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Hip hop and it effects on african americans
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In “Prophets of The Hood”, by Imani Perry, she discusses and expresses her thoughts on the complexity of politics and poetics in Hip Hop. The novel describes Perry’s true meaning of Hip Hop. Throughout the novel, the author reveals four elements that make Hip Hop “black american music”. Two out the four elements that were discuss are political location of black americans and black oral and literary tradition. I agree with Perry’s idea that political location of black americans and the discourse of english in african americans creates black english/ebonics in hip hop that makes it their music.
This music that once made visible the inner culture of America’s greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, 3). McBride reveals how hip-hop talks about a nation’s social issues and makes people aware of them. This demonstrates that hip-hop is powerful because it educates people on both past and current issues that their nation has faced. Finally, hip-hop is stimulating and commanding because even though it has evolved, it still urges people to put an end to racial
The article “Hip Hop Planet” by James McBride is about how hip hop is not his favorite type of music but, it needs to be heard. McBride shows us this by explaining that he avoided hip hop most of his life. In the article McBride says that he basically ignored “the most important cultural event in my lifetime.” James informs us that hip hop has influenced the world globally and that it has become a phenomenon. Furthermore, McBride made clear that he eventually realized that hip hop is much more than just music, it has a message.
Chapter two of Cathy J. Cohen’s book Democracy Remixed focuses on the implications of the negativity surrounding rap genre music. In addition, Cohen discusses the effects that popular black media figures have when trying to address the issue of troublesome youth and the vulgarity of their self-expression. Cohen believes that the older generation of the black community demonizes aspects of black youth culture when there are other factors to take into account when discussing the lack of success among young black people. These factors include modern oppression, a privation of adequate educational systems, the absences of low-wage, low skill jobs, unfair incarceration systems etc. Moreover, Cohen makes an argument that it is not only rap, but the voices inside the black community that help to demean black youths.
In the late 1970s, a new musical culture appeared that had a very important impact, not only upon American culture, but also upon American mentality, lifestyle, language and behavior. It was the hip-hop culture which was not all about music. It could build personality, change your mentality, and change your lifestyle. Hip-hop and rap have been cultivated by African American culture since it’s birth and it still presumes to be.
These kids saw music as their way out of Compton and formed a group that we know today as N.W.A. Their rise during the Reagan administration was a turning point for hip-hop. Their music was raw and unapologetic, and it spoke to the frustrations and realities of many
Claiming Hip-hop: Race and the Ethics of Underground Hip-hop Participation This article reveals the connection between race, ethics and hip-hop. Harrison exposes the racial boundaries in regards to hip-hop. Within hip-hop debates the one constant idea is the centrality of African American culture and their identity. Harrison goes on to acknowledge the presence of the black race’s influence on hip-hop and rap, through television and media. “Real hip-hop’” is associated with blackness, however white rappers are often perceived to influence “fake hip-hop.”
Also, we included their desires for freedom of speech and the influence that these artists have on the youth. Everyday people are striving to become the next Ice Cube, Snoop Dogg, Will Smith and so on, which has a major effect on what the African-American youth portray themselves as. What was shocking to discover was that rap shares its roots with other popular forms of African-American music, such as jazz, blues, and soul. The difference between rap and the other types of music, is that rap is a part of personal and political expression. That difference has allowed hip-hop to become one of the most prominent industry in the United States.
Kaitlyn, Referring to question 6, you are correct when you say that double consciousness is related to Blackness and Americanness, however I would like to add that it specifically refers to white hegemonic Americanness, which contributes to the bind that many of these hip hop artists feel in regards to the exclusive boundaries between these two different cultures. Specifically, Hess in his essay “The Rap Career” within That’s the Joint refers to this when “artists work to produce marketable music for mainstream listeners, yet at the same time to maintain a necessary level of accountability to the music’s cultural origins. Often times these artists feel like they may have to assimilate into this white capitalist culture in order to adhere to their white, wealthy artist, along with the white recording labels they often must sign with in order to gain national fame and monetary success. This consciousness can lead many to feeling like “sell outs” for involving themselves with the culture and its people who continue to contribute and benefit from these artists’ racial oppression that ultimately led to the creation of this new genre of music and thus, hip hop
It is easy to see the parallels between hip-hop and traditional African oral culture. Hip-hop artists use their music to tell stories and convey their opinions on different social and political issues. This is easily compared to tribal griots teaching history and telling stories in Africa. Since its creation, rap has been looked down upon due to the content. Traditionally, hip-hop music has lyrics filled with violence, drugs, and misogyny because most rappers portray the life of a “gangster”.
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
Hip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate
Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.
