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Chapter 1 Structure And Form Study Guide

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CHAPTER IV
A. Structure and form
A-B-A form, Pentatonic scale, esatonic scale, Simetric structure, Using static Chord progression, contra melody, using Ostinato, development and variation melody, polyriytmic, contras dinamic, pattern syncoped ritme, trill, ostinato demisemiquavers.
a. Introduction
The music begins with a two‐bar introduction which produced by low‐pitched open fifths and added note harmonies. Low pitched open fifths as an opening.
b. A Section
The key signature of five sharps suggests B major or G♯ minor but neither key is properly established. Pentatonic‐style melody begins in m.3 and is then used as an ostinato. This melody contains tetratonic – C♯, D♯, F♯ and G♯. The harmonies change subtly, with the addition of a flat
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