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Black Men In Public Places By Grace Hsiang Summary

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“I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become reality… I believe that the unarmed truth and unconditional love will have the final word.” - Martin Luther King Jr. Grace Hsiang in “FOBs” vs. “Twinkies” demonstrates the interracial issues happening in the Asian culture. Hsiang displays the interracial matter with the Asian culture and its complexity to embrace all sides of the community. She chooses diction in her writing such as discriminated, marginalized, pressure, and dichotomy to project the tone of her writing. While the article Black Men in Public Places illustrates the stereotypes and intraracial issues within the black men community. In both of these articles, the authors show similarities of discrimination however the articles highlight differences using diction, anecdotes, and tone throughout their writing with the soul purpose to account for racism. The authors write and project towards a certain audience to acknowledged the racial issues the people are still facing. …show more content…

In Black Men and Public Space, Staples uses diction to create a sarcastic and almost humorous tone to get his point across. “As a softy who is scarcely able to take a knife to a raw chicken - let alone hold onto a person’s throat…” (347). Staple writes. Instead of taking a full on negative tone and having no sense of humor in it, Staples shows, no matter what happens to him, sarcasm and humor to lighten the mood of the article. In contrast, Staples chooses to include “ I could cross in front of a car stopped at a traffic light and elicit the thunk, thunk, thunk, thunk of the driver…” (347). Staples includes this in his article because it it just one example of the problems he faces with society and how it treats him, all because of his

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That it is reality and not just a concept based off of racism. Within these anecdotes Staples uses hyperbole to create suspense and kind of overstate the real issue at hand in order to show how terrible his position truly is. Such as in the opening sentence, “My first victim was a woman - white, well dressed, probably in her early twenties…(542)”. The woman is not an actual “victim” to any physical harm. Nothing happened to her except she feared for possibly her life.

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Staples uses imagery, so the reader can picture it when reading his work, and to help create a sort of dark and lonely tone. The character uses several personal experiences which use a large amount of imagery. This is better shown when staples writes “ As a softy who is scarcely able to take a knife to a raw chicken- let alone hold it to a person’s throat……”(542), The character feels as though he is being judged for being a certain color when really he is afraid himself of getting hurt; he is also very humble and shy because he is afraid to even harm something that isn’t alive. When being treated as guilty and wrong, shame will follow; the character feels shameful that the lady is afraid of him when he has done nothing wrong.

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Throughout his essay, Staples is able to make the audience understand what he has to deal with as a black man. Staples does this by using words and phrases such as, “...her flight made me feel like an accomplice in tyranny” and “... I was indistinguishable from the muggers who occasionally seeped into the area…” (542). By writing and describing how he (Staples) feels, the audience is able to get an inside look into how black men are treated and better understand why society’s teachings, play a vital role in how we see each other. Staples’ powerful writing also allows the reader to take a step back and see how as a society, people make judgements on others based on appearance alone.

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“Black Men and Public Spaces” Diagnostic Essay Brent Staples in “Black Men and Public Spaces,” illustrates the inescapable prejudices and stereotyping that African-American men face in America. He does this by relating to his audience through his personal experiences with stereotyping, and sharing his malcontent on how these events have made him alter his way of living. From “victimizing” woman, watching people lock themselves away, and having to whistle classical music to calm the nerves of people around him; Staples builds a picture to help people better sympathize and understand his frustration. Although Staples describes himself as a college graduate, a journalist, and a softy in the face of violence, he details that the overall public deems him a dangerous criminal.

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Staples moves on to state that he never became comfortable with people who crossed to the other side of the street rather than pass him (183). By providing examples of people desperately trying to distance themselves from him when he didn’t exhibit any malicious intention in his actions, Staples shows that he was misinterpreted as dangerous solely because of his physical

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The women’s racism caused her reaction of “running in earnest,” “worried glances” and her eventual getaway, exemplifying the prejudice of a black male. He further demonstrates his “ability to alter public space” when just crossing “in front of a car stopped at a traffic light.” He hears the “thunk” of the driver locking their car regardless of them being “black, white, male, or female.” Staples understands the world is dangerous and people have the right to fear those around them, however, he continues to endure discrimination. But I am the person making those judgements.

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I was surprised, embarrassed, and dismayed all at once,” he writes to admit that he’s harmless. Staples effectively persuades his readers to believe that not all black men are harmful. He wants to make more people comfortable around him and less of a negative stereotype. By acting the opposite of a thug that many [white] people make up the conclusion to be, Staples changes his behavior in a way to protect himself because he’s percieved as a thug that could potentially made him a target and a danger to those around him and to himself. Staples concludes in his essay that thugs wouldn’t be “whistling a bright, upbeat from Vivaldi’s Four

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