Archibald John Motley Jr.’s painting, “Mending Socks”, illustrates an elderly woman sitting in a rocking chair. She has a scarlet blanket loosely hung around her shoulders and is wearing a lace-bordered white apron. Above her on the wall is a wooden cross. In the painting she is repairing socks, hence the piece’s name. On the periwinkle table to her left is a small pile of olive green socks.
Chapter 1: Sal and Phoebe: Deeper Meanings. My thoughts on Salamanca have always been varying. At first, I saw her as rude, or stubborn, “I was not sweet that day. I was being particularly ornery. I wouldn’t sit down and I wouldn’t look at Margaret.”
Every Saturday he takes his family out to town, where he waits on the corner with the other town ’s men like his fathers and grandfathers did. Mrs. York reflects her husband’s appearance with her own chaste look. She keeps her head down and shows very little signs of liberation or poise. Her dresses are weathered as well, and she owns one coat for the winter.
And another quote on the same page that Sal states that “ I said to myself, ‘ Salamanca tree Hiddle you can be happy without her.’ It seemed a mean thought and i was sorry for it, but it Felt true. These two quote are very important to the story because if Sal never learned how to feel after her mother lest she would have never felt bad about Phoebe's mother leaving her and how Mrs.Cadavers husband died. Salamanca not feeling would mean no
Behold! Behold a dreadful witness of it!” (Hawthorne 252). In the end, moments before their demise, both Proctor and Dimmesdale try to be true to themselves, and all the fellow townsfolk in a long time. Both have committed a sin and yet have carried this weight around, groaning under the moral strain this puts on them.
The novel tells a despondent tale of a woman convicted of adultery who must live out her shame condemned from society by the embroidered scarlet “A” she is commanded to wear while perpetually haunted by her estranged husband who is on a self proclaimed undertaking to find her lover. Through the text, the reader is hastened through a multitude of feelings for the few main characters they meet. Arthur Dimmesdale and Roger Chillingworth are a set of character foils through their opposing physical descriptions, contrasting mental states, and their driving motivations throughout the novel. Chillingworth and Dimmesdale are made clear contrasting characters early on in the novel through their blatantly conflicting physical descriptions. Dimmesdale is introduced early on in the third chapter and is described as “ A person of very striking aspect with a white, lofty, and impending brow, large, brown, melancholy eyes, and mouth… expressing both nervous sensibility and a vast power of self restraint”
Proctor says, “Spare me! You forget nothin' and forgive nothin'. Learn charity, woman. I have gone tiptoe in this house all seven month since she is gone. I have not moved from there to there without I think to please you, and still an everlasting funeral marches round your heart.
“The Dressmaker” has many similar elements and features to spaghetti westerns. How has the director used the style to engage a modern audience? The Dressmaker, directed by Jocelyn Moorhouse, is loved by many but disliked by an equal number for its quirky and unusual plot, acting and setting. It is set in the 1950’s and closely follows the style of spaghetti westerns which gained popularity in the same period of time.
The use of allusions included throughout the story show evidence of how a wounded heart can represent an emotionally damaged individual and lead to a literal death. Digby once more exhibits his love of himself when the generous Mary Goffe appears, showing charity and kindness and he questions "What hast thou to do with my Bible?” and continues to ask “what with my prayers? what with my heaven?” (Hawthorne 6). He is an individual who is consumed by self-love to his core.
She learns of her husband’s death in an accident and falsely finds a renewed joy for life as she is free from the burden of marriage. Tragically she goes to the front door as it is being opened with a key, to find Mr. Mallard still alive, causing her to die of heart
It's you that ought to be lying there in the church crypt, not her. It's you who ought to be dead, not Mrs. de Winter.” Concluding that Daphne du Maurier explores the issue of jealousy through Maxim de Winter of Rebecca’s many lovers, The narrator (The Second Mrs. de Winter) living up to this dominate women figure from Maxims past- Rebecca, and Mrs. Danvers jealous of Maxim and the narrators new love. Daphne du Maurier shows jealousy and its destructive power through the ghost of Rebecca, which soon threatens Maxim and the narrator and blinds the narrator throughout the novel of Mrs Danvers’s manipulative personality to get rid of anyone who threatens Rebecca’s reputation at
D.H Lawrence, the author of “The Horse Dealer’s Daughter”, was married to a German wife during World War 1. He described his years living in England as “Miserable… because his wife was of German origin, and oppressed by disgust at what was happening to his country,” (Bausch 453). Lawrence’s wife making him feel oppressed caused him to write about women in a negative connotation. In “The Horse Dealer’s Daughter” Lawrence writes about three brothers and a sister that were left in debt after the passing of their father. The daughter, Mabel, was expected to go live with her married sister.
Mrs. Mallard’s actions cause the readers to contemplate a hidden meaning woven into the story line. Mr. Mallard is assumed to die in a railroad accident, leaving Mrs. Mallard devastated. Instead of feeling sadness or grief, Mrs. Mallard actually feels free. "There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature" (Page 499).
Mansfield further illustrates the loneliness of Miss Brill’s character when she talks about the invalid man that she reads the newspaper to. Miss Brill reads to the man four days a week and states that “If he’d been dead she mightn’t have noticed for weeks; she wouldn’t have minded.” This portrays how lonely Miss Brill truly is; that she would not have minded reading to a corpse, as it was still some kind of companionship and she had a purpose by reading to
When Richard’s heard the news of her husband’s death, he assumed Mrs. Mallard would be devastated. While everyone knew Mrs. Mallard was “afflicted with heart trouble” (57), him and her sister, Josephine, wanted to give her the news with “great care” (57). Josephine broke the news to Mrs. Mallard in “broken sentences”
