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Andy Warhol Pop Art Movement

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There is an art movement that started in England and then got started in America. This was an 50’s movement known as Pop Art. Thanks to the artist by the name of Richard Hamilton and Eduardo Paolozzi of England, and Jasper Johns and Robert Rauschenberg of the U.S, this movement was shaped. Imagery from many different and popular fine arts gave challenges for this movement. Pop Art was a unique way to express the attitude on artist had. Irony was used to show how popular the emphasizing of culture was. The imagery that’s in advertising is used in Pop Art. An example of Pop Art is the millitary posters from World War II. Andy Warhol was an American Pop Artist born in Pittsburgh, Pennsylvania on August 6th, 1928. He died in New York, New
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In the late 1950’s, he began devoting more attention to painting, and in 1961 he debuted the concept of “pop art.” A year later he exhibited the now-ironic paintings of Campbell’s soup cans. These small canvas works of everyday consumer products created a major stir in the world, bringing both Warhol and pop art into the national spotlight for the first time. Some of his famous pop art was Coca-Cola bottles, vacuum cleaners and hamburgers. His most famous subjects include Marilyn Monroe, Elizabeth

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Blocking of colors were used and Marilyn consisted a monochromatic color scheme, like a lot of Warhol’s “Pop Art” works. The style in which the work was made is called “Pop Art”. The style “Pop Art” flourished in the mid-1950’s and early 1960’s. During the late 1950’s and early 1960’s, President Eisenhower was the President of the United States.

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Pop art era originated in New York during the mid-1950s and ended in the early 1970s. It focused on familiar places in citizen’s day to day life, creating commercial images and during this time Pop art boomed because of the media World War II was receiving. Roy Lichtenstein’s painting “WHAAM!” would mostly fall under the category of the Pop art era for the reasons being that it is based on an image from a DC comic “All American Man of War” which was published by DC comics in 1962. Lichtenstein presented a powerfully charged scene in an impersonal manner, leaving the viewer to decipher the meaning for themselves. The painting is in a comic style of art (Pop Art) and depicts two fighter jets (one owned by the United States the other owned by the Soviet Union) in the air with one shooting a missile towards the other jet with a humongous “WHAAM!”

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At Pepperdine University, The Frederick R. Weisman Museum of Art showcases a collection of Andy Warhol’s timeless and famous paintings. According to the Weisman Museum, Andy Warhol was a committed member of the Catholic Church. However, his ties to the Catholic faith were, “something the artist always hid from his friends and the public” . Through careful observation of Warhol’s artwork, the use of abstraction suggests his Catholicism may have not been so carefully hidden after all. Warhol’s abstract art can be best compared with the existential belief and worldview of St. Thomas Aquinas, a celebrated Theologian and glorified soul of Catholicism in the late thirteenth century.

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And just as styles may change so do we as a people, a community, and as a country. Along with opinions about what is art and what makes it work, also comes opinions about what is this country, and what makes it work? Diversity in its people and the inevitable change that makes our nation. Naturally, there will be opposition to this kind of viewpoint.

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