Character Analysis Of Adela Strangeworth In The Possibility Of Evil By Shirley Jackson
The character Miss Strangeworth in the literature “The Possibility of Evil” in inconsiderate and a perfectionist. She is inconsiderate because of her thoughts and actions. For example, Miss Strangeworth thinks this “Miss Strangeworth noticed that Miss Chandler had not taken much trouble with her hair that morning, and sighed” (Jackson 112-114). This reveals how inconsiderate she is to others solely picking out their imperfections. Miss Strangeworth is also a perfectionist who disdains imperfection or sloppiness.
In Ray Bradbury’s novel, Something Wicked This Way Comes, temptations entice you and are sometimes irresistible as it’s brought on by the evil that lurks at the carnival which includes the man of many identities who tries to convince the most vulnerable characters to join the evil side and as a motif it because it represents the interaction between the freaks of the carnival and everyone else being tempted or coerced to join the autumn people. Mr. Dark who depicts darkness forces temptation on characters like charles Halloway with things they can’t have. Mr. Halloway dreaded the idea of not “being able to run any more” (Bradbury 131) like his son, Will. He just wants his youth back. Mr. Dark brings Mr. Halloway’s self esteem down by reminding him how old he is.
She acts in a caring manner to everyone’s face, but when she is alone, she becomes a heartless woman, determined to reveal what she knows. Miss Strangeworth is the one causing the distress in her community, yet she acts oblivious as to what is bothering everyone. She shows her extreme deceitfulness by attempting to ease Helen Crane’s concern about her child by saying “Nonsense… some of them develop… more quickly than others” (Jackson, 1941, p. 167). This is deceitful because she is aware that there is something different about the child and instead of voicing that, she consoles the mother, only to subsequently shatter her in an anonymous letter. Additionally, Miss Strangeworth cleverly utilizes the most common paper and envelops all townspeople use for her letters.
The author of this short story- Shirley Jackson begins the story by introducing Miss Adela Strangeworth as a sweet old lady “Miss Adela Strangeworth came daintily along Main Street on her way to the grocery.” And she pathetic fallacy to mimic nice mood “The sun was shining, the air was fresh and clear after the night’s heavy rain, and everything in Miss Strangeworth’s little town looked washed and bright. Shirley Jackson clearly wants the reader’s perspective on Miss Strangeworth to be pleasant,
This quote also gives you an idea of how Miss Strangeworth enjoyed gossip or talking about someone behind their back. Miss Strangeworth was writing letters to “The town where she lived had to be kept clean and sweet” it's ironic how she could say this when in reality she was doing all the evil of the town. The way Miss
While she writes the letters she “never concern[s] herself with facts; her letters all dealt with the more negotiable stuff of suspicion” (Jackson, 1965, p.169). While most people would mind their own business, Miss Strangeworth intervenes therefore writes untrue letters disguised as truth to all her neighbors. When writing these letters we find out that Miss Strangeworth might looks much the same as delicate rose, but she actually has sharp thorns, she is not what she
“She never left her yard, and nobody ever visited her.”. Due to the characteristics of Miss Lottie, and the unknowingness of where she
Miss Strangeworth knows everyone in the town, but only thinks of them as acquaintances not friends. She also always has to stop every minute to say good morning to someone. The town starts by admiring and being proud of Miss Strangeworth and her roses, but once they find out about her letters it is inferred that all of her relationships are gone in the town hates her. This is because they probably because they will find out that Miss Strangeworth was writing all of the other letters (besides the one that was dropped). The town apparently already did something horrible to her rose garden, and they will most likely do more horrible things to Miss Strangeworth and her
To develop the setting of the house, Gilman uses vivid diction to craft an image of the house to show how men a imprisoning the minds of women in Victorian society. Gilman introduces the house as a “colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity” (1066). Although her description uses the words “romantic felicity” which seem to carry a light tone, these words are preceded by the dark statement that the estate is a “haunted house”. By contrasting these two tones, Gilman foreshadows that the house in which the narrator is interned for treatment might seem magnificent and grand, but in reality, the house and the rest cure will turn out to be her doom. The foreshadowing hints that Gilman uses the contrasting description of the house to point out how physicians like John are oppressing women by denying them their right to a postpartum experience with their baby, a thing of “romantic felicity,” and instead, turning it into an ordeal as nightmarish as a “haunted house.”
Power, the ability to maintain control, command, or authority over others can often be determined by one’s reputation and his or her persuasiveness. This principle is displayed within The Crucible, a play written by Arthur Miller, in which follows the town of Salem, Massachusetts attempting to navigate through a “Witchcraft” outbreak supposedly lead by the Devil. Within such a theocratic society such as Salem, the Devil is often associated with death, fear, and uncertainty. While his name alone is often believed to be able to influence others in to following through in certain actions. The Devil, as a key figure behind the immense “witchcraft” occurring in Salem, is crafted by Miller as the most influential “character” due to his infamous reputation and his ability to control characters’ actions.
“The Most Dangerous Game” by Richard Connell is a story about a man, Sanger Rainsford, whose ideals and overall character change throughout the story, specifically about hunting, due to his encounter with General Zaroff. At the beginning of the story Rainsford is a stuck up man. He could not care less about any other living things other than humans. He believes all living wildlife are expendable and only there for his pleasure of hunting. During the story Rainsford has to make many quick and overall difficult decisions during his encounters with the ocean, General Zaroff, and the island wilderness to survive, that change how he thinks about animals.
However, when she goes back home to write her letter she then writes that “Mr. Lewis would never have imagined for a minute that his grandson might be lifting petty cash from the store register if he had not had one of Miss. Strangeworth’s letters” (Jackson 5). This behavior uncovers that when she is anonymous she
Miss Brill is lonely, has a completely messed up mind, and tries to hide her true self by trying to live other people’s lives. Miss Brill views each person at the garden differently. The people who are mostly like her are the ones she judges the most, “Miss Brill had often noticed-there was something funny about nearly all of them. They were odd, silent, nearly all old, and from the way they stared they looked as though they’d just come from dark little rooms or even-even cupboards!” (Mansfield 185).
The world she lived in was so ugly and plain and she choose to “create beauty in the midst of [all that] ugliness" (62). This helps to create the theme because even though Miss Lottie had so little she still worked hard to care for the beautiful marigolds. In “Marigolds” the author uses diction, symbolism and point of view, to develop the theme that people can create beauty even in the poorest of situations. Through diction, Collier is able to show the reader the contrast between the beauty of the marigolds compared to the run-down town the story is set in.
“Miss Strangeworth is a familiar fixture in a small town where everyone knows everyone else. Little do the townsfolk suspect, though, that the dignified old woman leads another, secret life…”. A secret life can be evil or good, in Miss Strangeworth’s case it is suitable, but do others appreciate this secret life. In The Possibility of Evil Shirley Jackson illustrates inner thinking, revealing action, and symbolism to show how Miss Strangeworth tends the people like her roses, but truly state's them evil.
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