makes the narrator feel a certain way. At first, she does not like the color or how it looks. But then not having anything else to do in the room, she starts examining the wallpaper.

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The vast majority of people wouldn’t give the wallpaper much thought, however the narrator becomes obsessed with it. To the narrator, the wallpaper is alive and becomes the focus of all her time. Her overwhelming lure to the wallpaper becomes obvious when she first provides a very vivid description stating “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions” (217-218). As she begins to lose her grip on reality, the narrator beings to see faces and eventually a woman within the wallpaper. At first, her description of seeing faces in the wallpaper seems like it could be her mind making since of the varying patterns or just part of her imagination.

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Martin states that the narrator’s confinement in the upstairs bedroom fortifies her mental illness developing into “a frightening hallucinatory world constructed around the pattern of the yellow paper on the wall.” This shift in her identity happens as the shift in her disposition towards the wallpaper changes. The wallpaper is a visible metaphor that eventually becomes her identity. In the beginning of her stay in the bedroom she says the wallpaper is “committing artistic sin” (Par34) and can push anyone to “suddenly commit suicide” (Par35) These comments show her despise towards the wallpaper and the separation she originally has from it.

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(678) in this statement she is challenging herself and this shows the reader she is facing some confusion. The yellow wallpaper in the main characters (the narrator) bedroom is a major point in the story. The yellow wallpaper plays a major role in the woman’s insanity. The woman’s obsession with the wallpaper creates her problem and affects her mind and judgment. This is shown in, “It dwells on my mind so!”

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Enclosed to the four wall of this “big” room, the narrator says “the paint and paper look as if a boy’s school had used it” because “it is stripped off” indicating that males have attempted to distort women’s truth but somehow did not accomplish distorting the entire truth (Perkins Gilman, 43). When the narrator finally looked at the wall and the paint and paper on it, she was disgusted at the sight. The yellow wallpaper, she penned, secretly against the will of men, committed artistic sin and had lame uncertain curves that suddenly committed suicide when you followed them for a little distance. The narrator is forced to express her discomfort with the image to her husband, he sees it as an “excited fancy” that is provoked by the “imaginative power and habit of story making” by “a nervous weakness” like hers (Perkins Gilman, 46). Essentially, he believes that her sickness is worsening and the depth of her disease is the cause of the unexpected paranoia.

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