Cindy Chen AP Euro Ms.Mccabe 4/05/17 AP Euro LEQ The period from 1870-1939 is characterized by a newfound focus on the individual. Painters would use colors and forms to portray vision, but not to represent real objects. With the turn of the century in Europe, shifts in artistic styles and vision erupted as a response to the major changes in the atmosphere of society. New technologies and massive urbanization efforts altered the individual's worldview, and artists reflected the psychological impact of these developments by moving away from a realistic representation of what they saw toward an emotional and psychological rendering of how the world affected them.
Sharon olds in the passage “on the subway” is trying to write the similarities and differences between the way people are with a Caucasian and an African American. Sharon attempts this by using literary techniques like imagery, simile, and tone. Imagery is used to see the differences between a white women and a black boy, the the first part of the passage. The narrator is the white woman and the black boy is the observer; the the shoes that he is wearing are black with “white laces on them”.
In "On the Subway", the author, Sharon Olds explicitly describes an experience she had while using public transportation. Sitting across from her was an African American male who casually resembled a common mugger. In her thoughts, she analyzed and considered the obvious differences between her life of lavishness, which represents white superiority, and his supposed life of struggle and abuse, representing black inferiority. Olds displays this analyzation of both worlds by using imagery and simile. To begin, Olds uses the poetic device of imagery in order to give a visual description.
On the Subway Sharon Olds depicts the harsh realities of our world. Some may believe whites have privilege over other races; however, Olds tells the story in a way that challenges that notion. Old’s use of imagery and simile help the reader understand the contrast between the white and black world. Olds uses imagery in describing the (black) male. “Casual cold look of a mugger… hooded lids.”
Women wore dresses with broad shoulders, wide hips, and slim
The Brutal Taking of One's Peace Fredrick Douglas stated in his narrative, “No man can put a chain about the ankle of his fellow man without at last finding the other end around his own neck”. This darkening illustration of the taking of not only taking the slaves freedom, but taking their “masters” freedom in the process shows just how sick, and twisted slavery had to be to change everyone involved. Harriet Jacobs, a former slave, had similar views to the horrendous changing of each individual. Stating “Yet few slaveholders seem to be aware of the widespread moral ruin occasioned by this wicked system. Their talk is of blighted cotton crops--not of the blight on their children's souls.”
From Otto Dix’s painting in source two we can come to a conclusion about what life was like in Germany in the 1920’s. The painting shows a change in the way women dressed during the 1920’s in Germany, the people on the right, whom mostly consist of women shows that they started to cut their hair shorter, wore shorter and looser dress and make-up. Another conclusion that we can come from Otto Dix’s painting is that there was change in music, Jazz music, the picture shows people dancing in a casual manner, and music has the ability to influence the way people socialize. 3. The value of the transcript of a television documentary, legendary sin cites in source three is that it provides us with an overview of what the current situation was in shanghai in the 1920s and 1930.
The poem, “On the Subway” by Sharon Olds addresses the similarities and differences between White’s and Black’s. She addresses this by contrasting their skin color. She uses imagery and stereotypes about races to develop her insight about the need of both social class. The author uses vivid imager in the poem, both dark and light imagery.
Sharon Olds, in her poem “On the Subway”, used a white woman to reveal the complex relationship between herself and the African-American boy on the subway; through Old’s use of juxtaposing visual imagery along with tonal shifts and levels of realization as well as other poetic devices Olds comments on the stark differences between their lives as a result of discrimination in society coming to realize, in the end, they are both human and therefore inherently the same. Olds uses contrasting visual imagery to develop both portraits as well as illustrate the deep disparities between the life of the caucasian speaker and the African American boy on the subway. The boy wears “black sneakers laced with white in a complex pattern… like scars” symbolizing
A demonstration of this collective culture is shown through the fashion, with the Lancasterordre demanding women wear head coverings, three-piece dresses, a cape, and an apron,
There is a lady, in all probability the mother of the young lady inclining toward her lap, sitting in a seat. It looks just as she is sewing. She is wearing a cover with her hair up. She is exceptionally included in her anticipate, while the little girl looks exhausted. They are both wearing conventional apparel of the 1900 time period in which this was painted.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
Filmmakers use specific shot composition to present the portrait as a character who can interact with others. Hitchcock, in Vertigo, uses the traditional Hollywood shot–reverse–shot: We see a character, then what the character sees, and then its reactions. In the museum scene, the magical and obsessing power of the portrait is conveyed by the camera movement. The camera switches between the female character and the painting. Indeed it first switches between the bouquet on the museum bench and the identical flower piece in the painting, and then it switches between Madeleine’s curl of hair and the identical curl of hair on the painted portrait.
The dress worn by women was a woven blouse with an embroidered skirt. Every class also had their own haircuts varying from highest to lowest
In the painting there is a great detail that is shown. The tassels on the bed and the way the curtain falls gives a textural component to the painting. The artist also chose to use vertical repetitive lines in the tiles, and the tassels are feminine. There is also a slight curve in her body shape and her backbone, and her voluptuous yet curvy silhouette that shows femininity. Her legs overlapping each other, turban on her head and having her
