American Writer and Musician, James McBride has written multiple books and has voiced his opinions in magazines as well as newspapers. In this particular essay, which appeared in National Geographic in 2007, he talks about how hip-hop has influenced the world and how he realized that he has missed an important part of his life. There are many rhetorics used in this essay, -“Irony, Metaphors, Hyperbole and Allusions. ”- are some of the more notable ones. While talking about his biggest nightmare, a feeling of disjoint comes into his mind, “It is no longer…hip-hop planet.”
In Lupe Fiasco's song “The Show Goes On” the overall message of the song is when someone knocks you down you always have to get back up and keep fighting, even if you are treated like you’re nothing. Throughout the song there are many examples of that in the lyrics. Expressed through similes, imagery, idioms, hyperbole, and alliteration. The theme of persisting through hard times is shown in many ways.
They also argue that hip-hop motivates people to end the racial crises surrounding their society. Throughout “Hip-Hop and Shakespeare”, Akala argues that hip-hop is dignifying because it informs its listeners that everyone has the ability to become an intellectual person. In “Hip-Hop Planet”, McBride illustrated that hip-hop is moving because it persuades people to eliminate racial conflicts. Both authors help the reader to reflect hip-hop’s genuine purpose and meaning. Hip-hop is a positive impact because it publicizes the dilemmas a nation faces and inclines people to make a difference .
As Can’t Stop Won't Stop continues to progress to the 1970’s, Jeff Chang addresses the developments, changes and increasing influence of hip-hop. Hip-hop’s influence and popularity seemingly spread globally overnight. Hip-hop culture took on new aspects and the motives for expressing the art continued to grow and change for artists. Throughout the chapters, Chang highlights the evolutions of hip-hop, hip-hop’s new audiences and the increase in drugs and violence in hip-hop during a rebellion ear. In the late 1970s, many citizens in the Bronx began to see a dramatic change in hip-
Clara Barton Clarissa Harlowe Barton was born on December 25, 1821, in North Oxford, Massachusetts. Her parents were Sarah Stone Barton and Captain Stephen Barton. Her father, Captain Stephen Barton, was a soldier under the command of General Anthony Wayne in his fight against the Indians in the northwest. He was a leader of the progressive thought in the Oxford village area.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
Chancelor Bennett, better known as Chance the Rapper, has made a sudden appearance in the world of rap since 2012 when he released his first album “10 Day”. Since then, Chance the Rapper has gained popularity with his albums “Acid Rap” in 2013, and most recently “Coloring Book” in 2016. Chance the Rapper is known for his quirky and free-flowing raps about things that are important to him, like his native city of Chicago, freedom, or even his faith. His creative process to make genius raps sometimes take weird directions and fully understanding how this artist makes music is very amazing.
Chapter two of Cathy J. Cohen’s book Democracy Remixed focuses on the implications of the negativity surrounding rap genre music. In addition, Cohen discusses the effects that popular black media figures have when trying to address the issue of troublesome youth and the vulgarity of their self-expression. Cohen believes that the older generation of the black community demonizes aspects of black youth culture when there are other factors to take into account when discussing the lack of success among young black people. These factors include modern oppression, a privation of adequate educational systems, the absences of low-wage, low skill jobs, unfair incarceration systems etc. Moreover, Cohen makes an argument that it is not only rap, but the voices inside the black community that help to demean black youths.
The Swedish documentary, Black Mixtape, traces race relations in the United States from 1967-1975. The captivating documentary includes appearances by popular African American figures like Civil Rights activist Stokely Carmichael, Black Panther Party founders Bobby Seale and Huey P. Newton and Nation of Islam leader Louis Farrakhan. The purpose of the documentary is to show America in a different viewpoint than how it is portrayed internationally. Due to the Swedish dialect throughout the film, it is evident that there isn’t a specified audience. Black Americans have struggled to obtain equality and justice in this country for decades.
“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.
In the dimly lit hours of Pittsburgh, August Wilson's play "Fences" tells the story of Troy Maxson and his family, depicting their struggles in the 1950s. The play offers a touching perspective on the African-American experience and societal issues that still resonate in America today. As we descend into the world of "Fences," we are compelled to address issues of race, family dynamics, and the pursuit of the American Dream, all of which continue to shape our nation's social fabric. By examining insights from Childish Gambino's thought-provoking music video "This Is America" and the Kanye West Interview, we can further unpack the relevance of "Fences" to today's world, providing a nuanced breakdown of its themes and their intersections with
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
Hip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate
Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.
The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.
