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Hitchcock Auteur Theory

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Auteur Theory
“ Everything has already been done, every story has been told, and every scene has been shot. Its our job to do it better.” This quote represents the meaning of the auteur theory because every film is a representation of a director’s creative way in which they use various filmmaking techniques such as narration, cinematography, and mise-en-scene. Both Hitchcock and Traffaut use various filmmaking techniques in their films Psycho and The 400 blows. Hitchcocks Psycho is more suspenseful because they use cautions scenes with sound. In Traffaut The 400 Blows they use rapid camera shots with sound to depict the main characters life as we progress through the film. Even though both of these director use different stylistic techniques …show more content…

Marion meets Norman and one particular scene in which we see mise-en-scene is when Marion and Norman are sharing tea. The lighting of the characters is very intriguing because Marion is positioned on the other side where there is lighting on her face while Norman is positioned in a dim light . The way in which Hitchcock uses mise-en-scene was to set the tone of the story presenting the intended viewer with two different characters that are keeping secrets hidden from each …show more content…

Traffaut scenary choice was intended for Antonie since he was always isolated in Paris but now he has finally found the freedom to discover himself. Hitchcock used the setting and characters actions to produce a horror genre movie. These two filmmakers produced unique movies, which follows the Auteur Theory. A lot of filmmakers have interepreted the auteur theory is based on the scripts in which the director chooses to make. Its does not matter whether a film director writes his own movie, because these film will illustrate the film makers visions through the creative choices that they make in their

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Hitchcock utilizes sound, camera work, MacGuffins, and plot twists to tell the storylines of the movies. Hitchcock understood the importance of camera work and sound because he began his career making silent films.12 It is why he uses many close up shots so the audience can pay attention to specific details and the emotions on the character’s face. He does not rely on dialogue to tell the story. He uses sound to help convey the message of a scene.

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auteur əʊˈtəː,ɔː-/ noun a film director who influences their films so much that they rank as their author. There are distinctive similarities between all Hitchcock Films, some of the being voyeurism, falling, transference of guilt, food and death. There are two Hitchcock films that are going to be the main focus for this piece of writing, ‘Rear Window’ (1954) and ‘Shadow of the doubt’ (1943). Alfred Hitchcock’s distinctive style can be seen in both movies. Young Charlie (shadow of the doubt) and L.B Jefferies are both similar, in which they are both trapped.

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This would help in making the audience connect with the story and the characters more easily. I now have a better understanding of film in general and how it can move and transcend people of the society at a particular time when it can take them to a different world and make them forget about their worries. Just like German Expressionism inspired me, a budding filmmaker, this specific translation of cinema as craftmanship would go ahead to impact the absolute most essential filmmakers of the twentieth century, including Alfred Hitchcock, Werner Herzog, and Tim

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Auteur is the french word for author and is a term given to those far and few between who were responsible for handling and directing most of, if not all post and prior production of a film, including techniques, advertising, and choice of cast. So much so that they are considered to be the "author" of the film. Alfred Hitchcock has no doubt left an indelible and engraved mark on all of cinematography as one of the most successful and influential auteurs of all time, as seen through the wide range of techniques Hitchcock employed throughout his films such as voyeurism, doubleness, and the famed magcuffin, as can clearly be seen in the film "Rear Window" as well as "Shadow of a Doubt". Hitchcock also showed immense dedication to the post and

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Ward 1 Dr. Bruns ENGL 390: Studies in Film (Hitchcock) 28 April 2015 Unraveling the Unknown Women of Hitchcock Unknown means something that requires discovery, clarification or identification. To call Norma Bates, Judy Barton and Rebecca De Winter unknown is only the beginning of figuring out who these women are. Of these three, two are deceased and one is simply extremely mysterious. Despite what little is known about them, they each dominate the films they star in.

