hurt with Chevy Chase, Rodney Dangerfield, and Bill Murray in the comedy Caddyshack, and see life from the eyes of mob henchmen, Tom Hanks, in the crime and gangster film Road to Perdition. American cinema has used Alfred Hitchcock to create fear for many years like it was displayed in the horror film Psycho, has allowed us to sing in dance with the cast in the musical Chicago, and check out, momentarily, from reality in many science fiction films. American cinema has taken us back in time as we rode horse-back with our western heroes John Wayne and Clint Eastwood or put on the badge with the brothers of the law in Tombstone. Some of the greatest impacts from the world of cinema have been from films that covered war.
All God’s Children: the Bosket Family and the American Tradition of Violence by Fox Butterfield explains the story of Willie Bosket and his family. Butterfield explains why he feels that Willie Bosket is the most violent criminal in the history of the New York Correctional system. Willie has committed more than two thousand crimes and of those crimes he has been convicted of two murders. He is currently serving three consecutive life sentences with 70 years of solitary confinement in a special cell created just for him. In a interview, Butterfield says “He's kept in a kind of Plexiglas cage.
George Armstrong Custer is noted for being at the bottom of his West Point cadet class, but his standing was not due to lacking intelligence. Instead, Custer seemed to be more interested in entertainment and playing pranks on his classmates. Although he was very popular, some of his classmates and instructors did not
The rifle, a historical fiction book written by Gary Paulsen, is a story about the rifles influence on many people including John Byam. The book starts off in the 18th century telling the story about Cornish McManus, the gunsmith who created of the rifle, training that he had to go through, being trained by the gunsmith John Waynewright. It then goes on to illustrate the months of slow hard work that it took for Cornish to make the beautiful rifle of his dreams that would end up being his life work. It then explains the people the rifle was passed down to and how it affected those people, starting on the influence on John Byam. John Byam starts out in the book as a mysterious man, but, by the end of the book, he has become a war hero and
The four old Indians go around with the intention of fixing the old Western movies and so they bring to life the in color and anti-war Westerns of the 1970’s. The movie the Indians alter was a reference to the 1970 film Little Big Man, which was original in displaying the Indians as the good guys. As soon as the four Indians start making changes to the traditional Western film, “Everywhere was color” (357), and Eli states, “Thought it was supposed to be in black and white” (359). The Indians become successful in this version of the movie and Charlie finally gets to see his Dad be a hero. Portland leads the Indians into battle and Charlie hisses, “Get ‘em Dad” (358).
Max and freak the quest of friendship (working together) When I was a kid in Sherman Oaks Elementary School, I changed when I became friends with Ethan into a happy person in school. When Ethan came along, I felt happy because he’s being all nice and helping me a lot and he challenged me to a foot race with me too and all of that made me have all the fun In his novel, Freak the Mighty Rodman Philbrick uses the literary devices of characterization and dialogue to reveal the theme of the power of friendship to face one’s problems.
From the perspective of a Southern writer, this piece provides detailed information on the Southern culture that the film portrays. In addition, it explores the countless influences that the film draws from Southern stories, myths, and traditions. This article will help me explore the Southern aspect of the film and the ways the Coen brothers paint a canvas of this culture. Thoughts and quotes from this article will be integrated into my discussion of Southern culture as I forward these thoughts into discussing the Coen brother’s subtle critique of this same
From the cinematic techniques to the plot line, the film incorporates many elements of the style of film. Despite being set in an older period of time and adapting the elements of the spaghetti westerns, it appeals largely to the modern audience due to the certain things which capture their attention. Director Jocelyn Moorhouse
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
The West, as we all know it as the "Wild West". The Industrial Age changed the West in many ways. In the West there had always been farmers. Farming, mining, and cattle were the life of the West. A great variety of Native American cultures ruled most parts of the area.
The slaughter of the bison played a big factor in the Plains Indian’s removal to the reservations. The bison was a way of life for the nomadic tribes of the plains; it was a source of food, shelter, fuel, and a central part of their religion and rituals (Roark 540). While a way of life for the Indians, bison for the white Americans were not. Even though the army took credit for the conquest of the Plains Indians, it was mostly the destruction of the bison herd that the victory is due to (Roark 540). In 1867, more than five thousand Comanches, Kiowas, and Southern Arapahos gathered at Medicine Lodge Creek in Kansas to negotiate a treaty, and signed the treaty agreeing to move to reservations (Roark 540).
The reason that Native Americans want to rebury the skeletal remains of their ancestors because they believe that their ancestral bones hold spiritual significance and power. The dead certainly deserve respect and shouldn’t be on public display in museums, universities, or institutions. Another reason is that they believe that they don’t need anthropologist to tell story about their past. Instead, they learn from oral tradition through their grandparents.
S. Porter in 1920, and serves as a perfect illustration for Gunning’s examples on Aesthetic of astonishment. This movie retells what happened during that period of time, when movie is first introduced. The naive reactions of early audience are shown here when people were shown clips of movies with no narrative-- purely “cinema of attraction” where the film main function is to attract audience as an attraction without narrative. Uncle Josh is a representative of how the audience should not have reacted; his reactions to the clips are exaggerated, but clearly demonstrate how early cinema audiences reacted to films when they first watched them. The beginning of the film is showing uncle Josh watching Parisian Dance, a dancing
One of the lengthiest and most obscure debates among cinema fans regards the topic of what is cult, what art-house and what mainstream. Usually, discussions like that do not reach a definite conclusion, however, there are some themes, notions and events that define what is cult, which is the point of interest of this particular list. The filmmakers that shot the films in this list challenged the notions of everything considered normal and even acceptable by society, in terms of politics, culture, history, society, violence and sex. This tactic originated from their non-existent regard for commercial success and resulted in broken taboos, offensive and even blasphemous images, characters, dialogues and themes, and even to a number of hilarious
When we think of the American West, we always envision a land of rugged mountains and vast prairie, on which cowboys ride on horseback and chase after the Indians. This is the definition of the American West as presented on big screens in cinema, where most Americans’ perception of the myth of the American West comes from. Myth is a story that represents a culture's values and helps to define the individuals that comprise it. All cultures are based on myths.