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The impact of colonization on indigenous people
Native american colonialism history
The impact of colonization on indigenous people
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The period of missionization was known to the Spaniards as a time to mold the Indigenous people into the spitting image of what they wanted; cultivating the Indigenous people into civilized, Christian practicing beings. However, through the eyes of the Indigenous people this period was considered to be the end of the world – an end to the world they came to know so well. Settler colonialism introduced a cruel and brutal world upon the Indigenous people, especially for Indigenous women who were targeted by the priests to fulfill their needs of lust, during the period of missionization. In the book, Bad Indians, author Deborah Miranda finds a captivating way of presenting the brave story of Vicenta Gutierrez, who fell victim to the priest on the mission and spoke up about her traumatic event, through the literary genre of a letter. Using the letter as her literary device, Miranda vividly illustrates the sexual violence brought upon Indian women and how the priests used rape to establish power on the missions had a dehumanizing effect on these women.
In Ada Maria Isasi-Diaz Mujerista Discourse: A platform for Latinas’ Subjugated Knowledge, she talks about the term “Lo Cotidiano” which translates to “the everyday” (Isasi-Diaz pg. 46), and she explains how this term is more complex than the actual meaning. She also explains that ‘lo cotidiano’ and the way every person lives their ‘cotidiano’ connects with the main idea of Mujerista Discoourse. In her writing, she discusses some personal experiences which bring a better understanding to the true meaning of lo ‘cotidiano’. Isasi-Diaz gives an in-depth explanation to what ‘lo cotidiano’ really means, or what it should mean.
The Power of Hope Gary Soto brings the impoverished, crime filled streets of the Mexican-American communities where he grew up to life by “evoking the harsh forces that often shape the life for Chicanos” (“‘Gary Soto’: Poetry Foundation” p. 1). He combines an archetypal young love poem with the concept of poverty to create the powerful poem: “Oranges” (1985). Soto also works with the notion of old age and the importance of life in his somber poem: “The Seventieth Year” (1986).
She poses more questions and introduces more concepts which leave the reader with this bittersweet feeling of nostalgia. In part three she touches on the subjects of genealogy as it pertains to desire. She extrapolates form the ideas of Sigmund Freud’s theory of the Psyche to argue how the Oedipus complex has left its imprint on Chicano/a cultures. She juxtaposes four “cultural bodies”, Selena, La Malinche, Delgadina, and Silent Tongue, which if read from a third space feminist interpretation shifts the perspective to unveil women’s desires through their own agency. She analyses the Oedipus complex and introduce the Oedipal conquest triangle.
Unlike DBC Pierre, Clendinnen has a more rigid contextual application to her history, having studied Anthropology and therefore approaching the Aztecs through the intensely human aspect, in the manner of history from below. In dealing with the reasons for defeat of the Aztec Empire, Clendinnen focuses on the intensely intimate and brutal cultural practices of battle and further war. She focuses intensely on the cultural forces, as defined by humans, in losing the war - and she raises the question of the adaptability of the Aztec Empire to the Spanish terms of engagement. She provides interesting insight into the inability for both the Spanish or the Aztecs to understand one another; clearly influenced by her background in Anthropology. Undoubtedly, her contextualisation of the downfall through the insuperable cultural clash and demands of ritual, that is hand to hand combat only and the criminal death system in battle is reflective of her familiarity with Anthropology - certainly her character dissection of Cortes is done in an intense, anthropological detail.
In his work “The Underdogs”, Mariano Azuela is able to master the spirit of villismo regarding both its theoretic, underlying principles as well as the movement’s subsequent physical manifestations. Though significant characters conduct themselves in a manner consistent with the humble agrarian spirit central to villismo’s origin, characters in this text also exhibit the disruptive, callous behavior that is more characteristic of the federalist forces and dictatorships they aimed to unseat. Moreover, Demetrio’s degenerating understanding of the reason he’s fighting, coupled with his few instances of immorality, symbolizes the collapse of villismo morality into its culminating bandit-ridden reality. Cowboys, farmers, and other agrarian people suffering from land and labor oppression united together as the diverse “pieces of a great social movement [to] exalt their motherland” . Demetrio and Solis embody this original character of villismo revolution, as they maintain a moral, humanitarian compass throughout the novel.
