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Buffy The Vampire Slayer Sociological Analysis

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Buffy the Vampire Slayer, a show made by Joss Whedon, is a great show to watch when it comes to sociology. Besides the fact that the hero is a girl, there are many other sociological concepts within the show. The character in Buffy the Vampire Slayer all shows deviance at one point or another, there are very strong gender roles, the show includes various sex topics, and shows a tad bit of economics and social class. Buffy Summers is a Vampire Slayer, which means it is her job to kill vampires and other types of demons. She is supposed to kill vampires, not date them. Buffy dated Angel, who is a vampire. This was hard for her friends to comprehend and it took a lot of time to be accepted. This is an example of deviance because it is frowned upon by most. The one thing that made Angel and Buffy less deviant was something that was deviant itself. Once a human is sired (turned into a vampire) they lose their soul. Angel, however has a soul. This is unheard of, which makes him deviant. Another form of deviance in the …show more content…

Although the show doesn’t go very deep into this, there are some examples. Cordelia Chase is the schools mean girl. She’s popular, mean, rich and spoiled. She has money to buy high end clothes and shoes. She never had to work, and she often makes fun of the not so fashionable students in the school. She was rich, until her father got caught not paying his taxes for the last 12 years. Now, Cordelia has to work to afford her prom dress, which is shown in the episode “The Prom” in season 3. She ended up not having enough money to buy the dress, but her ex- boyfriend surprised her by buying it for her. Another example of someone being poor is Buffy. After the death of her mother, Buffy had to pick up the slack and find a way to pay the bills. She was poor. But eventually found a job, struggled and eventually it didn’t matter anymore because something very evil came and drove everyone out of

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There is a dichotomy in Buffy the Vampire Slayer: sinner or saint. Several characters are able to bridge this: Spike and Buffy being two of the notable examples, playing both roles throughout the series. However, the female vampires of the series consistently fall into the latter category of sinner, and not only that, but a sexually deviant or hyper sexualized sinner. There are no recurring female vampires in the show that do not become categorized in this extreme way. Willow is only a vampire in two different episodes (“The Wish” and “Dӧppelgangland”), yet the transformation that she undertakes is startling.

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Her oldest son doesn’t even believe that he’s poor. He tries to impress his friends with saying that he doesn’t walk with his brother because of the way he dresses he only walks with him when he dresses nice like him. I think the circumstances that she live in is hard to be part of. She lives in the middle of nowhere and the way she and her sons explain how they live is heartbreaking. When she shows the house around and we see her kitchen

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Poverty was the parent Jeanette never had. Through her childhood it was the only thing that was constant and gave her something to learn from. Both of her parents appeared and disappeared just as fast their paychecks and did not set good examples. Her mother enjoyed a free lifestyle with no sense of responsibility, while her father used what was earned for gambling, drinking, or women. Although the poverty Jeanette endoured in her childhood was always there to set its weight on her, it shaped her.

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Buffy The Vampire Slayer’s main character Buffy Summers is seen as a form of female empowerment. Sue Short wrote “Jenny Bavidge argues that the strongest theme in the series is ‘the insistent protest against the violence done to real girls and women’, going on to claim that Buffy’s trials show ‘that to be just a girl is often an epic task in itself’ ” (113). Short notes that the Buffy The Vampire Slayer series “avoids the standard ‘female in peril’ trope”. The creator, Joss Whedon, created the show in response to horror movies always killing off the pretty blond female who had sex.

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She was sent back to go work with blood everywhere. After she escaped, she reunited with her father which was freed from slavery at the age 45.

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Buffy the Vampire Slayer undeniably made deep and impactful connections with its target audience; teenagers. Though the main cast eventually grows up with its audience, Joss Whedon’s beloved series originally takes place in high school, juxtaposed to the dark and gritty secret life that Buffy hides from her mother. The series itself symbolizes the personal demons of teenagers and the ‘monsters’ they fight in what is a commonly difficult time for adolescents. Because of this prominent setting, education undoubtedly plays a major role in the show, both directly and symbolically. While knowledge is a highly valued commodity in the show, Buffy the Vampire Slayer criticizes liberal education – that is, an education that explores the basic and essential knowledge of multiple fields despite personal inclinations – in

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She begins by talking about her college experience of how her own professors and fellow students believed and “always portrayed the poor as shiftless, mindless, lazy, dishonest, and unworthy” (Paragraph 5). This experience shocked her because she never grew up materialistic. She brings up the fact that she is the person with the strong and good values that she has today because she grew up in a poor family. In culture, the poor are always being stereotyped.

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As the story tells, she was born poor, yet beautiful, fascinating, and clever with economy, which makes the founded

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