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Analysis Of Tim Burton's Movie Style

190 Words1 Pages
Style has been defined in many ways by many people, but is well known as a unique way that defines your work. It can be expressed through many mediums, like clothing or word choice. In movies , Style is defined by different Techniques. Tim Burton’s creepy and mysterious movie Style is obvious in most scenes from Edward Scissor hands through his use of the movie Techniques such as Lighting and Camera Angles. An analysis of the robbery scene, the sad Christmas hug scene, and the death of Jim will explore how Burton uses each movie frame idea to create Style.When it comes to lighting, Burton’s mysterious and Different style really shows. The best example is definitely the robbery scene in which lighting from below shows really well Edward’s
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Tim Burton's Cinematic Techniques In Edward Scissorhands

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The well-known director Tim Burton has been appealing audiences all around the world by creating creepy and mysterious feelings while also satisfying his audiences with fun childlike plot lines. Burtons style is shown throughout his many movies such as Charlie and the Chocolate Factory, Edward Scissorhands and Corpse Bride. These movies and many more show the directors style as being creepy and mysterious, but also makes it enjoyable for children and families to watch. With the use of cinematic technique Tim Burton is able to create his spooky and addicting style. In the movies above, cinematic techniques are used through and through to portray that creepy, mysterious and dark style that Burton has conveyed through his many movies and Claymation's.

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How Does Tim Burton Use Cinematic Techniques

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In The Nightmare before Christmas, Burton uses Low key lighting to create a scarier effect. This technique is used in the beginning scene, when the camera is walking around the cemetery. The limited light creates an eerie effect. Another example is in Edward Scissorhands, in the beginning of the film. The film shows the mansion, with back lighting.

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Well-respected, director Tim Burton has always been credited for the uniqueness of his many films. He has directed, produced, and written many classic films in his life, and there is no doubt he will make any more. Often influenced by Edgar Allen Poe, Dr. Seuss, and Vincent Price, Burton’s films are regularly remakes of well-known tales, reimagined as twisted with dark spins. His films Alice in Wonderland, Charlie and the Chocolate Factory, and Edward Scissorhands all demonstrate how one of a kind his screenplays are. Though Burton uses many meaningful cinematic techniques across these films, his use of lighting stands out.

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Tim Burton’s creative costuming has created a new perspective on movies. In the film “Edward Scissorhands” Burton uses dark costuming for Edward to show what he’s been through and to show how everyone sees him. The people in the town wear colorful clothing that portray that they are cheerful, dramatic people. The costuming shows what time they are in by giving them clothing like mom jeans, pops of color, mismatched patterns, and puffy or permed hair. “Anybody that has seen a Tim Burton film will recognize that the director has a fondness for costumes with a 19th century Victorian flavour, even if the story is set in more modern times.”

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Over the last 30 years Tim Burton creates outstanding films such as Edward Scissorhands, Alice in Wonderland, and Charlie and the Chocolate Factory. Tim Burton has captured so many people’s attention to his great work. One can strongly agree that Tim Burton directed amazing films, and he creates emotion for the readers to understand emotions. Tim Burton uses light to control the mood of the scenes, uses camera movement and camera angles to create different feelings to the scene as well as to the reader. To start off, director Tim Burton manipulates his framing and angles to create a feeling of suspense and mysterious thought for the audience.

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In this essay, I will be analyzing and discussing what techniques Tim Burton uses to create mood in his movies. In Burton’s films, he uses many lightings to portray

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In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

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In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films

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From Edward Scissorhands to Charlie and the Chocolate Factory, director Tim Burton has been captivating audiences with his unique style for over 30 years. One can agree that Burton has a rare and uncommon gift in the directing world, which allows him to twist the audience emotions, and create feelings that wouldn’t normally be there. In many of his films, Tim Burton uses framing and angles, music and sound, and lighting to control the mood of the scene. To begin, director Tim Burton manipulates lighting to create a feeling of fear and suspense in the audience. One way that Burton does this is when he uses low key lighting, mixed with side lighting, in Corpse Bride.

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Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

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Tim Burton’s lighting techniques is a way of conveying emotions and certain tones to the audience. Tim Burton has a very unique lighting aspect of his films, but he also uses costuming to create a uniqueness to his films as

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Both of these scenes were used to point out a specific character, which is an all around common reoccurrence in Burton’s directing style. Lighting is not typically used by Burton to create a feeling of suspense as many other directors do. Instead, Tim uses

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On the other hand, Tim Burton uses low key lighting which is when the scene is flooded with shadows and darkness, creating suspense or suspicion. When Peg shows up to Edward Scissorhands mansion the whole audience is probably cringing in fear telling her to not go in because of the way it looks. Edward is a pretty intimidating character to draw near with but he is the opposite of what some people would think he is, he is actually gentle and friendly. With the use of low key and high key lighting, it is hard to interpret what an upcoming shot or scene is going to look like next. Burton manipulates lighting to create intended effects so your attention is directed to a “focal

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He uses lighting and editing techniques in his scenes to give you movies that shed a new light on the way we perceive the characters and scenes. Mr.Burton uses lighting in all of his movies to really show you it’s his movies because the way he uses it adds a spin to how we view it. In Charlie in the Chocolate Factory he portrays Charlie’s house as a dark dilapidated building that looks abandon like no one could live there or something could be lurking there. When he then shows us the inside it is run down and sparsely lit but it has the most loving, wise, and caring characters. Protagonist characters are not usually displayed to be living in such rundown low conditions but Burton uses this to his advantage to depict his message of don’t judge a book by it’s cover.

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