As a western civilization we are guilty of making other cultures seem strange and unrelatable by describing their culture in an exuberant way. However, Miner does an excellent job at executing the description of the “Nacirema” as foreign individuals with him being a American himself. This essay is told from an
The Great Gatsby. The Great Gatsby, a book written by the now well known F. Scott Fitzergerald uses a variety of social gatherings to portray how it affects the characters who inhabit them. In particular, this can be conveyed in three major ways: The small social gatherings used by Gatsby and Nick's associates, the massive parties thrown by Gatsby, and the funeral of him. Each one reflects a different occasion, and a lot can be told about the main characters and who they surround themselves with.
In the short story, “Mericans”, written by Sandra Cisneros, there are many underlying conflicts that surface throughout the story. The conflicts, in short, evolve around two very distinguished cultures. Furthermore, the clashing views regarding the two cultures cause a great amount of problems for many individuals in a society. The cultural differences can tremendously affect a society, as the clashing views can lead to a wide array of issues such as ethnocentrism, gender discrimination, stereotypes, as well as the health of many personal relationships. Cisneros begins to develop this conflict when the story’s narrator, Michele, describes the altar to La Divina Providencia in which the “awful grandmother” worships.
CRA: Anzaldua Borderlands In her poem “Borderlands,” Gloria Anzaldua strategically exposes readers to the true form of the Borderlands region as she conveys the internal incongruity that is rife with this state. As she characterizes the nature of the Borderlands, extending the idea of the Borderlands from a geographical region to an extensive social phenomenon, Anzaldua emulates an experience that is shared by many; conquered by fear. Anzaldua cogently employs the use of distinct structural elements within her poem as a form of illustrative depiction in order to express to readers the strenuous relationship between the inhabitants and their environment.
Marco Pérez Dr. Rony Garrido The short novel, Aura, by Carlos Fuentes creates a mythical reality to reference Mexican history. He uses Aura, Felipe Montero, and Consuelo as a reflection of the past and the present, where for example, Consuelo represents the past and Felipe the present. In this paper I will explain how the love story of Felipe, Aura, and Consuelo represent Mexican history. In addition this paper will explain how myth breaks down into different elements, such as religion, legends, traditions, and beliefs, all of which are manifested in the different characters and their actions within this novel.
The Broken Spears, by Miguel Leon-Portilla, is an all-inclusive and compelling account of the Spanish conquest, told by the Aztecs also known as the conquered. Leon Portilla’s choice of events depicted in this book collides together giving the reader a broad view of the Spanish conquest. This book gives a history of emotional and spiritual human experiences, allowing the readers to comprehend, and relate to the Aztecs as they went through terror and faced their fears. This book provides an extensive amount of details concerning lack of leadership, bias and technological hardship that led to the Aztec defeat. After reading this book the reader will start to understand how and why the Aztecs suffered .
In society, people should be ethically responsible with helping people. People act ethically responsible when one is in need of assistance because they let their sympathetic feelings of compassion take over their intentions. Ethical responsibility is a duty or obligation to ensure the individual’s well-being through specific commitments; such as saving someone from a certain tragedy. One piece of evidence from the text that demonstrates the sudden acts of ethical responsibility is “Can the Law Make Us Be Decent” by Jay Sterling Silver. Though many may argue that Silver’s argument is invalid, most will agree that his argument is in fact agreeable.
A tongue is one of the most important body parts, if that’s what we shall call it, that a human being has. If it was not for the tongue, it would be a very quiet world. Gloria Anzaldúa, born in 1942, near the large Rio Grande Valley of South Texas, was bound to make a difference in lives before she ever knew it. When Gloria turned eleven she started to work in the fields as a migrant worker and then started on her family’s land after the passing of her father. In Gloria Anzaldúa’s the short story, How to Tame a Wild Tongue, she describes her upbringing and growing up in a dual culture society split in two.
Among many advocacies contributed to on-going and loosely constituted film movement “New Latin American Cinema” starts from 1960s, the manifesto “Third Cinema” highlighted certain significant traits of film in Latin America. The word “third” does not necessarily refer to the Third World, yet it suggests a particular response to the first and second cinema, namely the mainstream industrial production in Hollywood and European auteur film respectively. These cultural hegemonic countries, such as United States, United Kingdom and France, are also the imperialist enforced neo-colonialism to Latin American countries. In conjunction with the struggle for national and continental autonomy in Latin America, filmmakers endeavour to liberate people from
