Break My Rusty Cage Analysis
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In Terrance Hayes’s poem “Mr. T-,” the speaker presents the actor Laurence Tureaud, also known as Mr. T, as a sellout and an unfavorable role model for the African American youth for constantly playing negative, stereotypical roles for a black man in order to achieve success in Hollywood. The speaker also characterizes Mr. T as enormous and simple-minded with a demeanor similar to an animal’s to further his mockery of Mr. T’s career. The speaker begins his commentary on the actor’s career by suggesting that The A-Team, the show Mr. T stars in, is racist by mentioning how he is “Sometimes drugged / & duffled (by white men) in a cockpit,” which seems to draw illusions to white men capturing and transporting slaves to new territories during the time of the slave trade (4-5).
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One of this week’s readings focused on Ch. 5, “Caged Birds,” in Professor Lytle Hernandez’s book City of Inmates: Conquest, Rebellion, and the Rise of Human Caging in Los Angeles, 1771-1965, and this chapter was particularly interesting because it further explained the development of immigration control in the United States. As a continuation from the last chapter, there was a huge emphasis in the Chinese Exclusion Act of 1882 and the Geary Act of 1892. This essentially prohibited Chinese laborers from immigrating to the United States, as well as eventually requiring these people to comply with regulations. “Caged Birds” encapsulates the events afterwards, as the book heads well into the early-1900’s. The disenfranchisement of immigrants develops towards further exclusivity because “[by] 1917, Congress had banned all Asian immigration to the Unites States and also categorically prohibited all prostitutes, convicts, anarchists, epileptics, ‘lunatics,’ ‘
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In the short story, You Can’t Kill the Rooster by David Sedaris the Sedaris family moves to Raleigh, North Carolina from New York. The Sedaris didn’t want their kids acting like the townspeople of Raleigh. The people of Raleigh spoke very differently from that of the Sedaris’s. They didn’t speak proper English according to the Sedaris’s. The kids were not able to treat the people of Raleigh as sir or ma’am.
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Huda Paracha 812 To Kill A Mockingbird And Caged Birds “We may encounter many defeats but we must not be defeated. ”- Maya Angelou Have you ever had any emotional or physical struggles in your life that sometimes made you feel as if though you were caged and unable to achieve your goal?
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The song, “Fight For You” by Jason Derulo relates to the character John Proctor in The Crucible when all of his friends and wife get convicted. John Proctor was with his wife, Elizabeth Proctor, in their household, when Elizabeth was sentenced to jail, and when they heard how the trials have been running. Proctor broke down as soon as this event occurred and forced Mary Warren to follow him to the court the next day. He relates to Derulo’s song because, during his time in the court, he continuously fought and tried to prove his wife’s and friends’ innocence. The lyrics, “It's gonna take a lot to drag me away from you” are very similar to how John Proctor would react when Judge Danforth repeatedly disregarded what he had to say.
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Penny Lane released as double side with strawberry fields forever in February 1967 by the Beatles during the Sgt, Pepper sessions (Penny Lane | The Beatles Bible. (n.d.). It was originally written by Paul McCartney but credited to Lennon -McCartney song writing partnership. The song was about a street near Lennon 's childhood home in Liverpool, England. Penny Lane is in the key of B Major with 108 BPM and a time signature of 4/4.
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An Analysis of Bruce Springsteen's 'Thunder Road' In everyone's life, at some point in time, there exists a certain, natural craving for something. The longing can only be described as the desire for something more, or perhaps the desire for an adventure. Bruce Springsteen undoubtedly was either at a point like this in his life, or at least had this in mind, when he wrote the song Thunder Road. This is a song that first reads like a scenario playing out between him and a young woman named Mary.
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“Caged Bird” written by Maya Angelou in 1968 announces to the world her frustration of racial inequality and the longing for freedom. She seeks to create sentiment in the reader toward the caged bird plight, and draw compassion for the imprisoned creature. (Davis) Angelou was born as “Marguerite Annie Johnson on April 4, 1928 in St Louis, Missouri”. “Caged Bird” was first published in the collection Shaker, Why Don’t You Sing? 1983.
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The world is no stranger to oppression. Madness driven from an inferiority complex based on racial stigma. Prohibition of freedom being yet another way to inflate this expanding social divide between the oppressors and the oppressed, between white and black. Within the poem I Know Why the Caged Bird Sings by Maya Angelou, this concept of social division due to the desire of freedom and the desire to restrict the freedom of others is explored through the implementation of a variety of literary devices: symbolism, metaphors, sudden tone shifts, and a constant underlying allegory. Driven by her own experiences being raised during a time period where segregation and racism were acceptable behavior amongst the masses, Angelou illustrates this problematic normalization of discrimination through the juxtaposition of a free bird to a caged bird to convey the theme of oppression and the hope of freedom brought on by such.
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