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Animal Symbolism: Animal Symbolism

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John Robinson describes the Bull and Cow Bison of Tuc D’Audoubert cave, which clearly defines their purpose, “The Bison are incredibly beautiful, powerful and immensely full of religious purpose. The cow is ready and the bull is scenting the air. The act of conception is about to be fulfilled, a new life is about to be created” (The Bison of Tuc D’Audoubert).
Ante Skrobonja, IvicaKontosic, et al. (2001) in their paper titled “Domestic animals as symbols and attributes in Christian iconography: Some examples from Croatian sacral art” throw light on the symbolism of domestic animals. They observed that some domestic animals including Bull appear accompanying about seventy Christian saints. The reason and explanation given of their association are mostly in the practical relation i.e., the way animal serves human and helps him like cow and sheep feed him, Bull, horse and donkey carry his burdens. In some cases the animals are attributed to saints because of similarity of names, St. Gall became the protector of poultry as ‘Gallus’ in Latin means ‘Cock’. Animals are also discussed as symbols of ethics and morality. According to them the Bull is associated with St. Sylvester who revived a perished bull, St. Blandin and as brass bull in flames it appears with St. Eustace to name a few.
In a research paper “The calf in bronze age Cretan art and society” Eleanor Loughlin (2002) concludes that there is a complex relationship
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The 2012 movie Beasts of the Southern Wild, director Benh Zeitlin’s debut movie, sees 6-year-old Hushpuppy living with her father Wink in a remote village called the Bathtub. When Wink mysteriously falls ill, it seems that mother nature falls ill with him, with temperatures rising, ice caps melting, and rising waters threatening the Bathtub and its community. In one key sequence, the aftermath of the flood shows Wink and Hushpuppy searching for survivors, and eventually finding some at the local pub. Once safe from the flooding outside, Wink and Hushpuppy hunker down at the pub and reminisce about Hushpuppy’s mama. In this scene, there is a strong theme of change and loss, shown through the key symbol of hope represented by Hushpuppy’s mama.

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Whether it be a movement, an essay, or a novel, motifs in literature and in life are significant and deserve deep investigation. Due to a motif’s ability to reinforce themes through symbolization, imagery and recursion, it is a common sight in today’s most famous works. A prevalent motif in American literature and movements, is that of the animal. Two exceptional examples of pieces that use animal motifs successfully are, Their Eyes Were Watching God, by Zora Neale Hurston and The Yippie Manifesto, by Jerry Rubin. In both of these compositions, animals appear as meaningful motifs, in order to bolster a scene or movement’s emotional weight and significance, and to provide the audience with connections to the outside world.

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A song so simple as “Animal” by Miike Snow can carry such a vivid and meaningful message. However, songwriters often disguise their work with their choice of diction and figurative languages that are oftentimes unintentionally used but created when the writer tries to resonate more with the audience by creating a Pathos appeal of either happiness or sadness or in this case an empowering sense. The Swedish indie pop been known as Miike Snow performs the song “Animal”, which was written by Kristian Karlsson, Pontus Winnberg and Andrew Wyatt. “Animal” can be taken to be a very simplistic song but the underlying message of the song has a vague message about meeting society standards without being who you really are or want to be. “Animal” by Miike

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