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What does the play trifles show about woman
The trifles by susan glaspell - the feminism
The trifles by susan glaspell - the feminism
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In the play, Minnie Foster was once a lively young lady before marrying her husband Mr. Wright. Mrs. Hale realizes he had taken everything she once loved away from her. Mr. Wright even took away her song bird that reminded her of the days she sang in the church choir. When Mr. Wright kills her song bird, she stands up for herself and decides he deserves the same
Three women, Minnie Wright, Martha Hale, and Mrs. Peters express sisterhood by hiding of incriminating evidence such as the dead bird while the men fail to prove of her complicity. This essay focuses on themes of sisterhood and gender roles, and the passiveness that manifests in the process of gathering evidence. The theme of Sisterhood. As the plot unfolds to ascertain the murder of John Wright, Mrs. Hale says, “it looked very lonesome this cold morning, it had always been a lonesome place” (Glaspell, 1992), while referring to the house of Minnie Wright.
Progress begins with an idea. An idea begins in the mind. And the mind is a powerful weapon. A weapon so powerful that if combined with other minds; can overthrow dictatorships, make pictures come to life and leave footprints on the moon. Sometimes, a mind can be so powerful that unknown entities want to control them by chackling and chaining them.
The scene begins to unfolds in their minds. Mr. Wright yanking open the cage door, taking out the bird, and breaking its fragile neck was enough to make Mrs. Wright lash out, and in a heat of passion, kill her husband. As the trifles collect, the women worry that the men will see their findings, and have what they need to prove Mrs. Wright guilty. Though the men believe her to be the murderer, the women are trying their best to hide the evidence that will prove it.
The men of the group, much like John in “The Yellow Wallpaper,” consider themselves more capable than the women and refuse to consider Mrs. Wright as anything other than irrational. The men leave the women to their “trifles” on the first floor, where they discover a broken bird cage, and the bird’s body, broken, carefully wrapped in a small, decorative box. They realize that Mr. Wright had wrung the neck of his wife’s beloved bird and broken its cage. Mrs. Wright, once known for her cheerfulness and beautiful singing, she stopped singing when she encountered Mr. Wright. Just like he did with the bird, Mr. Wright choked the life out of his wife until, finally, Mrs. Wright literally choked the life out of her husband.
Wright it is easy to tell that she is not at all upset about her husband’s death. When being asked about the situation she “laughed and pleated her skirt” (4). Mrs. Wright is compared to a bird that is found later in the story. The bird was found in a pretty box with marks around its neck. Hale and Peters say that the death of her bird would have been her motive if she actually was her husband’s murderer, but the author utilizes the bird and its broken cage to be a comparison to Mrs. Wright’s life.
Minnie’s quilt, the dead bird and its cage, and the kitchen show that living in a man’s world is not easy. In the end, Mrs. Peters and Mrs. Hale recognize that they too have experienced the same loneliness and mistreatment that led Mrs. Wright to murder her husband. The men don't value the women in this story and they don't see them as being very intelligent either. It is for this reason “A jury of her peers” is created. Peers being the women themselves as they stand up, united against the subjugation they have all experienced.
She sees it as vital information; something that could present them with Mrs. Wright’s state of mind around the time of her death. Mrs. Hale is currently mending the quilt when Mrs. Peters asks where she might “’find a piece of paper, and string.’” This leads Mrs. Peters to discover the empty birdcage inside of the cupboard. Instantly, they both start asking one another questions regarding the cage; they are unable to recall Mrs. Wright ever owning a bird. While talking back and forth, they notice that one of the door’s hinges is broken.
In Susan Glaspell’s short play, “Trifles”, she uses contrast between Minnie Foster and Mrs. Wright. Both of these names deal with specifically one character but were two different people. Minnie Foster is depicted as a lively and outgoing young woman who loved to sing before she got broken by years abuse. Glaspell states, “She used to wear pretty clothes and be lively, when she was Minnie Foster, one of the town girls singing in the choir” (Glaspell 5). This shows a representation of how she used to be before she got married to Mr. Wright.
After accessing that information for a moment or two the group proceeds to split up and get what they came after. Mrs. Peters and Mrs. Hale search the house while discussing the childhood friendship Mrs. Hale had with Minnie Foster who is now Mrs. Wright. Mrs. Hale compares Minnie to a bird both being “real sweet and pretty, but kind of timid and—fluttery,” at the same time (780). Then saying Minnie foster used to wear pretty clothes and be lively” while singing
Kate Chopin’s novel, The Awakening opens with a scene of two birds, emphasizing that the motif of birds later within the novel will play an important part with setting the constant metaphor they bring. Throughout the whole novel the motif of birds is a metaphor for the Victorian women during that period -- caged birds serve as reminders of Edna’s entrapment and the entrapment of Victorian women in general. Edna makes many attempts to escape her cage (husband, children, and society), but her efforts only take her into other cages, such as the pigeon house. Edna views this new home as a sign of her independence, but the pigeon house represents her inability to remove herself from her former life, due to the move being just “two steps away” (122).
The women began to pity Mrs. Wright as they knew her before she married to Mr. Wright. The females felt pity, where the men just accessed the situation at hand. After the women examine the empty bird cage they remember the way that Mrs. Wright use to sing and compared her to her former self as Minnie Foster. “Trifles,” introduced the masculinity here from the Sheriff’s side instantly putting his instinct into saying that there was a murder that happened at the farmhouse, was caused by Mrs. Wright without any hesitation. He didn’t look into the sadness, or let the depressing home get to him as much as what his intentions and his well-being come into play before his
Wright killed the canary and is also motive for Mrs. Wright to seek revenge. The women conclude that Mrs. Wright’s bird was her prized possession, the bird even reminds the women of Mrs. Wright, “‘She—come to think of it, she was kind of like a bird herself. Real sweet and pretty, but kind of timid and—fluttery. How—she—did—change.’”
Trifles, something of little importance, is the opposite of what the women are distraught about. Mrs. Hale and Mrs. Peters find several items that were “women things”, such as an unfinished quilt and a bird in a box with its neck snapped. These items are key symbols, not only to the play, but to the motive of the murder. Mrs. Wright never revealed that her husband had done cruel things to her, but her husband was known to be harsh at times. Mrs. Hale brings up how Mrs. Wright lived before she married, “I heard she used to wear pretty clothes and be lively, when she was Minnie Foster, one of the town girls singing in the choir.
Mrs. Wright experienced domestic violence because she did not have a stable marriage with her husband. Mrs. Hale and Mrs. Peters did not act responsibly by feeling the pain that Mrs. Wright was going through during the time. They hid the evident from the sheriff because they did not want Mrs. Wright to life a miserable life of being accused. The action that Mr. Wright made by breaking the birdcage proves that Mrs. Wright did kill her husband because she got tired of her husband