Kyle swyers Mills 4th Pre-AP English II 9/3/2015 Summer Reading Double Entry Journal “Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes. You must look into that storm and shout as you did in Rome. Do your worst, for I will do mine!
After reading this passage, the reader is informed of the scary, ‘out of the blue’ situation which includes the protagonist, Paul Fisher. The sinkhole incident that is described by similes, affects how Paul sees his town, Tangerine; and not in a beneficial
Fighting fire with fire will never put out the flame of indefinite angst within the people of Holcomb. Moreover, Capote applies efficacious imagery in the form of the crumbling Clutter home to enhance the readers’ visual perception of just how fundamental the matter of dying is and its long-term effects on the environment around it. He accomplishes this by providing detailed, imaginative rhetoric to the general scenery of the house that was “deprived of the late owner’s dedicated attention, the first threads of decay’s cobweb were being spun” (Capote 207). This unsettling image, or rather the putrescence embedded within it, inspires a powerful illusion in
He also tells mini side stores that show he same point. anaphora is seen when looking at the sentence "after the rain, when snowfall thaws, anything wet" which is illistrating that the town being"unpaved" is a problem. Imagery is every where in this passage and can be seen in every couner. the town can be "seen from great distances" and is in the middle of an "amazingly extensive" land. he later states that the town is an " amieless congegation of buildings" like it was put there at random.
Moreover, Fitzgerald continues the farming analogy by bringing in vivid descriptions of the valley “where the ashes grow like wheat into ridges and hills and grotesque gardens.” The ideas defined are burn in to the reader’s conscious with the explicit disgust evoking analogy. The ashes are found just like the large fields of wheat that were formally found all around. The site is surely a recognizable one for most, but instead the astonishing view of the wheat waving around is replaced with the windy dusty fields. The burrows are mounted with the plague causing agents familiar to those acquainted with the
To reinforce the gravity of the situation, she elects her diction meticulously, noting how the wind "drove most of the people off the street . . . [with] its violent assault. " Ordinarly, this relates closely to personification, but it primarily serves to establish the predominant nature of the wind as it endeavors to bollix the town deface the street. This selection of detail also magnifies Petry's imagery, enabling us to visualize the effect that the wind has on the people. Nevertheless, by exemplifying the disarray of the people, the author does not necessarily generate an image, but rather constitutes an understanding.
This is explaining how it helped the “dead nation” of Camelot come to life with the newspaper by giving the people something to hear about their town, for them to be interested in.
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
Frethorne begins his letter by demonstrating how he has matured through experiencing the hardships of life in the new world. Because of the context of the letter, Frethorne is also attempting to ingratiate his parents to aid him in his plight. Frethorne writes: “Loving and kind father and mother: My most humble duty remembered to you, hoping in God of your good health, as I myself am at the making hereof” (par. 1). Frethorne’s use of diction in the words “Loving,” “kind,” and “humble” reminds his father and mother of their role as caretakers and paints himself in the light of a son thinking of his parents to strengthen his case for assistance later in the letter. To accompany this, Frethorne uses the imagery of his diet to appeal to his parents’ compassion.
I’m William Dilley, I was camping with neighbors when this tragic event unfortunately happened. We thought we were safe but the big clouds of ashes kept approaching. There were people camping on the other side of us, but unfortunately they didn't make it. Martha is my neighbor and her and I were sent out here to investigate the mountain.
London, the “first great city in history to be fuelled by coal,” has a portion of its history blurred by the pressing issue of fog. Caused by the burning of coal and a growing population, the fog led to disease and death for many people. The complications that this fog brought to the daily lives of the English people have provided a unique situation on which authors have built numerous literary works. Two authors who used this element in their writing are Tim Goodwin and Charles Dickens, whose separate purposes and styles have resulted in vastly different passages. Tim Goodwin’s passage about London fog is written in an educational manner.
These additional poems about Homer’s The Odyssey serve to contrast the original story and suggest a look at a different point of view, representing the effect human foolishness has on disaster. Odysseus and his men make many foolish and idiotic decisions that seem to be insignificant in The Odyssey but are easily depicted by pointing them out and exploring them through poetry. Whether it be failure to accept a warning or being easily deceived, humans have a tendency toward foolishness that is accurately depicted in the poems written about The
The story of the death of Agamemnon is told in both the Homeric epic Odyssey and in Aeschylus’ tragic trilogy the Oresteia. Although the basic plot remains the same, differences in presentation, emphasis, and details show how myth is fluid and can be adapted to suit a particular author, performance, and audience. This myth serves in the Odyssey as an example of failed nostos caused by the breakdown of the hero’s household, and so it provides a foil for the successful return home of the epic hero Odysseus to his intact household. On the other hand, in the Oresteia, the myth illustrates the overarching theme of the nature of justice. Here the death of Agamemnon both illustrates the curse on his household and also provides the necessary background for Orestes’ important role in the transformation of justice from oikos-based revenge to polis-based trial by jury.
What is wisdom? The simple definition I found is the knowledge that is gained by having many experiences in life, the natural ability to understand things that most other people cannot understand, and the knowledge of what is proper or reasonable: good sense or judgment. My answer to this question isn’t a matter of what is but who is. I believe that Socrates will be one of if not the wisest in history not because of what he did and did not do but of who is was. Are you able to allow truth to possess you rather then believing that it is your possession?
In “Volcanoes be in Sicily,” Emily Dickinson relates herself to powerful volcanoes, such as Vesuvius, to exemplify the power of her mind. Dickinson states that destructive volcanoes are closer to her in mind than they are physically on Earth, and she views her volcanic mind as being an almost inspirational force. She is proud of her ability to manifest Vesuvius in her mind, knowing that maintaining control as a poet makes her capable of controlling the monstrous powers in her head. Dickinson uses “Volcanoes be in Sicily” not to personify her anger, but to demonstrate the intangible power and control in her mind that makes her, as a poet, stronger than physical sources of power.
