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Purpose of the study in research of stress
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The book starts with a delinquent named Cole who likes to get into trouble with things like robberies, bullying and possibly drugs and alcohol. The first bit of the book starts off with Cole bragging about robbing a store and then a boy named Peter Driscal tattles on him and Cole gives him a mean glare and says, “ You’re dead!”. Later that day Cole finds Peter and brutally beats him while others watch and try to stop Cole. As part of his punishment he is told he has two options; number one being jail and number two being circle justice and a banishment to an island off the coast of Alaska. Cole choses the island and two men named Garvey and Edwin.
In the game of life, sometimes people are dealt a deck of cards that start off great but end up awful. Before anyone realizes it the first part of their life is over. Then there comes a choice “what next?” “Lou Holtz once said, ‘How you response to the challenge in the second half will determine what you become after the game, whether you are a winner or a loser.’” In the book Bleachers, the main character Neely Crenshaw is dealt a deck of cards much like that. After Neely takes one hit after another, he does not know what to do until he finds himself back in his hometown for his old coach’s funeral.
Civil rights issues stand at the core of Anne Moody’s memoir. However, because my last two journal entries centered on race and the movement, I have decided to shift my focus. In her adolescent years, Anne Moody must live with her mother, her mother’s partner Raymond, and her increasing number of siblings. As she reaches maturity, she grows to be a beautiful girl with a developed body. Her male peers and town members notice, as does her step father Raymond.
It is wholly recurrent to blindly skim through a detailed piece of literature and be unconscious to the likeness it shares with other pieces of literature. I am surely guilty of this ignorant practice, however. As I was reading “Hanging Fire” by Audre Lorde and “On Turning Ten” by Billy Collins, I didn’t truly perceive the connection right away. The obvious was already divulged in my mind; they’re both in the points of views of children. They, however, both have a mutual theme; growing up brings uncertainty and disappointment.
In literature and in life, misunderstandings create a divide in society. In “The Glass Castle” by Jeannette Walls, the Walls live a reckless lifestyle and frequently move around the country, as a result of their denial towards society. “Poetry” by Marianne Moore describes Moore’s complicated relationship poetry because it is often not true, raw emotion. “The Glass Castle” and “Poetry” are representative of the constant battle between self and society.
Paul Dooley and Winnie Holzman’s Post-its (Notes on a Marriage) is an accurate representation of how fast life actually goes by once one becomes an adult. The play begins with two maturing adults, Actor and Actress, in the beginning stages of a dating relationship, and they quickly develop into a dysfunctional family of three. The scenes then progress to a renewed relationship between Actor and Actress, and as time goes on, one proceeds to witness Actor, Actress, and Eugenia grow and mature. While one reads the play, one sees that Actor and Actress’s relationship takes time and communication for them to grow together.
We often encourage people to actively pursue their happiness while also wanting to discourage them to escape from reality. However, avoiding your issues is also a way of pursuing happiness, even though this route will prove to be temporary. In the literary piece, “Horses of the Night” by Margaret Laurence, the author describes the story of a boy named Chris, who, due to his financial conditions, is forced to move from his home in Shallow Creek to dwell in Manawaka, in order to attend high school. Chris’ character is used to demonstrate the idea that individuals may escape from the miserable aspects of their lives in order to stay happy. Through the course of this work, you witness the changes Chris undergoes, through the eyes of his six-year-old cousin Vanessa, which ultimately lead to his downfall.
It was in the middle of the night, the uneven desert sand lurching the speeding car up and down. Threatening to run Mom over, Dad hollered, “You crazy b****… Get your godda** a** back in this car!”. “You make me, Mr. Tough Guy!” [Mom] screamed back as she desperately ran away. In the memoir, The Glass Castle by author Jeanette Walls, Jeanette often experiences such abusive, violent acts from her father.
Stories are the foundation of relationships. They represent the shared lessons, the memories, and the feelings between people. But often times, those stories are mistakenly left unspoken; often times, the weight of the impending future mutes the stories, and what remains is nothing more than self-destructive questions and emotions that “add up to silence” (Lee. 23). In “A Story” by Li-Young Lee, Lee uses economic imagery of the transient present and the inevitable and fear-igniting future, a third person omniscient point of view that shifts between the father’s and son’s perspective and between the present and future, and emotional diction to depict the undying love between a father and a son shadowed by the fear of change and to illuminate the damage caused by silence and the differences between childhood and adulthood perception. “A Story” is essentially a pencil sketch of the juxtaposition between the father’s biggest fear and the beautiful present he is unable to enjoy.
This boy was only dreading his trip to his new private school 30,000 feet in the air before blacking out and finding himself stranded and alone in a deserted island. But within the short time span of five weeks, he’s innocence was taken from him. I am lucky to interview Ralph Bradshaw, age 12, after weeks of silence, of his deadly, horrifying experience in the stranded island he would call “Hell” itself. Many know the tale of the 47 boys mysteriously disappearing and found wild-like, but Ralph knows there was more to it. After befriending Stanley and Simon, (seen in Pg. 2) he was appointed leader by majority vote.
Theodore Roethke’s poem, “My Papa’s Waltz,” discusses a child and father’s interactions within their kitchen as the mother watches while frowning. Roethke delivers his work through the child’s perspective, an unreliable speaker, which enables an ambiguous tone. This allows the reader to interpret the child and father’s relationship in many ways. Words involved in Roethke’s diction, such as “waltzed,” “romped,” and “dizzy,” indicate enjoyment within the relationship. On the other hand, “beat,” “death,” and “battered” create a sinister picture of abuse.
To Change is to Grow Through the book “The Road” by Cormac McCarthy the boy and the father show a great amount of change and maturity, while also learning to adapt and love. The story has a good balance of how different events can affect and impact someone's life in either a good or bad way. There are many events that change the mind and heart of the boy and father, but change can only be helpful if you learn from it and mature out of being afraid for things to happen. The stories main idea is very tragic in a dark, grey world where nothing ever good happens and instead of learning to live your preparing to die.
When most people describe islands they are usually focused on the beautiful beaches. Much like with adulthood kids only see the “beaches”. In reality there is a lot more that goes on behind the pretty beaches. The rest of the island is scary and dark. Once the boy have to venture past the beaches they realize how scary the island (adulthood) really is.
In some works of literature, childhood and adolescence are portrayed as times graced by innocence and a sense of wonder; in other works, they are depicted as times of tribulation and terror. In Lord of the Flies by William Golding the author portrays that children are not completely innocent. Golding’s representation of childhood and adolescence also shows us the attitudes children have towards participating in work. In Lord of the Flies Golding portrays that children are not completely innocent.
Neil Gaiman is a Hugo award winning British author of short stories, graphic novels, comic books, audio titles and films. Some of his notable works include ‘Stardust’, ‘Neverwhere’, ‘Good Omens’, ‘The Sandman’ series of graphic novels, etc. ‘The Ocean At The End of The Lane’ written by Neil Gaiman, is a book that is spoken through a child’s perspective, of the world around him. The book deals with the unstable emotions that the protagonist, a child goes through that eventually leads to a disconnect between his childhood and adulthood.
