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How culture affects identity
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In “Legal Aliens”, “A Indian fathers plea “and Everyday use how that it affects cultural diversity because as individuals we don’t give each other respect. In Pat Mora’s “Legal Alien”, she feels like she is cultural unwanted in her own country. ” You may speak Spanish but you’re not like me” (Mora 40). One’s eyes look at her like that and she could just see them say that.
“Never Marry a Mexican” is both the title of Sandra Cisneros’ short story published in the collection Woman Hollering Creek, and one of the most ironic as well as provocative statements present in the Chicana literature. The story itself is a critical as well as self-reflexive exercise in understanding concepts such as gender, race and ethnicity. Working with the presumption that the affiliation to distinct gender as well as racial and ethnic background is determined by the certain level of performativity, Cisneros illustrates difficulties in performing a double role , frequently faced by the second and the third generation of Mexican immigrants in the United States. Following paragraphs will consider Cisneros’ story with Judith Butler’s concept
Sandra Cisneros- The Chicana Pioneer Growing up, Sandra Cisneros was restrained by poverty, family problems, feeling inferior, and loneliness depicted in The House on Mango Street “Until then I am a red balloon, a red balloon tied to an anchor” (Cisneros). She looked to reading as an escape, because that was where she found friends- among the characters in her story books. Her writing is shaped by what she has experienced in her life. She grew up during the civil rights movement, which also helped to create the feeling of inferiority that she was accustomed to.
Gloria Anzaldúa, in the essay “How to Tame a Wild Tongue” (1987), claims her experiences as a Chicano taught her that her culture was not looked at highly in comparison to the English language. Anzaldúa argues her view about her Chicano language by giving examples of both cultures Chicano Mexican and American cultures. Anzaldúa’s purpose is to inform her audience on how it is to grow up in a Chicano speaking family. Anzaldúa writes in a frustrating tone throughout the story of her life experiences. Thesis: Anzaldúa use of her personal experiences, and Music, Film and Literature are relevant sufficient and
Chicana/o was positioned between indigenism and indigeneity because it emerged from various forms of creativity and political face during the Chicano movement. In addition, it was established following redeployment of different tools from the initiative of the previous indigenism but having different goals and motives as well as the outcome (Rios, 2013). During the late stages of artistic development, pictorial presentations of the indigeneity have been openly embraced by Mexico. It has been widely used as a means of declaring the voice of independence.
The immigrants entering the United States throughout its history have always had a profound effect on American culture. However, the identity of immigrant groups has been fundamentally challenged and shaped as they attempt to integrate into U.S. society. The influx of Mexicans into the United States has become a controversial political issue that necessitates a comprehensive understanding of their cultural themes and sense of identity. The film Mi Familia (or My Family) covers the journey and experiences of one Mexican-American (or “Chicano”) family from Mexico as they start a new life in the United States. Throughout the course of the film, the same essential conflicts and themes that epitomize Chicano identity in other works of literature
As a Latina been raised in the USA, I considered Latinos been a multi culture ethnic group. We do share some customs but no all, one of the distinctive are the fact that even though we speak the same language , our accent, pronunciation and some words can be same, but have different meanings, for example Dominican, Cuban and Puerto Rican. We all come from the Caribbean but our music, food, customs and some religious beliefs are totally different. Every country has their unique flavor; they own flags, celebrations, etc. therefore that allow some discrimination because everybody thinks their own kind is better than the others Latinos.
This article examines Rudolfo Anaya, Tomas Rivera, and Reyna Grande attempt to capture the cultural identity of Mexican American by interweaving the lives of their protagonist and that of their families with religion, spiritualism, myth, and mysticism. The author compares the internal pilgrimage of the young protagonist from Anaya’s Bless Me, Ultima, Rivera’s … And the Earth Did Not Devour Him and Grande’s The Distance Between Us: A memoir to find their shared identity as Mexican Americans by interweaving Spanish and indigenous religious figures. On The Distance Between Us: A memoir the author emphasizes on the way in which Abuelita’s Chinta role as the curandera gives peace to Grande after being indirectly abandoned by her parents.
Furthermore, he describes the multiple forms of control Chicana women face when he states, “The Chicana is first of all oppressed economically, socially, and politically by virtue of her being a woman. Secondly, the Chicana as a member of an oppressed ethnic and/ or racial group is limited to the same extent as the Chicano by the dominant Anglo society” (50). However, he fails to mention the experiences of queer women, which implies how the Chicano
The Chicana feminism movement is an important powerful movement that has started long time ago and is still on going. There have been several Chicana writers that has helped this movement with their uplifting encouraging stories about women empowerment. On of those writers that I feel have helped in the Chicana Feminism movement is Sandra Cisneros, with her short stories book, “Women Hollering Creek.” This book is filled with some stories of women empowerment like the short story titled “Women Hollering Creek,” Women Hollering Creek is short stories about a woman name Cleofilas who is in an abusive relationship and is afraid to leave him because of the way she was brought up she felt that she needed a man to be able to survive in this world, that without a man she would die. Eventually she manages to summon the courage to leave him with the help of a mutual friend name Felica who drives her to San Antonio to get the bus back home.
I endure an ongoing conflict within myself due to my identity. This conflict is by reason of the duality and hybridity of my culture. I am a product of Mexican immigrants born and raised in the United States. My experiences and where I came from have heavily influenced my sense of self. My identity has been constantly fluctuating since I recognized myself as Chicana and Mexican-American.
Men within the Chicano community felt that they were done a social injustice by “white” citizens. Moreover, women who were “white” felt that they were done an injustice by white males. The contradiction of the border, stated in the preface, is due in part to the Chicano community believing that they were better than the “white” community. Furthermore, the men of the Chicano community had done a gender injustice to the
I was already extremely eager and curious about what the next portion of the ethnic studies course was. As I finished writing in my notebook, I gazed up at the whiteboard at the exact moment that my teacher wrote the last letter on the board, “t”, in “The Chicano Movement.” Afterwards, class promptly commenced when we began watching a PBS documentary called “The Chicano Movement” as an introduction to the Chicano Movimiento. Throughout the documentary, my twelve-year old self finally saw my racial identity being represented in a history class for the first time in my school career. The documentary depicted the harsh endeavors of achieving social justice for the Chicanx community of the Brown Berets and other Chicanxs active in the movement.
The Myth of The Latin Woman Analysis Latin American women face challenges every single day and moment of their lives. They are strongly discriminated against in all sectors of employment, in public places, and even while just walking down the street. In her essay, "The Myth of the Latin Woman," Judith Ortiz Cofer describes her own experiences using illuminating vignettes, negative connotation, and cultural allusion to exemplify how she used the struggles in her day to day life as a Latin woman to make herself stronger. Cofer uses illuminating vignettes to illustrate the different situations she encountered as a Latina while growing up and living in America.
The Rhetorical Analysis of “The Myth of the Latin Woman” There are many examples of incidents happened because of cultural differences. Some of them are short, single events, while other follow a person or social group for decades. Professor Judith Cortiz Cofer describes the second example in her essay The Myth of the Latin Woman that was originally published in Glamour in 1992. The author focused on the stereotypical view of Latin women from the perspective of the personal experience as a Puerto Rican girl and woman in the USA. Cofer based her essay on examples from her own life and observations of the problem in a broader sense.