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This document review describes and compares three documents written by the rulers of three European nations: Louis XIV, the king of France; Frederick William, the Great Elector of Brandenburg-Prussia; and Peter the Great, the emperor of Russia. Through these documents, we are able to see what was most important to these monarchs, and what they considered best for themselves and their countries. Although textbooks are useful for reading descriptions of historical people and events, through reading documents such as these, we are able to see not only what these rulers did, but also their motives and their rationalizations of their decisions. In “Louis XIV Revokes the Edict of Nantes”, written in 1685, Louis XIV explains that the Huguenots,
Absolute monarchies had all the power in Europe. Their kingdoms were powerful and accomplished. Although absolute monarchies empowered and enriched their kingdoms, they were still largely detrimental because of King Louis XIV of France, debt, Frederick the Great’s seizure of Silesia, and the city of St. Petersburg. King Louis XIV of France was an absolute monarch.
Moliere was specific in mentioning King Louis’ power over the country to foreshadow his role in Tartuffe. Instead of appealing to the King to save the day in a believable fashion, Moliere creates a comical play to allow the audience to come to the realization themselves. People blindly follow the king, similarly to how Orgon and others blindly follow Tartuffe. King Louis XIV ruled the country for seventy-two years, during which time people grew to trust that he was doing what was best for the country, without ever knowing what he was doing.
With the fall of the Carolingian Empire, Europe was left in a frantic and militaristic state marked by violence amongst fluctuating kingdoms and territorial leaders. In the early 12th century, however, France was beginning to experience a positive change in the monarchy when Louis the VI became king in 1108. Also known as Louis the Fat (due to his massive weight towards the end of his life), Louis was able to assert his force as king by giving just, and often violent, punishments to criminals and enemies. Once a confidant to the king and eventually the abbot of St. Denis, Suger writes about Louis’ various acts in The Deeds of Louis the Fat. These deeds helped to shape France’s monarchy into a powerful, centralized unit that would continue for
Louis XIV treated the people of France unfairly and he didn’t seem to care about their well-being. Louis XIV suppressed the Catholic church, and Nobles. He made the Nobles wait on him. Louis XIV weakened the power of the nobles and excluded them from his councils. This supports my thesis that Louis XIV was the best example of an absolute ruler because this shows he truly only cared about himself and he made sure that he had all of the power, by weakening the power of all of the nobles.
A new divide in art and religion occurred during the 17th century. The Reformation occurred and caused a major divide between Protestants and Catholics. In northern Europe, Protestantism took root, especially in the city of Amsterdam. In southern Europe, Catholicism stood fast, especially in Rome. In this paper I will argue that Amsterdam and Rome developed unique political and religious environments that created two different painting styles within the Baroque period.
An absolute monarch can be defined as a ruler who rules without any interference from the nobles, having complete, utter and unrestricted rule over his people. Louis XIV of France was a key model of an absolute monarch during the time seen as a man to whom there was no equal intellectually, militarily or physically. His absolute monarchy was one of the most successful during the Age of Absolution, having the longest rule of any monarch in Europe. The king's rule was extremely successful due to his control over both the nobility and his own people, the massive and powerful army that he embarked on creating for his nation as well as the revenue he attained through his taxation of his people and use of mercantilism. France has not since or prior
During the 1600s and 1700s a new type of monarch emerged known as an absolute ruler. Some of these rulers were Louis XIV, the Fredericks of Prussia, and Peter the Great. These rulers believed that a monarch had a divine right to rule and should only listen to God. All these rulers had characteristics that defined them as absolutists. Louis XIV was constantly at war during his reign which resulted in a powerful army.
The composition and the governing structure of the Roman republic was not uniform throughout its existence, but some of the fundamental elements of its government came into being in the immediate aftermath of the monarchy’s collapse. Therefore, it is unsurprising that many of these institutions were created in reaction to the monarchy and its failures, and thus were shaped by this relationship. For example, the fundamental opposition to monarchy and the rule of kings that came with the experience of the Kingdom of Rome, remained quite strong in the Roman mindset throughout the existence of the Republic and into the beginnings of the Roman Empire, and its influence can be seen throughout Roman political discourse especially in the discussion
Post Thirty Years war left France looking for a new leadership style that would give plenty of stability. What France received was Louis XIV, who would reign under the new absolute monarchy government. During Louis’ reign, divine rights controlled rank in society. This left many confused on why they were picked to be at the bottom of society, and why the king was given his power. Jean Domat, a royally appointed juror by king Louis helped explain a better understanding of the new system of governance to the people of France in his writings.
The Age of Absolutism is defined as a time period in Europe in which monarchs gained all of the power and wealth over the state for themselves, expanding the idea of single rule. The Enlightenment, on the other hand, is defined as a movement during the 18th century that rejected traditional social, religious, and political ideas, and introduced a desire to construct governments free of tyranny (or single rule). Document 3, a primary source written by King Louis XIV of France in 1660, is describing the idea of monarchy stating,“ The more you grant . . . [to the assembled people], the more it claims . . . The interest of the state must come first” (Document 3).
The Baroque period was identified as the “Age of Absolutism” because it was a period where rulers practiced their full power to control subjects. Also during the Baroque time frame music became more leant about where it was played. Instead it only being played at churches and occasionally in some courts, it was being played at specific functions and operas. It was at this time that operas were established for the first time in history. Musicians at this time were employed for aristocrat’s courts, churches and operas although they were considered high positions yet still viewed as servants.
In 1789, France was precariously balanced on the edge of chaos. King Louis XVI was ruling monarch of France. King Louis’ youth depicted him as reckless, thoughtless, and unwise. A series of bad financial and political decisions, lead to his unpopularity among the people of France. King Louis was young, distracted and misguided.
In this paper I discuss the four phases of the French revolution and how they influenced one and other, these phases consist of The National assembly/ The Constitutional Monarchy, The Reign of Terror, The Directory, and the Age of Napoleon. The First phase of the French revolution is the National assembly or Constitutional Monarchy. " Constitutional monarchy, system of government in which a monarch shares power with a constitutionally organized government.
The Renaissance and Baroque periods of music are two very similar and different eras. The Renaissance which began after the end of the Middle Ages in 1450 and ended the beginning of the 1600s, this is where the Baroque period starts. The beginning of the Renaissance period was compromised of sacred and religious music cultivating from the middle ages. Before the Renaissance period music had to be copied and re-written by hand, which was a very difficult task to do continuously. During the Renaissance period however, printing was invented, which made producing music easier and also changed a lot of other things in other areas.