Analysis Of From Folklore To Revolution By Allan Greer
4)Robert J. Sharpe, Patricia I. McMahon Persons Case: The Origins and Legacy of the Fight for Legal Personhood. Toronto: Univ of Toronto Press, 2007, 1-206 5) Michael Dorland and Maurice René. Charland, Law, rhetoric and irony in the formation of Canadian civil culture (Toronto: University of Toronto Press, 2002), 218. 6) Vivien Hughes.
“Prelude to a Revolution,” by Traci Brimhall is a short poem about a group of men currently in prison. They pass around items that will ease their nerves. They talk about rumors of a revolution, and other rumors of the city. They have spent a lot of time in prison and some of them are starting to lose their minds. Parts of the poem, I believe, give details of the prisoners past lives.
Tracey Lindberg’s novel Birdie is narratively constructed in a contorting and poetic manner yet illustrates the seriousness of violence experience by Indigenous females. The novel is about a young Cree woman Bernice Meetoos (Birdie) recalling her devasting past and visionary journey to places she has lived and the search for home and family. Lindberg captures Bernice’s internal therapeutic journey to recover from childhood traumas of incest, sexual abuse, and social dysfunctions. She also presents Bernice’s self-determination to achieve a standard of good health and well-being. The narrative presents Bernice for the most part lying in bed and reflecting on her dark life in the form of dreams.
Surname 1 Name Professor Course Date Critical Summary The article, A Militia History of the Occupation of the Vancouver Island Coalfields, August 1913, by Daniel Schade seeks to address the accuracy of the historical records that portray the militia and its men as evil and harmful. Furthermore, the article aims at correcting various errors of fact, interpretation, and identity found in the histories of great coal strike (Schade 12).
In analysis of Vera Figner’s Memoirs of a Revolutionist, Figner expressed a few political goals that led her to assume violence as the only answer to the economic, political, and social injustices forced upon the peasants, by the government authority and Russian traditions. All of Figner’s energy was spent in effort to achieve these goals at any cost. These goals were to use influential propaganda, to educate the peasants1, and to kill the Tsar. All of which, were used to motivate a peasant uprising, to remove2 the suppressive Tsarist regime and to give birth to democratically3 free institutions4. To justify her violent means, she used her personal belief that there were no other peaceful ways, that they had not tried, to provide liberty and justice for the peasants.5
In a plot that involved even Governor Tryon, an arrest warrant was issued for Husbands’ because of him being a “principle mover and promotor of the late Riots” (Kars, pg. 188). Furthermore, the wealthy elite used cunning ways to discourage farmers from bringing up petitions. One way that people were persuaded not to bring their grievances to court was because, “officials promised to countersue for “malicious prosecution”” (Kars, pg. 169).
Charles Chesnutt’s The Marrow of Tradition, is one of the first novels to discuss racial tension in the Post-Civil War South. Even after the abolition of slavery, white citizens like Major Carteret, General Belmont, and Captain McBane will stop at nothing to maintain the superiority of the white race. Through the novel, Chesnutt closely juxtaposes certain characters, especially of the white and black race to express that the two peoples may not be as different as one would think. For the white’s perspective, they are horrified with threat that the black race is rising in social and economic power. Characters like Janet and Olivia, McBane and Josh Green, and Polly Ochiltree and Julia are all paired together by Chesnutt to express that when one
Institutional and historical analysis often portray the motives of governments, especially in the cases of Quebec separatism and Aboriginal mistreatment. History describes attempts at compromise to rectify the problems by altering political institutions to provide more autonomy to the provinces, witness in various accords and the methods described previously. However, in regards to Aboriginals a historical relationship of exploitation and eradication sheds on the systemic issues that Aboriginals cope with and the institutions that caused them. As scholars of Canadian politics, it is important to consider historical and institutional analyses when looking at any issue, as it reveals the underlying motives of actors in regards to the cleavages that comprise a state.
The Family Compact and Chateau Clique were bringing outrage to the public with their favouritism towards the British and that the groups were not doing anything about the poverty in Upper and Lower Canada. Farmers joined together with lower classed families to demand change so that the Family Compact and Chateau Clique were given less power and the government took
In the satirical short story, “A Modest Proposal,” Jonathan Swift depicts the immoral treatment of the Irish by the imperial power, Britain. The 18th century brought great frustrations to Ireland in that the people were being oppressed by imperialism, which led to poverty and hunger. Swift satirically proposes a solution for Ireland’s problems by using a variety of rhetorical techniques: twisted humor, irony, and metaphor. Swift suggests that the only way to save Ireland from overpopulation and poverty is to kill the children of the poor families and serve them to the nobility of Ireland. Swift goes so far as to think of recipes and ways to make the skin into gloves and handbags.
The industrial revolution woke up the sense of humanity in people, yet at the same time It turned it off. To begin with, from the year 1819 through 1901, Great Britain was beginning to face an all new era called the Victorian Era. In fact, this era was named like that, because of queen Victoria. Also, this era was very important because it introduced medical advances, scientific knowledge, and technological knowledge that helped increase work efficiency. However, not all the things that occurred were great.
The image most often associated with Quebec’s French-Canadian people during the 1940s and 50s was that of a church-ridden, agricultural society outside of the mainstream urban-industrial way of life. The period before the Quiet Revolution was called the ‘Duplessisme’. Under the era of Maurice Duplessis, the premier of Quebec and leader of the Union Nationale; Quebec was characterized by traditionalism, conservatism, and a general rejection of contemporary ways (Belanger). Consequently, the province had fallen behind and lived through ‘les
Percival Everett’s short story entitled, “The Appropriation of Cultures” explores themes of irony and absurdity. The irony lies within each and every page. The story begins with Daniel, who is a young and successful black man with a degree from Brown University. He is also a musician and frequently played old tunes with a group of musicians. The story then shifts as white frat boys make suggestions of what the musicians should play, “One night, some white boys from a fraternity yellow forward to the stage at the black man holding the acoustic guitar and began to shout, ‘Play ‘Dixie’ for us!
The indigenous people are literally crashing into the buildings produced by the colonizing culture, “Look out! Bob shouts. There are Indians flying into the skyscrapers and falling on the sidewalk.” (King 63) and it adequately represents the lack of adaptability of the Native Canadians. Thomas King taps again into the effects of colonialism and notions the indigenous people as uneducated and an untamed species.
I was awoken by a violent rumbling. My work desk shook like a building during an earthquake and woke me up in the process. Not fully aware of what had caused the disturbance, my eyes darted around the dark room, eventually landing on the vibrating phone next to a large pile of rented textbooks and overdue novels. Picking up the phone, a familiar pair of brightly colored circles accompanied by dainty arrows met my gaze. I grunt, “A phone call.”
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