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Charlie in the chocolate factory:in this film the director used a lot of ways to gets the viewers attention. First he used background music to show the viewers the mood of the scene an to put there mind into the movie. Next,the director used various different camera angle views to capture emotion on the characters faces to give the viewers a guess on how the character(s) are feeling at that moment. Then,in the factory the director used different lighting techniques to give the movie a mood an feeling on what the factory held further inside.lastly,the director put different feeling background in for each different character to give you a feeling of the characters. Edward scissorhands:The film of Edward scissorhands had many film techniques to

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For a director to be an auteur, he or she must exert their own creative insight throughout all aspects of their cinematic works, such as the cinematography, all the way to the characterisation of each role. Anderson is a perfect example of an auteur because he communicates his stories through a signature camera style, and a narrative that conveys the humanness that one does not expect to find underneath the pompousness and flamboyant cinematic elements. Despite create a form of detachment from the viewer to the film (such as meticulous use of symmetry and miniatures), the current events that surround him allows him to create hidden links that we can relate to. He uses his films as a form of social commentary. In a world where brutality is commonplace, Anderson uses the obscure violence in his films to raise questions about society’s own ethical issues, while also relating the struggles the characters personally face to his audience.

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The film uses cinematic techniques to further push this implicit meaning by ways of cinematography, mise-en-scene, and editing. Cinematography:

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The director influences and controls the film’s artistic and dramatic aspects. They assist with cast formation and creates the overall vision. Through the years, the world has seen extraordinary directors with extensive film making experience. Undoubtedly one of the most influential personalities in film making

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At first glance, it seems easy to be considered as a film auteur director but sadly it is not as easy as it seem. Auteur theory may be deceptively simply with a basic premise who’s the movie director in some circumstances. Not every director who produced film or countless films can be assigned with the title of ‘Author’. Ironically, only the director who owns a strong unique personality that who tend to imposes his own personal or favorite personality into the film can be easily given in the title as the ‘Film Auteur Director’ whereas for the weaker directors who might tend to allow other personalities to run and take over the film’s uniqueness. To be able successfully consider as an auteur, the director itself must produce several unique films

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The most recognizable names in directing have become well known because of their signature style of directing. The auteur theory, defined by Bringing out the meaning: Deacy, Nolan, Scorsese, and what films 'mean', is giving the director credit as the author of the movie due to the directors creative hand through the filmmaking process (Ellis). Throughout the decades, some names have stood out more than others based on the critical acclaim of their films. Alfred Hitchcock and Stanley Kubrick are two well known directors, both considered to be highly influential people in film; even with their varying directorial styles and techniques. Alfred Hitchcock is known for his mystery/horror films, earning him the title as the "Master of Suspense".

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“I think a lot of kids feel alone and slightly isolated in their own world,” said Tim Burton. In this quote it says how kids have a aura of isolation and still have an innocence that has yet to go because of believing they are the only ones alone. Tim Burton directed both, Edward Scissorhands, a drama fantasy, and Big Fish, a comedy drama. In both, they exhibit cinematic techniques to convey emotion, and the director does his job well if you feel anything while watching a movie. Tim Burton, in Edward Scissorhands and Big Fish, uses lighting, angles, and music to display the innocence of characters throughout the movies.

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Baz Luhrmanns contribution to the art of film, brings about a flamboyant and revitalizing side to the industry. Through the use of cinematic language, his story telling techniques and belief in the theatrical cinema come to life. Baz Luhrmann has a very distinctive directing approach with particular techniques that define his style. He presents his films as if he were telling a story, which he invites you into. His stories are simple and he tends to give away the ending at the beginning of the film, which intrigues you to find out more about what had taken place.

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Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.

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The Auteur Theory-Intro Part Considering the collaborative process of filmmaking, especially nowadays in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his/her work like a signature. Auteurism rose to the surface in the 1950s French New Wave criticism as an appraisal of Hollywood directors who were ready to avoid the rules of the studio system and create films that were distinctively their own.

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